Showing results by publisher "Blackstone Publishing" in Arts & Entertainment

Academy Award-winning director Michael Curtiz—whose best-known films include Casablanca, Yankee Doodle Dandy, Mildred Pierce, and White Christmas—was in many ways the anti-auteur. During his 27-year tenure at Warner Bros., he directed swashbuckling adventures, Westerns, musicals, war epics, romances, historical dramas, horror films, tearjerkers, melodramas, comedies, and film noir masterpieces. In the first biography of this colorful, instinctual artist, Alan K. Rode illuminates the life and work of one of the film industry's most complex figures.

Psychotic Reactions and Carburetor Dung contains the wild and brilliant writings of Lester Bangs—the most outrageous and popular rock critic of the 1970s—edited and with an introduction by the reigning dean of rock critics, Greil Marcus.

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes listeners through the progress of comics in the 20th century and beyond. Follow the history from the golden age of newspaper comic strips - Krazy Kat, Yellow Kid, Dick Tracy - to the midcentury superhero boom - Superman, Batman, Wonder Woman - and from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights to the graphic novel’s rise.

Ann Beattie, a master storyteller, has been delighting readers since the publication of her short stories in the 1970s and her first novel, Chilly Scenes of Winter. But as her literary acclaim grew and she was hailed “the voice of her generation,” Beattie was also moonlighting as a nonfiction writer.

A visit to a museum can be overwhelming, exhausting, and unrewarding. Lincoln Perry wants to change that. In eleven essays—each framed around a specific theme—he provides new ways of seeing and appreciating art. Perry is a disarmingly charming tour guide to museums large or small. He makes even all art approachable and accessible. Along the way, he weaves in personal stories, from his own artistic journey as a painter to the days when he could sleep in his beaten-up VW Bus in the Louvre’s parking lot.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

Harvey Kurtzman created Mad, and Mad revolutionized humor in America. Kurtzman was the original editor, artist, and sole writer of Mad, one of the greatest publishing successes of the twentieth century. But how did Kurtzman invent Mad, and why did he leave it shortly after it burst, nova-like, onto the American scene? For this heavily researched biography, Bill Schelly conducted new interviews with Kurtzman’s colleagues, friends, and family, including Hugh Hefner, R. Crumb, Jack Davis, and many others, and examined Kurtzman’s personal archives.

Ian F. Svenonius' experience as an iconic underground rock musician - playing in such highly influential and revolutionary outfits as the Make-Up and the Nation of Ulysses - gives him special insight on techniques for not only starting but also surviving a rock 'n' roll group. Therefore, he's written an instructional guide, which doubles as a warning device, a philosophical text, an exercise in terror, and an aerobics manual.

As an only child reeling from the demolition of her parents’ toxic marriage, the New York City underground music scene offers a young Ali a different family of misfits and talented outsiders to belong to. She becomes the bass player for edgy band Speedball Baby, a decision that will take her around the world—from onstage at the legendary CBGBs to the red-light district of Amsterdam. She’s often the only girl in a broken-down tour van, being strip-searched at the Croatian border, chased by lunatics, and navigating the seedy underbelly of a male-dominated music scene.

The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies, James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters’ inner worlds, and he analyzes moments that help define their particular mental illness.

Hollywood’s Dream Factory is now a nightmare of woke restrictions, identity politics run amok, and freedom-snuffing rules and regulations. The Oscars are unwatchable, as are many films and television shows thanks to the woke revolution. Virtue Bombs breaks down where Hollywood went so wrong, illustrates the slow-motion disaster infiltrating the industry, and offers a glimmer of hope for a woke-free tomorrow. Award-winning film critic Christian Toto has all the receipts, showcasing Hollywood’s virtue-signaling follies and how it could get much worse before it gets better.

This book offers a major reassessment of classical music in the 20th century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War.

For all the near-fanatic attention brought each year to the Academy Awards, the organization that dispenses those awards—the Academy of Motion Picture Arts and Sciences—has yet to be understood. To date, no one has ever produced a thorough account of the Academy’s birth and its awkward adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy’s creation and development is a critical piece of Hollywood’s history. Now that story is finally being told.

Once America’s capitalist dream town, Detroit is our country’s greatest urban failure, having fallen the longest and the farthest. But the city’s worst crisis yet (and that’s saying something) has managed to do the unthinkable: turn the end of days into a laboratory for the future. Urban planners, land speculators, neopastoral agriculturalists, and utopian environmentalists―all have been drawn to Detroit’s baroquely decaying frontier. With an eye for both the darkly absurd and the radically new Detroit-area native Mark Binelli has chronicled this convergence.

Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller, the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller’s life—his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller’s role as a public intellectual—this book demonstrates the synergy between Arthur Miller’s psychology and his plays.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

In 1996, Patterson Hood recruited friends and fellow musicians in Athens, Georgia, to form his dream band: a group with no set lineup that specialized in rowdy rock and roll. The Drive-By Truckers, as they named themselves, grew into one of the best and most consequential rock bands of the 21st century, a great live act whose songs deliver the truth and nuance rarely bestowed on Southerners, so often reduced to stereotypes. Where the Devil Don’t Stay tells the band’s unlikely story not chronologically but geographically.

A new, expanded collection of both new and previously published essays and articles from one of the mainstays of the Washington, DC underground rock-and-roll scene, The Psychic Soviet is the most complete collection of writings by Ian Svenonius. The selections are written in a scholarly yet engaging style, filled with parody and biting humor that subvert capitalist culture, and cover such topics as the ascent of the DJ as a star, the “cosmic depression” that followed the defeat of the USSR, and the status of rock and roll as a religion.

Michael E. Uslan, executive producer of the Batman movie franchise, offers an insider’s look at Hollywood and the process of how movies and television shows go from the drawing board to your screens. Continuing the delightful tale of his adventures begun in The Boy Who Loved Batman, Uslan draws on both his successful and less successful attempts to bring ideas to the screen, offering a helpful, honest, and breezily told guide to producing films.

Marc Guss’s advice is impeccable; he says the things no one else in show business will, things that those who want into the business need to know. He has a heck of a story to tell. It is powerful, outspoken talk from a widely recognized agent on how to master the industry using an entrepreneur’s specific skill set. Guss shares deeply personal experiences from the trenches, experiences he has shared with such eminent names as Lauren Bacall, Floyd Mayweather Jr., Christopher Reeve, Quentin Tarantino, Whoopi Goldberg, Dr. Phil, and others.