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Popularized by Joseph Campbell, the hero's journey features narrative stages along which a person matures and transforms. But where heroes transform is just as important as what they do to get there. Holly Bellebuono shows you how the location of each hero's journey step is intimately tied to the challenges faced, setting the tone for the entire adventure.

Sans théorie générale, la traduction est limitée à réfléchir sur son activité de communication et à n'être jamais qu'une fraction d'une discipline nommée herméneutique. Cette limitation de la traduction à son rôle de communication, rôle qui marque un certain enfermement dans le langage, forme ce que l'on nomme le « complexe d'Hermès ». Cet ouvrage entend montrer qu'il est possible de sortir de cet enfermement du langage en considérant comment l'usage de la langue participe au sens du message, comment l'organisation rhétorique participe au sens fondamental du langage.

"The Signal-Man" is a first-person horror/mystery story by Charles Dickens, first published as part of the Mugby Junction collection in the 1866 Christmas edition of All the Year Round. The railway signal-man of the title tells the narrator of an apparition that has been haunting him. Each spectral appearance precedes a tragic event on the railway on which the signalman works. The signalman's work is at a signal-box in a deep cutting near a tunnel entrance on a lonely stretch of the railway line, and he controls the movements of passing trains.

Originally written in 1940 and first published by Simon & Schuster in 1972, How to Read a Book introduces and elucidates the various levels of reading and how to achieve them in order to gain the most understanding and insight from any book. From elementary reading, through systematic skimming and inspectional reading, to speed reading and beyond, readers will learn when and how to ‘judge a book by its cover,’ perceive structure no matter the prose, read critically, and extract an author’s message from any text.

Acclaimed Irish novelist Colm Tóibín first read James Baldwin just after turning eighteen. He had completed his first year at an Irish university and was struggling to free himself from a religious upbringing. Inspired by the novel Go Tell It on the Mountain, Tóibín found a writer who would be a lifelong companion and exemplar.

With The Interpretation of Cultures, the distinguished anthropologist Clifford Geertz developed the concept of thick description, and in so doing, he virtually rewrote the rules of his field. Culture, Geertz argues, does not drive human behavior. Rather, it is a web of symbols that can help us better understand what that behavior means. A thick description explains not only the behavior, but the context in which it occurs, and to describe something thickly, Geertz argues, is the fundamental role of the anthropologist.

Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator.

Christians Reading Classics Audio Lectures is a series about studying the Greco-Roman classics as Christians—the why, the how, and to a lesser extent, the when. Just as our bodies are what we eat, so are our minds what we consume. There is value in engaging with literature to nourish our minds and souls—not just the Bible but all that we consume for spiritual formation.

In Driving Lessons, Christopher B. Strain sets out on a quintessential American road trip, exploring not just the roads and byways of the country but the road trip's place in American culture. Strain dives into the well of American travel writing, illuminating fascinating aspects of the road trip, such as how race, class, and gender shape the experiences of road trippers.

Jack Kerouac was one of America's great writers of the latter half of the twentieth century, yet he endured a life characterized by persistent hardship and disillusion. Leading Kerouac scholar Paul Maher Jr. targets the writer's embattled insight of self as central to his life and work. He reveals how Kerouac's troubled interactions with alcohol, drugs, and spirituality stamped its importance on his autobiographical prose and poetry and created a singular language that united thoughts on the human condition and spiritual liberation.

In popular imagination, Tolkien is a Luddite, but recent scholarship has identified Tolkien's extensive modern sympathies. Tolkien, Philosopher of War contributes to this growing literature. His is a modern critique of Enlightenment thinking, specifically those philosophies that wrest the initiative from God in divinizing man. His worry is apocalyptic politics—political movements that take Christ's word out of the realm of grace and make it a platform for political action.

The word most commonly used to describe Muriel Spark is ‘puzzling’. Spark was a puzzle, and so too are her books. She dealt in word games, tricks, and ciphers; her life was composed of weird accidents, strange coincidences and spooky events. Evelyn Waugh thought she was a saint, Bernard Levin said she was a witch, and she described herself as ‘Muriel the Marvel with her X-ray eyes’. Following the clues, riddles, and instructions Spark planted for posterity in her biographies, fiction, autobiography and archives, Frances Wilson aims to crack her code.

By his longtime friend and a Pulitzer Prize–winning journalist, the definitive biography of Larry McMurtry, the legendary author and screenwriter of Lonesome Dove, The Last Picture Show, Brokeback Mountain, and others, who single-handedly served America its image of the West.

This is a book about reading the Greco-Roman classics as Christians—the why, the how, and to a lesser extent, the when. This exercise, equal parts intellectual and spiritual, is timely. Just as our bodies are what we eat, so are our minds what we consume. The past few years have seen the appearance of books on the value of literature in nourishing our minds and souls—developing the practice of reading not just the Bible but all that we read for spiritual formation. Most such books have focused largely on medieval and modern literature, involving antiquity only occasionally.

Drawing together the mythology and tales of England, Scotland, Ireland, and Wales, this book is a comprehensive collection of the fascinating gods, goddesses, heroes, and monsters that make up the compendium of Celtic myths and legends. Celtic Mythology offers an accessible exploration of the rich tapestry of stories and characters that define Celtic culture and have fascinated people for centuries.

No one knows whether Homer was a real person, but there is no doubt that the epic poems assembled under his name are foundations of Western literature. The Iliad and the Odyssey—with their tales of the Trojan War, Achilles, Odysseus and Penelope, the Cyclops, the beautiful Helen of Troy, and the petulant gods—have inspired us for over two and a half millennia and influenced writers from Plato to Virgil, Pope to Joyce, and Dante to Margaret Atwood.

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder's text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder's novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today.

Featuring iterations of fairy tales and sinister descendants of Greek myths and bible stories, as well as a cast of lesser-known characters with names like Tam Lim, Child Wynd and Maisery, Old Songs threads a tapestry of Britain's landscape, history and cultures. At the base of hills we can visit to this day, elf queens kidnap hapless poets and carry them through rivers of blood; and at the foot of a tree whose offspring still stand in the forests of Northumberland, a girl mimes combing the hairless head of a dragon who was once her brother.

At the turn of the twentieth century, sleep began to be seen not merely as a passive state but as an active, dynamic process crucial to our understanding of consciousness and identity. In Sleep Works, cultural historian and literary scholar Sebastian P. Klinger explores the intriguing connections between scientific inquiry and literary expression during an era when sleep was both a scientific mystery and a cultural fascination.

A study of the spiritual practices developed by the nineteenth-century American Transcendentalist movement and a case for their necessity today.