Showing results by publisher "Dreamscape Media, LLC" in Music

The legend of Bruce Springsteen may well outlast rock ’n’ roll itself. And for all the muscle and magic of his life-shaking concerts with the E Street Band, his legendary status comes down to the songs. Here, longtime Rolling Stone writer Brian Hiatt digs into the writing and recording of the songs on Springsteen’s studio albums, from 1973’s Greetings from Asbury Park, NJ to 2014’s High Hopes (plus all the released outtakes), and offers a unique look at the legendary rocker’s methods, along with historical context and scores of colorful anecdotes.

The seminal rap group A Tribe Called Quest brought jazz into the genre, resurrecting timeless rhythms to create masterpieces. This narrative follows Tribe from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Throughout the narrative, poet and essayist Hanif Abdurraqib connects the music and cultural history to their street-level impact and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself.

Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age 10, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker and encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark.

Elton John is as much loved for his outrageous personality and witty outspokenness as for his music. Such shamelessness and sheer silliness rivals anything uttered by punk rockers, yet it is so typically Elton: honest and intemperate. Tragedy and heartbreak have played a large part in his life. Behind the parties, the hedonism, the lavish stage costumes, and silly glasses lies a more somber story. Between disputes with managers, legal wranglings, public breakups, and divorce, John has been faced with serious health problems and drug addictions.

All prior histories on the blues have alleged it originated on plantations in the Mississippi Delta. Not true, says author Chris Thomas King. In The Blues, King presents facts to disprove such myths. For example, as early as 1900, the sound of the blues was ubiquitous in New Orleans. The Mississippi Delta, meanwhile, was an unpopulated sportsman’s paradise - the frontier was still in the process of being cleared and drained for cultivation. Moreover, this book is the first to argue that the blues began as a cosmopolitan art form, not a rural one.

In this magisterial volume, Harvey Sachs, author of the highly acclaimed biography Toscanini, takes listeners into the heart of 10 great works of classical music - works that have endured because they were created by composers who had a genius for drawing music out of their deepest wellsprings. These masters - Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky - communicated their life experiences through music, and through music they universalized the intimate.

Quincy Troupe's account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistically and personally. A keen and critical observer, Troupe captures and conveys the power of Miles' presence, the mesmerizing force of his personality, and the restless energy that lay at the root of his creativity.

This is the story of the 36-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music”. During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public.

By the early 90s, singer-songwriter and former Blake Babies member Juliana Hatfield was in a position most aspiring alternative rockers only dream of: her solo career was taking off. Then, after canceling a European tour to treat severe depression and failing to produce another hit, she spent a decade releasing well-reviewed albums on indie labels and performing in ever-smaller clubs. No longer willing to play a kid's game by kid's rules, Hatfield resolved to take a year off and experiment with being a civilian. And that year reawakened her creative passion.

Bob Dylan is an internationally best-selling artist, a Pulitzer Prize-winning author, and an Oscar winner for Things Have Changed. His career is stronger and more influential than ever. How did this happen, given the road to oblivion he seemed to choose more than two decades ago? What transformed a heroin addict into one of the most astonishing literary and musical icons in American history?