Elizabethan History

What was it actually like to live in Elizabethan England? If you could travel to the past and walk the streets of London in the 1590s, where would you stay? What would you eat? What would you wear? Would you really have a sense of it being a glorious age? And if so, how would that glory sit alongside the vagrants, diseases, violence, sexism and famine of the time? In this book Ian Mortimer answers the key questions that a visitor to late 16th-century England would ask.

History has lied. Anne Boleyn has been sold to us as a dark figure, a scheming seductress who bewitched Henry VIII into divorcing his queen and his church in an unprecedented display of passion. Quite the tragic love story, right? Wrong. In this electrifying exposé, Hayley Nolan explores for the first time the full, uncensored evidence of Anne Boleyn’s life and relationship with Henry VIII, revealing the shocking suppression of a powerful woman.

Cousin to Elizabeth I - and possibly Henry VIII's illegitimate granddaughter - Lettice Knollys had a life of dizzying highs and pitiful lows. Entangled in a love triangle with Robert Dudley and Elizabeth I, banished from court, plagued by scandals, embroiled in treason, Lettice would lose a husband and son to the executioner's ax. In the first ever biography of this remarkable woman, Nicola Tallis takes us through her dramatic life and the grand sweep of the Tudor Age and the events that define it.

Brought to you by Penguin. Poor boy. Dark star. Spy. Transgressor. Genius. From one of the greatest writers on the Elizabethan era, Dark Renaissance is the thrilling and subversive life story of Christopher Marlowe – Shakespeare’s inspiration and rival, who helped to bring England out of the...

Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay Elizabeth's bedchamber, closely guarded by the favoured women who helped her dress, looked after her jewels and shared her bed. Elizabeth’s private life was of public, political concern. Her bedfellows were witnesses to the face and body beneath the make-up and elaborate clothes, as well as to rumoured illicit dalliances with such figures as Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic subterfuge.

What is the mind? How does it relate to the body and soul? These questions were as perplexing for the Elizabethans as they are for us today—although their answers were often startlingly different. Shakespeare and his contemporaries believed the mind was governed by the humors and passions, and was susceptible to the Devil’s interference. In this insightful and wide-ranging account, Helen Hackett explores the intricacies of Elizabethan ideas about the mind.

'Brilliant, unpredictable and endlessly fascinating' IAN MORTIMER 'I love this book' TRACY BORMAN 'Gunn and Gromelski cast a brilliant light into a lost world' SUSAN BRIGDEN A unique new window onto Tudor life, told through ordinary people's untimely deaths. How did ordinary people live in Tudor...

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions - shock, sadness, fear - that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die.

The newly-wed Anne Hastings faced her husband's wrath when her affair with William Compton was made public. Mary Tudor married to satisfy her brother's political need to ally with France, but when her decrepit royal husband died, she married the dashing Charles Brandon for love. William Parr, humiliated by his wife's extramarital affair, sought a divorce to marry the woman he loved.

In this remarkable biography, Carolly Erickson brings Elizabeth I to life and allows us to see her as a living, breathing, elegant, flirtatious, diplomatic, violent, arrogant, and outrageous woman who commands our attention, fascination, and awe. With the special skill for which she is acclaimed, Carolly Erickson electrifies the senses as she evokes with total fidelity the brilliant colors of Elizabethan clothing and jewelry, the texture of tapestries, and even the close, perfumed air of castle rooms. Erickson demonstrates her extraordinary ability to discern and bring to life psychological and physical reality.

Elizabeth is viewed as one of our greatest monarchs. She committed herself to her country, even ruling out marriage in favour of her subjects. It has been called a golden age. Welcome to our GCSE series on Elizabethan England, 1558-1588, where we discuss this fascinating period and question whether or not it was as golden as first thought. The series is broken down into four areas, each area focused on one of the four key topics to be studied: accession, religion, challenges and society.

'Enchanting' Simon Russell Beale --- 'Remarkable' James Shapiro 'Wonderful . . . compulsively readable' Nicholas Hytner Why do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday? When Robert McCrum began his recovery from a life-changing stroke...

William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time...

From the acclaimed author of The Map Thief comes the true story of a self-taught Shakespeare sleuth's quest to prove his eye-opening theory about the source of the English language's most famous plays. A work of gripping non-fiction, North by Shakespeare presents the twinning narratives of rogue...

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.

'Enchanting' Simon Russell Beale --- 'Remarkable' James Shapiro 'Wonderful . . . compulsively readable' Nicholas Hytner Why do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday? When Robert McCrum began his recovery from a life-changing stroke...

The sixteenth and seventeenth centuries forged a powerful image of England – Shakespeare’s ‘scepter’d isle’, proud and apart, defined by royal spectacle and myth. But beneath this familiar narrative of ruffs and gowns, kings and queens, lies a more complex and connected reality. England at this time was far from insular. Travelling in and out of the country were Venetian glassmakers with English wives, African innkeepers and Native American envoys. There were people like the Flemish artist Levina Teerlinc, probably the only painter to be employed by four English monarchs.

‘A lively picture of multiple operators scrambling to steal a march on the competition . . . Lavishly detailed’ FINANCIAL TIMES ‘This is Shakespearean scholarship at its best, brilliantly researched yet compulsively readable. It's a book for our times, enduringly fascinating and appealing...

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

Britain's most esteemed scholar of 16th and 17th century literature, Frank Kermode is also a noted author and professor. In this Modern Library Chronicle, he uses the context of the Elizabethan Era to link each of Shakespeare's plays to their probable years of creation. By portraying the bard's England in terms of its society, economy, and arts, Kermode provides an invaluable guide to understanding Shakespeare?s works.