French pianist Pierre-Laurent Aimard is widely known as an authority figure in contemporary music, and also for shedding new light on music of the past. His international concert career has already spanned several decades, with an enormous discography to boot, all of which he has carried out alongside a dedicated commitment to teaching. In 1973, at the age of 16, he won first prize in the Messiaen Competition, and three years later was invited by Pierre Boulez to be the first solo pianist of the Ensemble Intercontemporain. In addition to Boulez, he has collaborated very closely with leading composers like Kurtag, Birtwhistle, Ligeti, and Messiaen, having given countless world premieres over the course of his career.

In this episode, Pierre-Laurent talks about his new recording of Schubert Ländler, what he learned from Ligeti and Messiaen, what we expect from performers as members of an audience, and why he’s not actually *that* taken with the piano world.

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Buy Pierre-Laurent's new release, 'Schubert: Ländler' here

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Pierre-Laurent's links:

Website

Instagram

X (formerly Twitter)

Facebook

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Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

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This podcast is also available to listen to via The Violin Channel

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Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

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The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Alexandra Knight is the founder and CEO of classical music agency Knight Classical. After reading Music and then Law at Oxford University, Alexandra joined the artist management world, working first at Harrison Parrott, then at International Classical Artists - where she later became a Director at the age of 28 - before launching Knight Classical in January 2020. In her career so far, Alexandra has worked for renowned artists such as Janine Jansen, Neeme Järvi and Sir James Galway; built swiftly rising careers for artists including Alena Baeva and Joseph Bastian; and signed young prize-winning talents such as Anna Tsybuleva, amongst others.

In this episode, Alexandra talks about the role of an artist manager, and how the manager-artist partnership is much like a marriage; she reflects on the moment she realised she'd taken her first client from day one through to their debut with the New York Philharmonic; and she shares some thoughts on the psychological models that can often be found in high-level performers. She also talks very openly about dealing with imposter syndrome, and her experiences of sexism in the workplace.

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Knight Classical's links:

Website

Instagram

X (formerly Twitter)

Facebook

-------------------

Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

--------------------

This podcast is also available to listen to via The Violin Channel

--------------------

Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

--------------------

The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Paul Wee is an internationally-acclaimed pianist with a love for celebrating the hidden gems of the piano repertoire. His recordings for BIS have been met with great critical acclaim, including being shortlisted for multiple Gramophone Awards. Not your average pianist, Paul also happens to be a very successful barrister; he was called to the bar by Gray's Inn in 2010, and currently practises from Essex Court Chambers in London. Paul performs around his professional commitments as a barrister, both in London and internationally, and will be making his Wigmore Hall debut in June 2024.

In this episode, Paul discusses fitting the piano around life as a barrister, and his reasons for recording the repertoire he has so far. He also talks about wondering whether the success of his earlier recordings were due to the 'novelty' factors, and shares just how difficult it was to adjust to the sudden change of path from music to law.

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Pre-order Paul's new album, Henselt & Bronsart: Piano Concertos (out May 31st)

Tickets for Paul's Wigmore Hall debut (June 15th)

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Paul's links:

Website

Instagram

X (formerly Twitter)

Facebook

-------------------

Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

--------------------

This podcast is also available to listen to via The Violin Channel

--------------------

Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

--------------------

The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.