“So I’m in Chicago, I’ve quit my job, I’ve almost run out of money. You know, you’re young, you don’t care. And I met Robert, who’s now my co-founder. He had mixed a CD of mine a couple of years before through friends of friends. So we meet up, have a beer, and then he’s like, ‘Oh, you know, I’m spending all this money on IT every month,’ because he was a sound engineer. And he’s like, ‘But we’ve got this thing called the internet, right? I thought, ‘I’ve got 1 MB internet in my studio, why can’t I use that? It’s free.’ And I was like, ‘Yeah, let’s do it.’ And because I, you know, had been doing software development and the internet, it just made sense. The two of us really bonded, and I went home to New Zealand and he stayed in Chicago, and we built Source-Connect.” – Rebekah Wilson

This episode’s guest is the co-founder, technical director, and CEO of Source Elements, and has worked for over twenty years with customers and industry partners like Avid and Dolby. Since the release of their pioneering remote audio app Source-Connect in 2005, she’s advocated for the benefits of remote collaboration in all sorts of areas, including sound engineering, voice acting, music performance and production, film and cinema production, and education.

Originally trained as a composer, she’s now a software developer and expert in the fields of music technology and networking, and, as a New Zealand native, she understands very well how important it is to stay connected no matter where we are. Her name is Rebekah Wilson, and you’ll want to hear what she has to say about how Source Connect is making our creative lives easier, what it’s like being a woman in a male-dominated field, and where she sees this technology going in the future.

As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I’d love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast’s main page. I would so appreciate that.

(0:00:01) - Musical Journey to Tech Innovation

We start off with Rebekah’s early memories of her father playing the guitar, and how it helped spark her love of music. “I must have been four or five,” she tells us, “and I can see the house that we were living in at the time. So, yeah, around their age and um, just those lovely, warm feelings.” She shares her experience growing up in New Zealand and how quickly things changed as the internet began to connect the world. “I went out and told everybody,” she explains, recalling the day she learned about Princess Diana’s passing on a web forum. “I was like, ‘Oh my God, oh my God.’ And they’re like, ‘How do you know? The internet? What, that’s crazy!’ And so it was like one of those first moments of finding out that you can connect to the rest of the world with this medium.”

(0:11:06) - Navigating Gender Dynamics in Tech

Rebekah shares her journey from orchestral composer to tech entrepreneur in the ‘90s, and just how much things have changed for women since those early days. “I went in for the job interview and, uh, they, they show me where the programmers work,” she explains. “It’s a dark room in the middle of the building with no...

“Listen, I got unbelievably lucky with YouTube, and I don’t know why. I still really, I mean, I know why in theory, like, people have been like, well, ‘You provide XYZ,’ but I don’t know why I get to do this. Like, I know that I have certain qualities that lend themselves to my strengths, that lend themselves to this medium, but it’s completely and utterly luck. Putting out good videos, having a high-quality camera, a high-quality microphone, having a, you know, finding out what your skill set is that you can use. So, the thing is, I remember five years ago when I wasn’t even, or well, let’s say six years ago, I’d be like, they would be talking about a streamer that had a shtick. And I guess I accidentally fell back into my shtick, which was the opera singer, right?” – Marco Cammarota

This episode is the second half of my conversation with voice actor and YouTube sensation Marco Cammarota as we discuss how the YouTube and Twitch algorithms can make or break a channel’s audience size, Marco’s voiceover work in such games as Metal Slug and Genshin Impact, and how a creative approach to sound, including silence, can have a dramatic impact on listeners.

As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I’d love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast’s main page. I would so appreciate that.

