Showing results for "i" in Media Studies

You’ve seen it all before. A malicious online rumor costs a company millions. A political sideshow derails the national news cycle and destroys a candidate. Some product or celebrity zooms from total obscurity to viral sensation. What you don’t know is that someone is responsible for all this. Usually, someone like me. I’m a media manipulator. In a world where blogs control and distort the news, my job is to control blogs - as much as any one person can.

Today's computers are composing music that sounds "more Bach than Bach", turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative - or are they merely tools to be used by musicians, artists, and writers? Miller, an authority on creativity, identifies the key factors essential to the creative process, from "the need for introspection" to "the ability to discover the key problem." He talks to people on the cutting edge of artificial intelligence and explores the riches of computer-created art.

Independent researcher, writer, and podcast host Isaac Weishaupt reveals the history of occult belief systems that have anticipated the return of our alien gods.

The legendary creator of iconic television programs All in the Family, Sanford and Son, Maude, Good Times, The Jeffersons, and Mary Hartman, Mary Hartman, Norman Lear remade our television culture - while leading a life of unparalleled political, civic, and social involvement. Sharing the wealth of Lear's 90 years, Even This I Get to Experience is a memoir as touching and remarkable as the life he has led.

In I Wear the Black Hat, Klosterman questions the very nature of how modern people understand the concept of villainy. What was so Machiavellian about Machiavelli? Why don't we see Batman the same way we see Bernhard Goetz? Who's more worthy of our vitriol - Bill Clinton or Don Henley? What was O.J. Simpson's second-worst decision? Masterfully blending cultural analysis with self-interrogation and limitless imagination, I Wear the Black Hat delivers perceptive observations on the complexity of the anti-hero.

Many Americans believe that their own government is guilty of shocking crimes. Although paranoia has been a feature of the American scene since the birth of the Republic, in Real Enemies, Kathryn Olmsted tells us that it was only in the 20th century that strange and unlikely conspiracy theories became central to American politics, In particular, she posits World War I as a critical turning point and shows that as the federal bureaucracy expanded, Americans grew more fearful of the government itself.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Judyth Vary was once a promising science student who dreamed of finding a cure for cancer; this exposé is her account of how she strayed from a path of mainstream scholarship at the University of Florida to a life of espionage in New Orleans with Lee Harvey Oswald.

Are we driving off a digital cliff and heading for disaster, unable to focus, maintain concentration, or form the human bonds that make life worth living? Are media and business doomed and about to be replaced by amateur hour? Both visionary and practical, I Live in the Future & Here’s How It Works captures the zeitgeist of an emerging age, providing the understanding of how a radically changed media world is influencing human behavior.

The day that Dr. Andrew G. Huff left his senior scientist and vice president role at EcoHealth Alliance was one of the happiest days of his life due to the corruption he had witnessed at the organization. However, he never thought working there would be of any great consequence to the future. He was wrong. Because, as an EcoHealth Alliance insider, Dr. Huff had had a ringside seat to one of the biggest cover-ups in history.

Facebook, MySpace, Twitter, Linkedln sono ormai termini entrati nel lessico quotidiano e sempre più spesso capita di sentire persone che ci chiedono se abbiamo una pagina su Facebook o se siamo iscritti a questo o quel gruppo. I social network sono dunque una moda o qualcosa di duraturo? Se non sono una moda, che effetti hanno sulle nostre modalità di relazione? Sono utili o costituiscono una perdita di tempo? Questo volume affronta il fenomeno dei social network: come sono nati e come si sono evoluti, quali effetti hanno prodotto sulle relazioni e sull'identità delle persone.

Are you bored of the endless scroll of your social media feed? Do you swipe left before considering the human being whose face you just summarily rejected? Do you skim articles on your screen in search of intellectual stimulation that never arrives? If so, this book is the philosophical lifeline you have been waiting for. Offering a timely meditation on the profound effects of constant immersion in technology, also known as the Interface, Wish I Were Here draws on philosophical analysis of boredom and happiness to examine the pressing issues such as screen addiction....

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

I segreti più profondi della Cia e dell'Nsa sono stati hackerati e resi pubblici, più di una volta. Ma stai certo che da nessuna parte, nemmeno nel dark web, troverai una copia dell'algoritmo di ricerca di Google o dell'algoritmo del feed di Facebook. Oggi questi algoritmi determinano l'andamento della vita umana sul nostro pianeta. Jaron Lanier, informatico della Silicon Valley, pioniere della realtà virtuale, non ha nessun account social. In "Dieci ragioni per cancellare subito i tuoi account social" spiega perché non dovresti averne nemmeno tu.

Byl najczesciej zestrzelanym pilotem II Wojny Swiatowej, francuskim partyzantem, autorem pierwszego wywiadu z Fidelem Castro, laureatem Pulitzera, prywatnym pilotem Juana Perona i odkrywca zaginionej stolicy Majów. Albo nie byl zadnym z nich. Z cala pewnoscia wybieral sie jednak na Ksiezyc. Fascynujaca i przewrotna biografia Tony'ego Halika jest dowodem na to, ze czasem prawdziwe zycie jest bardziej nieprawdopodobne niz najlepsza powiesc.

Most Christians have seen something asinine like this on Facebook and rightly dismissed it. But not every post on social media is so obviously absurd. As online spaces increase in importance, it is urgent that we as Christians consider how to love our neighbors on the internet—and this includes sharing the truth.

Emma Gannon was born in 1989, the year the World Wide Web was conceived, so she's literally grown up alongside the Internet. There've been late night chat room experiments, sexting from a Nokia and dubious webcam exchanges. And let's not forget catfishing, MSN, digital friendships and #feminism. She was basically social networking way before it was a thing - and she's even made a successful career from it.

Un video, un post, una foto, un meme, una frase, una canzone diventano tormentoni, improvvisamente prendono a circolare, colonizzando, grazie a computer, smartphone, tv, giornali, la nostra attenzione e la nostra mente. Perché certe idee circolano più di altre? Che cosa rende più o meno virale un'immagine o un prodotto culturale? Il libro aiuta a capire i meccanismi che presiedono alla riproduzione e alla trasmissione delle idee, assicurandone la propagazione e il successo o decretandone il fallimento.

Oggi, l'inondazione di immagini a cui molti bambini, adolescenti e adulti vanno incontro per l'abitudine di stare per molte ore davanti a uno schermo, (televisione, telefonino) espropria gli stessi di quel tipo di azione che è caratterizzato dal linguaggio parlato e dalla comunicazione sociale. Insomma, la tendenza naturale che l'individuo ha di immaginare, giocare, dialogare, viene lentamente ma progressivamente repressa dall'influenza di questi mezzi moderni di comunicazione.