Showing titles in Writing & Publishing

How can you cheat… at drinking wine? It turns out you can. And when you do, a whole world of power, ego and money will unravel. Corked is the scandalous saga in the glamorous, competitive and mysterious world of fine wines.

Compelling and masterfully written, Duty to Warn is the inside story of a young journalist fighting to uncover the facts whilst coming up against a powerful individual determined to stop her. It delivers a rare window into legal and ethical reckoning in medicine and in journalism. Ultimately, it is a story about the duty to warn, what it means, and the catastrophic outcomes that can ensue when a doctor fails to uphold their ethical responsibilities.

Beginning with the story of a simple burglary at Democratic headquarters and then continuing with headline after headline, Bernstein and Woodward kept the tale of conspiracy and the trail of dirty tricks coming - delivering the stunning revelations and pieces in the Watergate puzzle that brought about Nixon's scandalous downfall. Their explosive reports won a Pulitzer Prize for The Washington Post and toppled the president. This is the book that changed America.

In this widely acclaimed memoir ("Riveting, moving...a wonderful book" The New York Times Book Review), Katharine Graham tells her story—one that is extraordinary both for the events it encompasses and for the courage, candor, and dignity of its telling.

From one of Australia's leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media need to believe Black witnesses and showcasing ways that journalism can be used to hold the powerful to account and make the world a more equitable place. Black Witness is the essential collection of First Nations journalism that we need right now – and always have.

Stein on Writing provides immediately useful advice for writers of fiction and nonfiction, whether newcomers or accomplished professionals. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of usable solutions, how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place."

Spanning 15 years of work, Everywhere I Look is an audiobook full of unexpected moments, sudden shafts of light, piercing intuition, flashes of anger and incidental humour. It takes us from backstage at the ballet to the trial of a woman for the murder of her newborn baby. It moves effortlessly from the significance of moving house to the pleasure of rereading Pride and Prejudice.

This House of Grief is a heartbreaking audiobook by one of Australia's most admired authors. Anyone can see the place where the children died. You take the Princes Highway past Geelong, and keep going west in the direction of Colac. Late in August 2006, soon after I had watched a magistrate commit Robert Farquharson to stand trial before a jury on three charges of murder, I headed out that way on a Sunday morning, across the great volcanic plain.

Bill Bryson is the world's funniest travel writer, and a master of comic observation. His hugely popular books, spanning topics from linguistics to Shakespeare to the human body, have sold over 16 million copies and been translated into 30 languages, and his 2003 science book A Short History of Nearly Everything won the prestigious Aventis and Descartes prizes.

Setting up your life to write a PhD has a single goal: to ensure that PhD students have the support, preparation and context to succeed. Too often words and phrases like 'burnout' or 'writer's block' are used to mask a complexity of motivational, task or time management issues. But writing is difficult. Writing a PhD is even harder.

What is Australia’s place in the new global landscape? Are we ready for our post-American future? In an era of rising danger for all, and dramatic choices for Australia, Hugh White explores how the world is changing and Australia should respond. Under Donald Trump, America's retreat from global leadership has been swift and erratic. China, Russia and India are on the move. White explains the big strategic trends driving the war in Ukraine, and why America has "lost" Asia.

What will it take to stop gendered violence? What went wrong? Australian governments promised to end violence against women and children in a single generation. Instead, it is escalating: men have been murdering women at an increased rate, coercive control and sexual violence are becoming more complex and severe, and we see a marked rise in youth-on-youth sexual assault. Why? In Losing It, Jess Hill investigates Australia's National Plan to End Violence Against Women and Children to find out what's working and what's not – and what we can do to turn things around.

Stephen Fry believes that if you can speak and read English, you can write poetry. But it is no fun if you don't know where to start or have been led to believe that anything goes. Stephen, who has long written poems, and indeed has written long poems, for his own private pleasure, invites you to discover the incomparable delights of metre, rhyme and verse forms.

From the Man Booker Prize-winning, New York Times best-selling author of Lincoln in the Bardo, a literary masterclass on how to become both a better writer and reader, on what makes great stories work and what they can tell us about how to live. In A Swim in a Pond in the Rain, George Saunders guides the listener through seven classic Russian short stories he's been teaching for 20 years as a professor in the prestigious Syracuse University graduate MFA creative writing program.

In this perceptive, compelling essay, Katharine Murphy offers a profile of Anthony Albanese in motion – a piece about character, the balance of forces, and the mood of the nation. Are Albanese and his party up for change? Are Australians up for it? What does the new prime minister embody, if anything? Has the centre of the polity shifted, with the success of the Teals and the Greens? Where could – and should – the new government be ambitious?

In Building a StoryBrand 2.0, Donald Miller not only deepens his teaching on how to use his seven universal story elements—he'll provide you with one of the most powerful and cutting-edge tools to help with your brand messaging efficacy and output. The StoryBrand framework is a proven process that has helped thousands of companies engage with their existing customers, giving them the ultimate competitive advantage. Now you can have access to the perfected version, making it more essential.

Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 "beats" (plot points) that comprise a successful story - from the opening image to the finale - this audiobook lays out the 10 story genres ("Monster in the House"; "Whydunit"; "Dude with a Problem") alongside quirky, original insights ("Save the Cat"; "Shard of Glass") to help novelists craft a plot that will captivate - and a novel that will sell.

The sentence is the common ground where every writer walks. A poet writes in sentences, but so does the unsung author who came up with Items trapped in doors cause delays. A good sentence can be written (and read) by anyone if we simply give it the gift of our time, and it is as close as most of us will get to making something truly beautiful. Enter acclaimed author Professor Joe Moran. Using minimal technical terms, First You Write a Sentence is his unpedantic but authoritative explanation of how the most ordinary words can be turned into verbal constellations of extraordinary grace.

No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

In June of 1999, Stephen King was hit by a van while walking along the shoulder of a country road in Maine. Six operations were required to save his life and mend his broken body. When he was finally able to sit up, he immediately started writing. This book - part biography, part a collection of tips for the aspiring writer - is the extraordinary result.