Showing results for "life" in Renaissance

Some ladies who served at the Tudor court are only faceless silhouettes lost to the sands of time, but there are those who dedicated their lives to please their royal mistresses and left documentation, allowing us to piece their life stories together and link them to the stories of Tudor queens. These female attendants saw their queens and princesses up close and often used their intimate bonds to their own benefit. Some were beloved, others hated. This is the story of the ladies of the Tudor court like you've never heard it before.

Penguin presents the audiobook edition of Thomas Cromwell by Diarmid MacCulloch, read by David Rintoul. Thomas Cromwell is one of the most famous - or notorious - figures in English history. Born in obscurity in Putney, he became a fixer for Cardinal Wolsey in the 1520s. After Wolsey's fall, Henry VIII promoted him to a series of ever greater offices, and by the end of the 1530s he was effectively running the country for the King.

England, July 1540: it is one of the hottest summers on record, and the court of Henry VIII is embroiled once again in political scandal. Anne Cleves is out. Thomas Cromwell is to be executed and, in the countryside, an aristocratic teenager named Catherine Howard prepares to become fifth wife to the increasingly unpredictable monarch.

Born into the English Wars of the Roses, educated in the European Renaissance, enthralled by the Age of Exploration and ultimately destroyed by Henry VIII, Thomas More is one of the most famous - or notorious - figures in English history. Thomas More: A Life is the definitive biography of this hypnotic, flawed figure. Overturning many received interpretations of the sixteenth century, Joanne Paul shows Thomas More to have been an intellectual and political giant of his age, central to the making of modern Europe.

History is rarely kind to women of power, but few have had their reputations quite so brutally shredded as Catherine de’ Medici, Italian-born queen of France and influential mother of three successive French kings during that country’s long sequence of sectarian wars in the second half of the sixteenth century.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius.

Like its popular and acclaimed predecessors, Restoration London and Dr Johnson's London, this fascinating evocation of Elizabethan London is the result of the author's passionate interest in the practical details of everyday life and the conditions in which most people lived, which most history books ignore: the streets, houses and gardens; cooking, housework and shopping; clothes, jewellery and make-up; medicine and sex; education, etiquette and hobbies; religion, law and crime.

In 1610 Henry Stuart was a celebrity throughout Europe, at a momentous period for European history and culture. Eldest son of James VI and the epitome of heroic Renaissance princely virtue, his life was set against a period about as rich as any. The King James Bible, religious tension throughout Europe, the Gunpowder plot, Jacobean theatre and the dark tragedies pouring from Shakespeare's quill, innovation in learning and science, exploration and trade and the bloody traumas of the Thirty Years' War were his backdrop.

Most historians credit the city-state of Florence as the place that started and developed the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medicis, the family dynasty of Florence that ruled at the height of the Renaissance. The dynasty held such influence that some of its family members even became pope.

One of the most famous figures in Christian history, Francis of Assisi (1181/82-1226) was revered as a miracle worker during his life and quickly canonized after his death. He has inspired generations of Christians and other spiritual seekers, from medieval ascetics to 1960s hippies and modern environmentalists. The "poverello" wrote poems praising the sun, moon, and stars, spoke to the birds, and—so the story goes—even tamed a wolf. But what do we know for sure about who he was, and what is simply legend?

Raffaello Sanzio da Urbino, known across the world simply by the name Raphael, stands as one of the main pillars of the High Renaissance, an iconic example of the balance between spirituality and humanistic inquiry that characterized the time period. Although he lived just 37 years, his career produced an amazingly rich output, and he completed more works than many artists do over careers spanning twice the length.

It's possible that Michelangelo is the most famous artist in history, but it's also possible that he's an underrated artist. The vast influence of his career is reflected by the fact that he is not only known for his own art but has also come to embody an entire epoch of Western art. Along with Leonardo da Vinci, there are no other artists who so fully capture the spirit of scientific and artistic discovery that characterized art during the late 15th and early 16th centuries.

Ever since Machiavelli penned The Prince, his 1513 treatise on princely rule and the politics of reality, a work that infamously advises rulers to abandon virtue and morality when necessary, his name has been synonymous with deceit, duplicity, and amoral pragmatism. Since then a sinister reputation has posthumously plagued the controversial Florentine. But is this depiction of Machiavelli as wicked and immoral accurate?

The Renaissance spawned the use of the label "Renaissance man" to describe a person who is extremely talented in multiple fields, and no discussion of the Renaissance is complete without the original Renaissance man, Leonardo da Vinci. Indeed, if 100 people are asked to describe Leonardo in one word, they might give 100 answers.

Of course part of what made Galileo such a monumental figure was the fact that he was ahead of his time and that he mostly refused to conform to the accepted dogmas of contemporary society. As he once put it, "Philosophy is written in that great book which ever lies before our eyes - I mean the universe - but we cannot understand it if we do not first learn the language and grasp the symbols, in which it is written."

It's safe to say there have been countless prophets and seers throughout history, but only one Nostradamus (1503-1566). Nostradamus has become a pop-culture fixture even among those who find nothing of note in his work. He is a cult figure among those who pore through his prophecies to look for proof that he foresaw major world events centuries ahead of time.