Showing results for "Kate Atkinson" in Literature & Fiction

Ex-detective Jackson Brodie is staving off a bad case of midlife malaise when he is called to a sleepy Yorkshire town, and the seemingly tedious matter of a stolen painting. But one theft leads to another, including the disappearance of a valuable Turner from Burton Makepeace, home to Lady Milton and her family. Once a magnificent country house, Burton Makepeace has now partially been converted into a hotel, hosting Murder Mystery weekends.

It is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident--an incident which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander--until he becomes a suspect. With Case Histories, Kate Atkinson showed how brilliantly she could explore the crime genre and make it her own. In One Good Turn, she takes her masterful plotting one step further.

Ruby Lennox was conceived grudgingly by Bunty and born while her father, George, was in the Dog and Hare in Doncaster, telling a woman in an emerald dress and a D cup that he wasn't married. Bunty had never wanted to marry George, but there she was, stuck in a flat above the pet shop in an ancient street beneath York Minster, with sensible and sardonic Patrica, aged five; greedy, cross-patch Gillian, who refused to be ignored; and Ruby...

1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters and girls sell dances for a shilling a time. The notorious queen of this glittering world is Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven whose character has been forged in the crucible of the Somme. But success breeds enemies and Nellie's empire faces threats from without and within.

One of the world's great storytellers conjures a captivating new book. In this first full collection since Not the End of the World, we meet a queen who makes a bargain she cannot keep; a secretary who watches over the life she has just left; and a man whose luck changes when a horse speaks to him. Witty and wise, with subtle connections between the stories, Normal Rules Don't Apply is a startling , and funny feast for the imagination. In Kate Atkinson's world nothing is over until 'the talking dog speaks'.

What if you had the chance to live your life again and again, until you finally got it right? During a snowstorm in England in 1910, a baby is born and dies before she can take her first breath. During a snowstorm in England in 1910, the same baby is born and lives to tell the tale. What if there were second chances? And third chances? In fact an infinite number of chances to live your life? Would you eventually be able to save the world from its own inevitable destiny? And would you even want to?

In 1940, 18-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathisers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past for ever. Ten years later, now a producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat.

Jackson Brodie has relocated to a quiet seaside village in North Yorkshire, in the occasional company of his recalcitrant teenage son Nathan and ageing Labrador Dido, both at the discretion of his former partner Julia. It’s a picturesque setting, but there’s something darker lurking behind the scenes. Jackson’s current job, gathering proof of an unfaithful husband for his suspicious wife, seems straightforward, but a chance encounter with a desperate man on a crumbling cliff leads him into a sinister network - and back into the path of someone from his past.

Once it had been the great forest of Lythe--a vast and impenetrable thicket of green. And here, in the beginning, lived the Fairfaxes, grandly, at Fairfax Manor, visited once by the great Gloriana herself. But over the centuries, the forest had been destroyed, replaced by Streets of Trees. The Fairfaxes have dwindled, too; now they live in Arden, at the end of Hawthorne Close, and are hardly a family at all.

Kate Atkinson’s dazzling Life After Life, one of the top-selling adult books of 2014, explored the possibility of infinite chances, as Ursula Todd lived through the turbulent events of the last century again and again. In A God in Ruins, Atkinson turns her focus on Ursula’s beloved younger brother, Teddy – would-be poet, RAF bomber pilot, husband, and father – as he navigates the perils and progress of the 20th century. For all Teddy endures in battle, his greatest challenge will be to face living in a future he never expected to have.

Cambridge is sweltering, during an unusually hot summer. To Jackson Brodie, former police inspector turned private investigator, the world consists of one accounting sheet – Lost on the left, Found on the right – and the two never seem to balance. Jackson has never felt at home in Cambridge, and has a failed marriage to prove it.

It is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident - an incident which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander - until he becomes a suspect. With Case Histories, Kate Atkinson showed how brilliantly she could explore the crime genre and make it her own. In One Good Turn she takes her masterful plotting one step further.

On a peat and heather island off the west coast of Scotland, Effie and her mother Nora take refuge in the large decaying house of their ancestors and tell each other stories. Nora, at first, recounts nothing that Effie really wants to hear, like who her father was - variously Jimmy, Jack, or Ernie.

In rural Devon, six-year-old Joanna Mason witnesses an appalling crime. Thirty years later, the man convicted is released from prison. In Edinburgh, 16-year-old Reggie works as a nanny for a G.P. But Dr Hunter has gone missing and Reggie seems to be the only person who is worried. Across town, Detective Chief Inspector Louise Monroe is also looking for a missing person, unaware that hurtling towards her is an old friend - Jackson Brodie - himself on a journey that becomes fatally interrupted.

A day like any other for security chief Tracy Waterhouse, until she makes a purchase she hadn't bargained for. One moment of madness is all it takes for Tracy's humdrum world to be turned upside down, the tedium of everyday life replaced by fear and danger at every turn. Witnesses to Tracy's Faustian exchange in the Merrion Centre in Leeds are Tilly, an elderly actress teetering on the brink of her own disaster, and Jackson Brodie, who has returned to his home county in search of someone else's roots.

Not the End of the World is Kate Atkinson's first collection of short stories. Playful and profound, they explore the world we think we know whilst offering a vision of another world which lurks just beneath the surface of our consciousness, a world where the myths we have banished from our lives are startlingly present and where imagination has the power to transform reality.

Adelaide Hills, Christmas Eve, 1959. At the end of a scorching hot day, a local deliveryman makes a terrible discovery. A police investigation is called, and the small town of Tambilla becomes embroiled in one of the most shocking and perplexing murder cases in the history of South Australia. Many years later and thousands of miles away, Jess is a journalist in search of a story. Having lived and worked in London for nearly two decades, she now finds herself laid off from her full-time job and struggling to make ends meet. Until a phone call out of nowhere summons her back to Sydney.

England, 1959. Laurel Nicolson is 16 years old, dreaming alone in her childhood tree house during a family celebration at their home, Green Acres Farm. She spies a stranger coming up the long road to the farm and then observes her mother, Dorothy, speaking to him. And then she witnesses a crime. Fifty years later, Laurel is a successful and well-regarded actress, living in London. She returns to Green Acres for Dorothy’s ninetieth birthday and finds herself overwhelmed by memories and questions she has not thought about for decades.

Pamela is a newly retired teacher with time on her hands. She’s finding it hard to muster enthusiasm for what’s ahead: exhausting postdivorce dating rituals and an uneasy relationship with her emotionally stunted, live-at-home son. But for Pamela, there’s a surprise in store that could challenge the status quo and, against all expectations, make life interesting again.

Thirty-eight year old Cassandra is lost, alone, and grieving. Her much loved grandmother, Nell, has just died and Cassandra, her life already shaken by a tragic accident 10 years ago, feels like she has lost everything known and dear to her.