Without Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen’s hugely successful album The River should have been the hit-packed Born in the U.S.A. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, Nebraska is arguably Springsteen’s most important record—the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself.

In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl's halftime show. The experience was so exhilarating that Bruce decided to write about it. That's how this extraordinary autobiography began. Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to this audio the same honesty, humor, and originality found in his songs.

Bruce Springsteen grew up in a blue-collar New Jersey town where his parents struggled to make ends meet. Bruce didn't fit in at school but found solace in rock and roll and playing guitar. After the breakup of a local band he'd joined, Springsteen went out on his own, and people began to take notice. He signed with Columbia Records and, under pressure to come up with a hit, wrote "Born in the USA", which tells the story of America during the years of the Vietnam War.

Smart and incisive, this unique book takes us through Bruce Springsteen’s life by tracing the cultural, political, and personal forces that shaped his music. Beyond his constant stylistic adaptations, Springsteen developed over the decades from expressing the voice of a guy from working-class New Jersey to writing about the larger issues facing the country, including war, class disparity, and prejudice. Marc Dolan draws on a range of new and little-known sources - including hundreds of unreleased studio recordings and bootlegs of live performances - making this an indispensable reference for avid Springsteen fans as well as those interested in learning the stories behind his music.

In David Coggins’s previous book, The Optimist, he tackles the techniques of fly fishing and meditates on its virtues, recounting his triumphs and frustrations. Now, in The Believer, he deftly mixes travel, local cultures, further fishing challenges (some knee-buckling in their disappointment), and details his own experience as life and love crowd his time to fish. Coggins embarks on seven far-flung fishing voyages, away from screens and social media, not answering his phone, reveling in humanity’s undying yearning for a quest, for the rituals and rites of passage that mark transition