Episodes

  • Sarah Gold McBride "Whiskerology: The Culture of Hair in Nineteenth-Century America" (Harvard UP, 2025)
    Jun 29 2025
    Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in Whiskerology: The Culture of Hair in Nineteenth-Century America (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide. As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities. A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    1 hr and 13 mins
  • Bryan D. Jones, The Southern Fault Line: How Race, Class, and Region Shaped One Family's History" (Oxford UP, 2025)
    Jun 27 2025
    The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    58 mins
  • Is Sinners a New Classic of Political Utopianism?
    Jun 25 2025
    It’s the UConn Popcast, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan's best and most complete work. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    51 mins
  • Philip Kadish, "The Great White Hoax: Frauds, Forgeries, and 200 Years of Selling Racism in America"
    Jun 24 2025
    Fake news, outright political lies, a shamelessly partisan press, and the collapse of truth, civility, and shared facts, Dr. Philip Kadish argues, are nothing new. The Great White Hoax: Two Centuries of Selling Racism in America (The New Press, 2025), a masterpiece of historical and literary sleuthing, reveals that the era of Fox News and Donald Trump is simply a return to form. We have been here before. In a book that brilliantly puts our current era into historical context, The Great White Hoax uncovers a centuries-long tradition of white supremacist hoaxes, perpetrated on the American public by a succession of political hucksters and opportunists, all of them willfully using racial frauds as tools for political and social advantage. In the antebellum era, slavery’s defenders used bogus science to “prove” the inferiority of African American people; during the Civil War, Abraham Lincoln’s enemies circulated a sham pamphlet accusing him of promoting a dilution of the white race through “miscegenation” (a racist term invented by the pamphlet’s authors). From these murky beginnings, Dr. Philip Kadish draws a direct thread to D.W. Griffith’s Birth of a Nation, Henry Ford’s adaptation of The Protocols of the Elders of Zion, Madison Grant’s embrace of eugenics (which directly influenced Adolf Hitler), Alabama Governor George Wallace’s race-baiting, and Roger Ailes’s creation of Fox News. The Great White Hoax reveals white supremacy as today’s real “fake news”—and exposes the cast of villains, past and present, who have kept American racism alive. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    1 hr and 11 mins
  • Judith Weisenfeld, "Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake" (NYU Press, 2025)
    Jun 24 2025
    In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake (NYU Press, 2025), psychiatrists’ notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists’ theories about African American religion and mental health being used to promote claims of Black people’s unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery’s wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode’s host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    55 mins
  • Honorée Fanonne Jeffers, "Misbehaving at the Crossroads: Essays and Writings" (Harper, 2025)
    Jun 20 2025
    The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    45 mins
  • Robell Awake, "A Short History of Black Craft in Ten Objects" (Princeton Architectural Press, 2025)
    Jun 17 2025
    Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, A Short History of Black Craft in Ten Objects (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    54 mins
  • Rob Edwards, "Defiant: The Story of Robert Smalls" (Stranger Comics, 2025)
    Jun 17 2025
    At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade. Smalls’ heroism, and material aid for the Union, made national headlines and influenced Lincoln’s decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.DEFIANT: The Story of Robert Smalls (Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (The Fresh Prince of Bel-Air and Academy-Award nominated The Princess and the Frog) and drawn by comic book artists Nikolas Draper-Ivey (Black Panther soundtrack cover, Static: Shadows Of Dakota) and Ray-Anthony Height (Marvel Comics’ Star Wars: Doctor Aphra)—details Smalls’ childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago. Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    33 mins