(0:00:00) - Navigating a Career in Content Creation

My conversation with Marco picks up with his frank advice to people looking to follow his winding career path. “I remember when people would be like, how do you get into voiceover? And I’d always be like ‘Don’t, don’t!’ How do you get into opera? ‘Don’t!’” We discuss how much of a role luck and the YouTube algorithm played in his success, and he does offer some tips to anyone looking to start their own channel. The topic turns to AI in sound, its growing prevalence in social media, and whether it can replace human video game compositions. “There was an instance where I was listening to some YouTube music on a playlist,” he recalls. “And I was like man, this, like this guy goes off. And then I looked, and it was actually AI, and I was like, oh. And so then the question became do I still listen to this or do I not care, or do I, like, turn it off? And I eventually decided to turn it off.”

(0:15:25) - Exploring Video Game Music Community

Marco tells us more about the community he’s built online with MarcoMeatball and his hopes for his fellow gamers and listeners. “The goal is to have it be a hub of video game music where,” he says, “if someone maybe doesn’t know something or likes something or doesn’t like something, they can come and hear a person who is just like them with a little bit of extra experience, or equal experience, or the person could actually have more experience than me and also offer their insight.” We also discuss how the channel led to a newfound appreciation for video game soundtracks as art, even compared to his childhood love of games. “I’ve learned about so many more pieces of music,” he adds, “like I had a deep, fundamental love for music and games, but I didn’t...

“In February of ’21 I just randomly started. I just filmed a video, and I was like, ‘Okay, whatever.’ Well, it was February 11th, and then February 15th we were on our way to pick up my dog, my puppy at the time – she was you know, nine weeks old – and I started getting notifications on my phone and I was like, ‘Oh, weird, I must have left some somebody, like, a comment on YouTube or something.’ And all of a sudden, I look and I’m like, ‘Whoa, my video is popping off.’ I was like, ‘What do I do with this?’ And so I just, like, doubled down.” – Marco Cammarota

This week’s guest is a professional opera singer turned voice actor turned YouTuber. He grew up loving video games and video-game music after first discovering them when he was seven years old, and since then he’s lived and breathed all things video games. He has a YouTube channel all about video game music – the beauty of modern composition, how it allows us to connect deeper to the games we love, and how we can better learn to understand ourselves through it and the experiences it provides.

His name is Marco Cammarota – sometimes known as “Marco Meatball” – and I’ve been looking forward to hearing about his musical influences and his love of sound, particularly when it comes to video games, for a while now. I hope you enjoy this conversation as much as I did!

As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I’d love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast’s main page. I would so appreciate that.

(0:00:00) - From Opera to YouTube

We start things off with Marco’s early memories of sound, particularly the songs his Italian grandmother used to play when he was a child. “Even the sound of the accordion triggers like a deep sense of nostalgia for me,” he recalls. “When it comes to music like that, that soundscape is really, really poignant to me.” He tells us more about how his childhood led him to opera, voice work, and even YouTube. “The desire to communicate and express,” Marco explains, “was the thing that awakened through this, like summer camp, and then I think that that’s what led me down the path of musical theater and eventually opera, and, then voiceover and now this current career.”

(0:16:30) - Video Game Music’s Healing Power

Marco discusses the impact of his father’s passing and the solace he found both in grief counseling and through video game music. “Grief counseling is something everyone should do if possible,” he shares, “just because grief is such a powerful and painful feeling. There are really no words to describe how bad it feels.” He talks about some of the game soundtracks that helped him process those emotions, from Outer Wilds to Disco Elysium, and one particularly timeless classic. “Final Fantasy is really based around classical and prog rock,” he explains, “and sometimes integrating the two in one setting. It’s an incredible thing that most of my childhood was based around Final Fantasy’s sound, and I think, like, largely that’s why I also gravitated towards being sensitive to sound and music.”

(0:24:21) - The...

“I think people forget that. I think they forget that there’s a person behind the music and that they need to share that with their audience now more than ever, because if people hear your song and they like your song, they’re gonna go down a rabbit hole. And if they can go down that hole and come across you being genuine, being authentic, actually showing vulnerability, they’re gonna fall in love with you. They like the music, and they like you. That is the definition of a superfan.” – Andy Gesner

This is the second half of my interview with owner and president of HIP Video Promo, Andy Gesner, as we talk about balancing AI content with human connection, his advice on setting yourself apart when it comes to social media, and the critical role that superfans play in building an audience.

