American Movie

Tuesday Reynolds’s dreamy life in Manhattan has gone belly-up. Ditched by her college sweetheart and with her Wall Street banking job at risk, she’s off to London to prove herself to a new CEO. Plans change when Tuesday meets Ben Kelley, a wealthy, scowly, and movie-star-handsome stranger. He’s just missing one thing to make his professional dreams come true. What does Ben need? Oh, just a fake fiancée to impress a duke and duchess.

Movies matter—that is the message of Reel to Real, bell hooks' classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences, and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks—one of America's most celebrated and thrilling cultural critics—talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee.

You’re Not a Girl in a Movie is a new collection of powerful poems by Hala Alyan, winner of the Arab American Book Award in Poetry and the Dayton Literary Peace Prize. In these nine extraordinary poems, Alyan wrestles with the intimate themes that have driven her acclaimed body of work to date: the aching loss of homeland, the image and worth of women, and the violence of love. In Beirut, Brooklyn, and roads in the American West, she unravels the effects of decades of war and displacement on love and human worth and identity.

A comprehensive guide to all of Robin Williams' movies, with facts about plots, performances, and cast, as well as notable trivia and behind-the-scenes details about each film.

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities.

Warner Bros charts the rise of an unpromising film studio from its shaky beginnings in the early 20th century through its ascent to the pinnacle of Hollywood influence and popularity. The Warner Brothers - Harry, Albert, Sam, and Jack - arrived in America as unschooled Jewish immigrants, yet they founded a studio that became the smartest, toughest, and most radical in all of Hollywood.

Between 1965 and 1985, the world underwent profound social, political, and technological transformations. The Civil Rights Movement in the United States achieved key victories, including the Voting Rights Act of 1965, but racial tensions and systemic inequalities persisted. Meanwhile, the Vietnam War escalated, igniting widespread anti-war protests and fracturing American trust in government. This disillusionment culminated in the Watergate scandal, leading to President Nixon's resignation in 1974 and reshaping public perception of political leadership.

Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated - and remarkable. In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry.

Melanin in Movies examines how Hollywood shapes the perception of Black Americans. This book challenges the idea that Hollywood is just about entertainment, exploring how the film industry actively influences society's view of Black people. By analyzing key examples and trends in Black representation, Melanin in Movies reveals how film can be both a tool for liberation and a means of oppression.

Ranging from the shattered gentility of Edith Wharton's heroines to racial confrontation in the songs of Nina Simone, American Rhapsody presents a kaleidoscopic story of the creation of a culture. Here is a series of deeply involving portraits of American artists and innovators who have helped to shape the country in the modern age. Claudia Roth Pierpont expertly mixes biography and criticism, history and reportage, to bring these portraits to life and to link them in surprising ways.