Showing results by publisher "--Tyson Hanks" in History & Criticism

Listen to This stands out as the first book exclusively dedicated to Davis' watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for 10-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock and roll and as Davis faced large changes in social conditions affecting the African-American consciousness.

Suddenly the music is not notes or a tune, but what those seven people are exactly: the music is an aural holograph of the Grateful Dead. All their fibers, nuances, histories, desires, beings are clear. Jerry and his questing, Phil the loyal comrade, Tom drifting beside them both on a cloud, Pig staying stubbornly down to earth; Mickey working out furious complexities trying to understand how Bill is so simple, and Bob succumbing inevitably to Jerry and Phil and joining them.

Da Andrea e Franz Campi, musicisti e artisti della scena bolognese, da sempre appassionati di musica italiana e di teatro. La canzone popolare italiana ha segnato un'epoca, due secoli fatti di versi e musica, dove i protagonisti sono le persone del popolo, prive di qualsivoglia cultura o preparazione accademica, ma dotate di un grande senso del ritmo, della poesia e della musicalità. Dal popolo sono nate "canzonette" ormai simbolo della nostra cultura, come "O Sole mio", "O surdato 'nnammurato", "Mamma" e "Volare".

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

A chi è dedicata questa collana? A chi ha spesso sentito parlare di un certo artista o di un certo genere musicale ma non lo conosce perfettamente. A chi non è interessato a biografie "vita morte e miracoli" e a noiosi trattati su un genere o un altro, ma unicamente a ciò che in ambito musicale conta davvero: la musica.

A chi è dedicata questa collana? A chi ha spesso sentito parlare di un certo artista o di un certo genere musicale ma non lo conosce perfettamente. A chi non è interessato a biografie "vita morte e miracoli" e a noiosi trattati su un genere o un altro, ma unicamente a ciò che in ambito musicale conta davvero: la musica.

Sex, No Drugs & Rock'N'Roll: Memoirs of a Music Junkie is a "balls-to-the-wall" coming of age narrative explicitly told through the eyes of a musical "baby-boomer Holden Caulfield", simultaneously maturing with the country itself. From the 50s' innocent invulnerability following WWII, to the teenage years of rebellion and political unrest in the 60s, to the disillusionment and cynicism of the late 70s, sowing the seeds for the "me" generation to come. The dots connected in two universal languages: music and sex.

In It for the Long Run: A Musical Odyssey is Jim Rooney's kaleidoscopic firsthand account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer. As witness to and participant in over half a century of music history, Rooney provides a sophisticated window into American vernacular music. Following his stint as a Hayloft Jamboree hillbilly singer in the mid-1950s, Rooney managed Cambridge's Club 47, a catalyst of the '60s folk music boom.

Neste audiolivro, o jornalista e crítico musical Irineu Franco Perpetuo conta a História da Música Clássica a partir da Idade Média, com seu cantochão. Depois, explica o que era a prática da polifonia, fala dos trovadores, da Ars Nova e da escola franco-flamenga.

This is a content-heavy audiobook with a lot of analysis. It is designed for Beatle fans new and old. This is a band that has transcended generations. Future generations will be following the songwriting model Lennon, McCartney, and Harrison created with the great arrangement and production guidance from George Martin.

An American institution, Sun Records has a history with many chapters: its Memphis origins with visionary Sam Phillips, the breakthrough recordings of Elvis Presley, and the studio's immense influence on the sound of popular music. But behind the company's chart toppers and legendary musicians there exists another story, told by Barbara Barnes Sims. In the male-dominated workforce of the 1950s, 24-year-old Sims found herself thriving in the demanding roles of publicist and sales promotion coordinator at Sun Records.

Woodstock, more accurately entitled the Woodstock Music Festival; An Aquarian Exposition: Three Days of Peace and Music, represents one of the most enduring symbols of the youth movement of America's late 1960s and early '70s. As the public pinnacle of that social phenomenon, the giant festival that overwhelmed a section of an upstate New York farm for a week during a time of national and international upheaval evolved from a typical speculative financial venture to a defining historical monument.

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip-hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip-hop through an analysis of song lyrics, the words of the prophets of the hood.

Almost from the second they played the first note, the Beatles would be hit with the resounding screams, which made it impossible for them to even hear themselves sing. When they made their American debut on The Ed Sullivan Show in early 1964, they were greeted by young fans who whipped themselves up into such a frenzy that some of them fainted. Beatlemania had struck North America, creating a musical and pop culture phenomenon unlike anything the world had ever seen.

Born in Mississippi, a young kid named Elvis Presley came to Memphis as a teenager and changed music forever. Fusing country and rhythm and blues with rock, Elvis brought traditional African-American sounds to the forefront of music in the 1950s, but he did so as a handsome white man before the height of the Civil Rights Movement. On top of that, his famous stage fright led to the hip gyrations that would make him the envy of young girls and the scorn of their parents.

Sir Paul may have never topped the highs established by the Beatles, but he has gone on to have the longest and most productive solo career of the four. While that was helped in part by the tragic murder of Lennon in 1980, McCartney has nonetheless remained at the forefront of pop culture since 1970, and the Guinness Book of World Records has recognized him as the most successful recording artist of all time. Indeed, McCartney wrote or co-wrote over 30 #1 hits and has sold over 100 million albums and 100 million singles in his music career.

A reaction to the likes of the previous decade's yuppies and acts like M.C. Hammer, grunge became a sound and culture for angst-ridden teens and the disaffected youth who were proud to be plain. Combining punk, metal, and hard rock, the grunge sound emanated out of Seattle from groups like Nirvana, Pearl Jam, Soundgarden, and Alice in Chains, giving the young decade its trademark sound.

Martin Schleske, einer der großen Geigenbauer der Gegenwart, liest die besten Passagen aus seinem Buch und gewährt einen akustischen Einblick in seine international renommierte Werkstatt. Dabei zeigt er, wie für ihn die Kunst des Geigenbaus ein Gleichnis für persönliche Entwicklung und für das Streben nach dem richtigen Platz im Leben ist. Und wer schon immer wissen wollte, wie eine Schleske-Geige tönt: Der Geiger Alban Beikircher, Solist u. a. bei den Münchner Symphonikern, bringt sie in diesem Hörbuch zum Klingen.

Über ihre Beziehung zur Welt der Töne und Harmonien berichten so unterschiedliche Menschen wie Reinhard Mey, Roger Willemsen, Heiner Geißler, Axel Hacke, Volker Schlöndorff...

Wie aus einem marxistischen Lied ein Weihnachtsklassiker wurde "Stop the Cavalry", warum der Song "California Dreamin" nur im Winter entstehen konnte, welcher Hit von Elvis aus der Feder eines italienischen Geigers stammt, der mit dem Winter in der Ukraine nicht klar kam...