Showing results for "Friedrich Nietzsche" in Literature & Fiction

In On the Genealogy of Morals, subtitled "A Polemic", Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards 'morality' evolved and the way congenital ideas of morality were heavily colored by the Judaic and Christian traditions.

Friedrich Nietzsche (1844-1900) has influenced philosophers such as Martin Heidegger, Jean-Paul Sartre, Oswald Spengler, George Grant, Emil Cioran, Albert Camus, Ayn Rand, Jacques Derrida, Leo Strauss, Max Scheler, Michel Foucault and Bernard Williams. His writings on aesthetics, language, truth, morality, cultural theory, history, nihilism, power, and the meaning of existence have exerted a vast influence on Western philosophy and intellectual history.

This complete collection brings together the full scope of Nietzsche's radical and transformative philosophy in a single, meticulously curated work.

Nietzsche was one of the most revolutionary thinkers in Western philosophy and Thus Spoke Zarathustra remains his most influential work. It describes how the ancient Persian prophet Zarathustra descends from his solitude in the mountains to tell the world that God is dead and that the Superman, the human embodiment of divinity, is his successor. With blazing intensity, Nietzsche argues that the meaning of existence is not to be found in religious pieties or meek submission, but in an all-powerful life force: passionate, chaotic and free.

"Allein gehe ich nun, meine Jünger! Auch ihr geht nun davon und allein! So will ich es. Geht fort von mir und wehrt euch gegen Zarathustra! Und besser noch: schämt euch seiner! Vielleicht betrog er euch. Der Mensch der Erkenntnis muß nicht nur seine Feinde lieben, sondern auch seine Freunde hassen können. Man vergilt einem Lehrer schlecht, wenn man immer nur der Schüler bleibt. Und warum wollt ihr nicht an meinem Kranze rupfen? Ihr hattet euch noch nicht gesucht: da fandet ihr mich. So thun alle Gläubigen; darum ist es so wenig mit allem Glauben.

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it.

"Thus Spoke Zarathustra" by Friedrich Nietzsche is a profound and influential philosophical work that follows the journey of Zarathustra, a sage who retreats into the mountains for solitude and enlightenment. After years of contemplation, Zarathustra returns to share his insights with humanity. Through a series of parables, discourses, and aphorisms, Zarathustra explores complex themes such as the death of God, the will to power, and the concept of the Übermensch, or superman.

In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian. The Birth of Tragedy stands alongside Aristotle's Poetics as an essential work for all who seek to understand poetry and its relationship to human life.

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content caused its publication to be delayed. The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated. Nietzsche claimed in the foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "...must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion."

The Will to Power is an audiobook of notes compiled from the literary remains of Friedrich Nietzsche. The title derives from a work that Nietzsche himself had intended to write. The "will to power", a prominent concept in his philosophy, describes what Nietzsche believed to be the main driving force in humans.

Nietzsche regarded Thus Spoke Zarathustra as his most important work, and his story of the wandering Zarathustra has had enormous influence on subsequent culture. Nietzsche uses a mixture of homilies, parables, epigrams, and dreams to introduce some of his most striking doctrines, including the Overman (Übermensch), nihilism, and the eternal return of the same. This will appeal to all listeners interested in one of the most original and inventive works of modern philosophy. Please note: This audiobook is in Russian.

The Friedrich Nietzsche Philosophy Collection gathers his most significant philosophical works in one complete collection, making it an essential resource for deep thinkers.

"Thus Spake Zarathustra" by Friedrich Nietzsche is a philosophical exploration of the human condition, power, and morality. This podcast delves into Nietzsche's radical ideas on the Übermensch, will to power, and the death of God, making it a compelling listen for those interested in existential philosophy.

Existentialism: Philosophical and Literary Works is a compelling anthology that delves into the realm of existentialist thought, exploring the profound philosophical and literary works that have shaped this influential movement. From the psychological depths of Fyodor Dostoevsky's Notes from Underground to the existential dilemmas of Søren Kierkegaard's Fear and Trembling, and the introspective reflections of. Friedrich Nietzsche's Ecce Homo, this collection encompasses a wide range of existentialist voices.

Die liebliche Bestie Mensch verliert jedesmal, wie es scheint, die gute Laune, wenn sie gut denkt...

Livre "à part", comme Nietzsche le nomma lui-même. Dans "Ainsi parlait Zarathoustra" apparaîssent pour la première fois des thèmes comme la volonté de puissance ou le surhomme. Ces idées comptent au nombre de celles qui ont le plus fortement marqué la pensée contemporaine.

This is one of Nietzsche's early academic writings - a scholarly theory about Ancient Greek theatre, specifically tragedies. In a nutshell, this work theorizes about why (Greek) spectators enjoy watching actors in a long series of scenes that depict human suffering (i.e., tragedy). It is a curious question, especially at the time since scholars generally thought of the Greeks as "A race of men, well-fashioned, beautiful, envied, life-inspiring, like no other race hitherto" (per Nietzsche's introduction). What did they need tragedy for? The question itself, and the path Nietzsche takes to ...

After ten years of meditative solitude, the prophet Zarathustra descends from his mountain cave to preach the power of the Superman - a human divinity emancipated from the construct of God. The Superman is free to create his or her own moralities, values, notions of good and evil, and purpose in life. Although people of the town are confounded, Zarathustra resolves to persuade the herd by illuminating the heights to which they can ascend by ignoring promises of otherworldly fulfillment.

The Problems of Philosophy discusses Bertrand Russell's views on philosophy and the problems that arise in the field. Russell's views focus on knowledge rather than the metaphysical realm of philosophy. The Problems with Philosophy revolves around the central question that Russell asks in his opening line of Chapter 1 - Is there any knowledge in the world which is so certain that no reasonable man could doubt it?

"Auch der Mutigste von uns hat nur selten den Mut zu dem, was er eigentlich weiß ..."(Friedrich Nietzsche: Götzendämmerung)Eine heitere Psychologie bedarf des unverstellten Blickes, der "fröhlichen Wissenschaft", der offenen phänomenologischen Schau. Auch wenn man bei einigem in diesem Buch, wie z.B. den Ausführungen über das Bild des Sokrates, zurückschrecken mag, die Einforderung Nietzsches des unbedingt freien Blicks steht - bis heute - spannungsvoll im Raum."Ich mißtraue allen Systematikern und gehe ihnen aus dem Weg. Der Wille zum System ist ein Mangel an Rechtschaffenheit.