As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I’d love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast’s main page. I would so appreciate that.

(0:00:01) - Creating Visual Content for Music Promotion

“For the first four or five years, music videos really were reserved for those who were either well-moneyed or had backing,” Andy says as we start the second half of our conversation. “All of a sudden, there was this platform called YouTube, and of course, we jumped right on it.” He tells us more about that transition between the MTV era and today’s streaming content, and his advice to clients about the limits of AI content creation. “I have always told clients, ‘Yes, no issues with an AI video, but sport, don’t follow up your AI video with another AI video,’” he explains. “The best way to get to the next level and get to those thousand superfans… You have to make a human connection.”

(0:10:46) - Music Promotion Strategies and Philosophy

He tells us about his work helping musicians cross the bridge to social media promotion and engaging with their fans, and how much work it can be for creatives who aren’t naturally outgoing. “They don’t appreciate sometimes that they are public figures,” he tells us, “and that they need to be doing the things their less talented, much more lazy competition are not going to do.” Andy warns us, however, against losing sight of what’s important in the rush for more engagement. “Everybody’s concerned about the follower count,” he says. “And they’re upset that the YouTube view count is low and they want to know how to get the streams up, and they’re concerned about how many subscribers they have... I’m finding they are forgetting about the song. You’ve got to be focused on your song.”

(0:26:37) - Promoting Artistic Encouragement and Support

As our conversation comes to a close, Andy tells us about some of his latest projects, including one particularly unlikely new pop star. “We’re working on an unusual project,” he explains. “Her name is Gwen, and she’s dead. In fact, Gwen isn’t even real. She is the star of a new streaming television program.” He tells us how listeners can get in touch, whether it’s Instagram, YouTube, or even a plain old phone call. “If you love your job,” Andy says, “you never work a day in your...

“I said, ‘Well, uh, my team and I would love to see the video,’ and the woman at Lost Highway said, ‘All right, let me pop a VHS in FedEx, it’ll be there tomorrow morning.’ So, we watched the Johnny Cash Hurt music video and once we’d wiped a tear out of our eyes, I got on the phone. I said, ‘Retta, put us in, coach. We want to play.’ And the rest is history. It was and remains still the most iconic music video of an artist doing a cover to date.” – Andy Gesner

This episode’s guest is the owner and president of HIP, one of the most trusted names in music marketing. He’s been releasing records since 1979, giving him firsthand insight into the complexities of the music industry, and he’s channeled his expertise and passion for music into uplifting fellow artists over the past twenty-four years. He and his team have promoted over 4,800 music videos, championing some of the most renowned artists and best indie talent from all corners of the globe.

His name is Andy Gesner, and if you’re a musician, this is a conversation you don’t want to miss. I know how hard it can be these days to make a living from your art, and it can be even harder if you don’t pay attention to marketing. If you’re creative, you have to wear a lot of hats, and if you’re looking for tips, Andy has some great ones to share in this two-part discussion.

As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I’d love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast’s main page. I would so appreciate that.

(0:00:00) - From Sound to Promotion

Our conversation starts off with Andy’s very first memory of sound, which just happens to be the Beatles’ historic performance on The Ed Sullivan Show. “Well, my sister starts screaming like a banshee and she starts twirling around like a whirling dervish,” he recalls. “And I look over at my brother, and his jaw hits the floor. And I look at this little black and white TV and there are these four guys with what at the time was considerably long hair.” He tells us about how his career shifted from performance to promotion, and what his work on Johnny Cash’s classic “Hurt” video taught him about taking creative risks. “It was like, ‘We can’t play a Johnny Cash video on MTV, no way,’" he remembers producers saying at the time. “People thought Johnny’s version of Hurt was a bit too out there. But you and I both know, as a marketing person, you present, and the public decides.”

