Showing results for "the stranger" in World Literature

Cedar has nearly forgotten what her family looks like. Phoenix has nearly forgotten what freedom feels like. And Elsie has nearly given up hope. Nearly. After time spent in foster homes, Cedar goes to live with her estranged father. Although she grapples with the pain of being separated from her mother, Elsie, and sister, Phoenix, she’s hoping for a new chapter in her life, only to find herself once again in a strange house surrounded by strangers.

Based on the true story of two Jaffa teenagers, Mother of Strangers follows the daily lives of Subhi, a fifteen-year-old mechanic, and Shams, the thirteen-year-old student he hopes to marry one day. In this prosperous and cosmopolitan port city, with its bustling markets, cinemas, and cafés on the hills overlooking the Mediter­ranean Sea, we meet many other unforgettable charac­ters as well....

When Cara stumbles across a stash of old postcards in the attic, their contents make her question everything she thought she knew. The story she pieces together is confusing and unsettling, and appears to have been patched over with lies. But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.

In an age where online ratings are all-powerful, Five-Star Stranger follows the adventures of a top-rated man on the Rental Stranger app—a place where users can hire a pretend fiancé, a wingman, or an extra mourner for a funeral. Referred to only as Stranger, the narrator navigates New York City under the guise of characters he plays, always maintaining a professional distance from his clients. But, when a nosy patron threatens to upend his long-term role as father to a young girl, Stranger begins to reckon with his attachment to his pretend daughter, her mother, and his own fraught past.

One of Mark Twain’s classic tales, a small band of boys in a medieval village make friends with a very real angel whose name is Satan. He assures the boys that he’s not The Satan, but his nephew. He looks like a boy of their own age, but his magical powers and unusual perspectives on morals and mankind leave the boys amazed and bewildered. Mark Twain never finished this story to his own satisfaction. In 1916, his biographer and friend Albert Bigelow Paine, with fellow author Frederick Duneka, added an evil astrologer and devised an ending, and published the version presented here.

Abi and Ben are driving home down foggy country roads, arguing about having had to cut short their weekend away. Abi’s driving and her eyes leave the road for a moment to say something to Ben, just as he gasps. A man is in front of the car, waving a torch. Abi swerves to avoid him. Ben tells her they should stop and go back, but Abi refuses. It’s dark, the roads are isolated and they don’t know this stranger. But as Abi turns the corner ahead of them, they see a broken down car. Every instinct is still telling Abi to drive on but then she sees the woman, holding a baby in a car seat.

Sullen and withdrawn, homesick and angry, fourteen-year-old Eliot Gardener has been headed for trouble ever since his family moved from Nova Scotia to the quiet coastal Sunshine Coast of British Columbia. But not like this. He’s also, apparently, a double-murderer, having whacked both of his parents with a machete. Only, he can't remember why! Some say Eliot is a bad seed. Staff Sergeant Karl Alberg doesn't buy that. But the case weights heavily on him, for he knew the Gardeners and he should have seen something coming.

Patricia Highsmith's first novel was picked up by Hitchcock and was a world-wide success. Her second novel was meant to tell everything about her true inside and dare what no-one had dared to write before: a lesbian love-story with a happy ending. But when she eventually relented to publish it under a pseudonym, it was a decision that would shape her life more than she could have guessed at the time. Henceforth she would vent her inner life either encoded in her future novels or—unbeknownst to most—in the 18 diaries and 38 notebooks she kept throughout her life.

An immersive, historical novel based on true events: In 1938, Orson Welles's legendary radio dramatization of H.G. Wells's novel The War of the Worlds terrified Americans into believing Martians were invading. Eleven years later, an Ecuadorian radio station adapted the show—with catastrophic consequences. Now, two young journalists are determined to uncover what really happened to their families that night—even as secrets endanger their future.

Margaret, Elsie, Phoenix, Cedar : quatre femmes, mères et filles, issues de la communauté amérindienne du North End, un quartier défavorisé de Winnipeg, Manitoba. Quatre membres d'une même famille, les Stranger, chacune hantée par ses propres démons. Quatre personnages qui cherchent désespérément la lumière. Dans cette fresque poignante, Katherena Vermette immerge le lecteur dans l'univers mouvant d'une lignée de femmes autochtones, dessinant la force de leurs liens, la souffrance héritée du passé et l'espoir de briser enfin la fatalité.

Northern Ireland is one hundred years old. Northern Ireland does not exist. Both of these statements are true. It just depends on who you ask. How do you write about a place like this? THE STRANGERS' HOUSE asks this question of the region’s greatest writers, living and dead. What have they made of Northern Ireland–and what has Northern Ireland made of them?

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

Two young women learning to survive in their own worlds are forced to confront even greater challenges when those worlds collide. Elisabeth, a passenger on the Mayflower, and Attitash, a young Wampanoag, discover differences in their core beliefs - but also a common humanity. As they learn to trust each other, their covert friendship forestalls starvation but can't overcome the distrust that's widespread in both cultures. In time, accusations of witchcraft and betrayal threaten their friendship and the survival of both societies.

Mona has almost everything: money, friends, social status...everything except for freedom. Languishing in her golden cage, she craves a sense of belonging. Desperate for emotional release, she turns to a friend who introduces her to a world of glitter, glamour, covert affairs and drugs. There she meets Ali, a physically and emotionally wounded man, years younger than her.

A parable that teaches the listener to reconsider preconceived notions or ideas before running with them.

In the cold seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.

This completely original collection of poetry and prose captures the imagination and is a delight for both Lang Leav's avid fans and anyone encountering her writing for the first time. With every moment, Sea of Strangers invites you to go beyond love and loss to explore themes of self-discovery and empowerment as you navigate your way around the human heart.

Tras una juventud de excesos, Angie vive retirada -casi atrincherada- en una aldea recóndita del sur. Para los vecinos es la loca que se deja ver en compañía de sus perros. Su existencia transcurre en el viejo caserón familiar, en un cruce continuado de dos tiempos: el presente y el pasado. Tan solo tiene a sus fantasmas y el recuerdo del amor vivido con un artista inglés en el Londres olvidado de Margaret Thatcher.