Showing results by publisher "Tantor Media" in Music

Tom Doyle takes listeners through the ride of a lifetime, from Starr's brushes with death as a child brought up in poverty, through to dizzying heights of fame and success with the Beatles and beyond. By examining pivotal moments, anecdotes, and cautionary tales, we see Starr soar as part of the biggest band in the world—and then try to cope with life outside of it with a film career, misadventures with friends, children's TV narration, furniture designing, and marriage to a Bond girl, before eventually finding peace and sobriety.

We've all had the experience: a song comes on, and suddenly we're not where we were. We're back in the past, or living out a future that never happened, or imagining a scene that never existed. In Transported, Elizabeth Margulis explores the phenomenon of musical daydreams—the vivid, spontaneous, emotionally redolent scenes, stories, and memories we lapse into while listening to music—and argues that these everyday reveries offer a powerful and underappreciated window into how we think and feel.

The Uncanny Muse explores the history of automation in the arts and delves into one of the most momentous and controversial aspects of AI: artificial creativity. The adoption of technology and machinery has long transformed the world, but as the potential for artificial intelligence expands, David Hajdu examines the new, increasingly urgent questions about technology's role in culture.

Thirty years after Rent, Jonathan Larson's groundbreaking rock opera, opened on Broadway, you would be hard-pressed to find a musical theater fan who doesn't know at least some of the show’s iconic tunes by heart. Much of the impact comes from the show's musical style, a singular blend of grunge rock, power pop, gospel, and R & B that was brought to life by the show's onstage band, headed by the legendary musical director Tim Weil.

Sonny Rollins is one of the towering masters of American music, a virtuoso of the saxophone, and an unequaled improviser whose live performances are legendary and who has reshaped modern jazz over the course of a career lasting more than sixty years. A turning point in that legendary career came in 1959, when Rollins stepped back from performing and recording to begin a new regime of musical exploration.

Jazz legend Cootie Williams left home to start his career as a professional musician at the age of fifteen. In 1940, after eleven years as one of the major soloists with the Duke Ellington orchestra, Williams was lured away to the band of Benny Goodman, one of the most popular bands in the country. At the time, it was a controversial move―it was still taboo for African Americans to share the bandstand with white people.

Rock 'n' roll appeared in the 1950s as the high-energy, electrically amplified music of young dancers and listeners, first in the United States and then around the globe, and from the beginning it symbolized more than music.

In April 1998, legendary southern jam band Widespread Panic held a free open-air record release show in downtown Athens, Georgia, its home base. No one involved could have known that the predicted crowd of twenty thousand would prove to be nearly five times that size. The show, now known as "Panic in the Streets," went on to become a cult favorite of fans and a decisive moment in Athens music history. This event holds the record for the world's largest record release party, but the story of how the it came to be has not been told until now.

In this beautifully crafted book, Freddy Cristobal Dominguez makes a provocative case for Dylan as a historian, offering a deep consideration of the musician's historical influences and practices. Utilizing interviews, speeches, and the close analysis of lyrics and live performances, Bob Dylan in the Attic is the first book to consider Dylan's work from the point of view of historiography.

Rocking in the Free World explains how Americans came to believe they had learned the truth about rock 'n' roll, a truth shaped by the Cold War anxieties of the fifties, the countercultural revolutions (and counter-revolutions) of the sixties and seventies, and the end-of-history triumphalism of the eighties.

American roots music, also known as Americana music, can be challenging to categorize, spanning the genres of jazz, bluegrass, country, blues, rock and roll, and an assortment of variations in between. In The Downhome Sound, Mandi Bates Bailey explores the messages, artists, community, and appeal of this seemingly disparate musical collective. To understand the art form's intended meanings and typical audiences, she analyzes lyrics and interviews Americana artists, journalists, and festival organizers to uncover a desire for inclusion and diversity.

When blues master Robert Johnson's recordings were rereleased to great fanfare in the 1960s, little was known about his life, giving rise to legends that he gained success by selling his soul to the devil. Biography of a Phantom is musicologist Mack McCormick's search, from the late 1960s until McCormick's death in 2015, to uncover Johnson's life story. McCormick spent decades reconstructing Johnson's mysterious life and developing theories about his untimely death at the age of 27, but never made public his discoveries. Biography of a Phantom publishes his compelling work for the first time.

In 1985, Mark Bryan heard Darius Rucker singing in a dorm shower at the University of South Carolina and asked him to form a band. For the next eight years, Hootie & the Blowfish-completed by bassist Dean Felber and drummer Soni Sonefeld-played every frat house, roadhouse, and rock club in the mid-Atlantic and Southeast, becoming one of the biggest independent acts in the region.

Carol Cash Large, longtime friend of Blake Shelton, helped move the award-winning musician to Nashville just two weeks after he graduated high school at the tender age of seventeen and has been with him every step of the way since. In Blake Shelton: Happy Anywhere, she takes you backstage for personal and unique insight into the life of the young singer. From Shelton's work with producer Bobby Braddock, recording his number one song "Austin," and performing on the Grand Ole Opry to his record-breaking seventeen consecutive number one songs and beyond, she has been right there.

Anyone who has lived near New Haven, Connecticut, in the past forty-plus years has surely heard of Toad's Place. With a capacity of 750, Toad's has served as the perfect spot for musicians who prefer smaller venues.

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

Despite the ups and downs of his personal life and professional career—even in the face of deafness—Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.

In Pop Masculinities, author Kai Arne Hansen investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early 21st century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That.

Col. Bruce Hampton was a charismatic musical figure who launched and continued to influence the jam band genre over his 50-plus years performing. Part bandleader, soul singer, storyteller, conjuror, poet, preacher, comedian, philosopher, and trickster, Col. Bruce actively sought out and dealt in the weird, wild underbelly of the American South.

The Entrepreneurial Muse explores principles of entrepreneurship in a classical music setting, inspiring students, emerging professionals, and educators alike to gain the broader perspective and strategic understanding required to negotiate the complex and ever-changing landscape of a professional music career. Listeners will acquire strategic and observational tools designed to expand their view of possible career paths in classical music, stimulate creative thinking about how their unique skills can find value in the 21st-century marketplace, and realize their professional goals.