(0:19:46) - The Importance of Music Videos

Our discussion turns to how the digital era has reshaped music promotion and how the music videos of the ‘80s paved the way for today’s influencer culture. “Now more than ever,” he explains, “artists, independent creatives, are public figures, and you can’t just sit on the couch and say, ‘Hey, I’m not going to do any of that public figure stuff, I just want the world to love me for my music.’ Those days are over.” We talk about the bands that, starting around the turn of the 21st century, have had to rely on video and online marketing instead of radio airplay, and he shares a memorable example. “I remember in 2007,” Andy says, “sending...

“But if you think about it, like if all 360,000 of these, like, law firms, not lawyers, law firms had their own brand out there, who’s gonna rise to the top? The ones who are producing content that provides value, and then the ones who are producing content that has some good production value, and are the ones who are producing content that has some good entertainment value. ‘Cause I think that’s the third leg. Because right now, just producing content is enough, but there’s going to come a point where people have to be entertaining as well, where it’s not going to be consumed.” – Dennis Meador

This episode is the second half of my conversation with founder and CEO of The Legal Podcasting Network Dennis Meador, as we discuss Dennis’s start in podcasting, his tips for putting together a helpful and accessible video for clients, and how AI is blurring the video/audio divide.

As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I’d love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast’s main page. I would so appreciate that.

(0:00:00) - Podcast Marketing and Communication Strategy

The second half of our conversation starts as Dennis shares his approach to winning older clients over to social-media marketing, and the challenge our online-first world can pose. “They’ll say, ‘Yeah, if I can get them in front of me, I’ll convert them 80% of the time,’" he recounts. “The problem is that 80% of the time, they check out your website and never do anything further.” He talks about short-form content and informational videos, and how they can help brands get a foot in the door when it comes to making an impression on clients. “When people search these very specific questions, now,” he explains, “all of a sudden, this attorney, especially with video and YouTube being owned by Google, their videos start to pop up, their podcast starts to pop up, their FAQ page starts to pop up.”

(0:14:19) - Future of Podcasting and Branding

Dennis and I talk about how remote networking and online spaces have changed the way we make a first impression, and his approach to keeping brands engaged with their clients. “We send a lot of videos in my company,” he explains, “I’ll have somebody say to me, like, ‘Oh, this client’s ghosted us, blah, blah, blah, blah. They’re not returning calls.’ I’m like, did you send [a video]? They probably forgot you’re a real person.” He shares his thoughts about Gen Z, and now Gen Alpha, and how their lifelong experience with social media will impact the future of branding. “Fifteen years ago or ten years ago,” he recalls, “the number one thing kids wanted to be when they grew up was doctors and lawyers. Do you know what the number one thing is now for kids junior-high and below? Influencers.”

(0:17:34) - AI and Creativity in Marketing

Our conversation concludes with a firsthand account of how AI is helping Dennis reinvent and expand his approach to podcast development. “I’m hoping that when we produce this [next] podcast,” he says, “we actually produce it as a cartoon, that when we produce this podcast, we actually produce it as a cartoon, and...

“I don’t care what I have to do, they are not going to ignore me. So I would get up, I would walk around the room, I would stand on a chair in the middle of the room, I would shout, I would run, I would scream, I would kick things. If I was mad at the Devil, I would kick something. And if I was happy for Jesus, I would run around, woo hoo hoo! And I mean, people would just come out and be like, ‘Wow, I’ve never really seen anybody speak like you.’ And I’m just like, listen, if you’re not listening, I’m not speaking. So, I think Paul said something like, I’ll be a fool for Christ. His context was all of the troubles and trials and tribulations he’d gone through in life. But the context of the statement was, in order to reach people with this message, I’ll do whatever I have to do.” – Dennis Meador

My guest on this episode is the founder and CEO of The Legal Podcast Network, a turnkey podcasting, marketing, and content solution for the legal industry. With nearly thirty years in marketing, over twenty of those focused on white-collar industries, especially the legal sector, he brings extensive expertise in branding, podcasting, and beyond. His name is Dennis Meador, and in this two-part conversation, he’ll be sharing his take on branded podcasts and how they improve client engagement, and where he thinks podcasting for specific industries will head in the future.

As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I’d love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast’s main page. I would so appreciate that.

(0:00:00) - Early Memories of Sound and Communication

We start things off with Dennis’s early memories of sound, including a gospel music tape he heard when he was just five years old. “It got to the point,” he recalls, “where, within a short amount of time, I had every song memorized off of that tape, both sides, every song front to back.” He shares his experiences with public speaking and what he’s learned about engagement and connecting with an audience. “I’ve spoken to two, three thousand a few times, something like that,” he explains, “and you just feel like you’re almost shouting into an abyss. Versus like that 300 to 500, you can almost feel the energy and see whether or not people are plugged in all across the whole room.”

(0:12:54) - Success in Sales and Podcasting

Dennis tells us about how he got into advertising and his insights into the industry. “You’re helping these businesses,” he tells us. “If you’re not ripping them off and you’re really producing the product, and it’s a good thing, then you’re helping these companies.” We talk about how social media has transformed the marketing landscape and the difference between having a large audience and an engaged audience. “If you have 50,000 downloads or views of a show,” he notes, “but they’re all over the world and no one calls you, it’s not nearly as valuable as having fifty people locally, ten of them calling you, and six hiring you. Fifty could be infinitely more valuable than fifty thousand.”

(0:23:34) - Marketing Strategies Through Video...

“That brings up a whole other point, which is the power of a voice’s quality to bring a brand to life. A lot of clients are, like, just hire voiceover and just have them say the copy. And it’s just, like, there’s a place for Gilbert Gottfried and there’s a place for, you know, John Lithgow. And I’m not saying we would use either of those, but you know, if I’m doing a commercial on a cancer care center, I would never have Gilbert Gottfried come on and say, I’m not, that’s not, you know, that’s like, that’s... It would be memorable, but it would be completely the opposite of what the brand should be. It doesn’t sound earnest. And that’s how the voice you choose for a commercial is critical.” – Reid Holmes

This episode is the second half of my conversation with keynote speaker, author, and mature brand revitalizer Reid Holmes as we talk about the role sound plays in his ad projects, the pros and cons of AI use in audio branding, and the key to building client trust with appreciated branding.

As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available along with other interesting bits of audio-related news. And if you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I’d love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast’s main page. I would so appreciate that.

(0:00:00) - The Power of Audio Branding

We begin the second half of our discussion with Reid’s thoughts on sonic logos, and we look at how effective they’ve been for such companies as Apple and Netflix. “Those things can be incredibly impactful because they say I’m entering a new world here,” he says. “I am now in the care of this other thing, I’ve gone through a doorway, I’ve come into this new world, and that is one of the biggest things audio cues can do.” We talk about synthetic voices, and Reid recalls a podcast’s questionable use of a sonic persona. “You gotta be really careful,” he explains. “These sonic personas people are trying to chase to make another version of themselves, it’s very slippery. It can do so much damage.”

(0:08:19) - The Impact of AI on Branding

Reid shares his own experience with AI assistance, and how its use in editing his book revealed both its strength and limitations. “Not doing it yourself is a disservice, I think,” he explains, “because then you don’t know the intricacies of how things bounce off each other, and how ideas bounce off each other.” We discuss the challenges of networking and collaborating in an increasingly digital world, and how the shift to an online economy has affected many companies’ marketing strategies. “A lot of brands are saying ‘we don’t need any brand advertising, we just need to chase people all over the Internet and get our transactions,” he says. “My personal point of view is that’s short-sighted.”

(0:15:05) - The Future of Branding and Advertising

As our conversation comes to a close, Reid talks more about appreciated branding and its potential for building long-term brand loyalty. “On the customer lifetime value side of that equation,” he explains, “it’s cheaper to sell to someone who already knows you and believes in you and has bought from you than to convince yet another new person.” We talk about his current projects,...