American Film

The locals in the southern Italian town where he lives call him Signor Farfalla - Mr. Butterfly - for he is a discreet gentleman who paints rare butterflies. His life is inconspicuous: mornings are spent brushing at a canvas, afternoons idling in the cafés, and evenings talking with his friend, the town priest, over a glass of brandy. Yet there are other sides to this gentleman’s life.... Part thriller, part character study, part drama of deceit and self-betrayal, The American shows Martin Booth at the very height of his powers.

Myths of Masculinity and American Film examines ideologies of white American manhood that permeated United States culture between 1974 and 2016—the period in which the boys of Generation X grew into adulthood. Stephen R. Duncan argues that the mass media of movies and television, along with...

The Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists.

Jun Nakayama was a silent-film star in the early days of Hollywood. By 1964, he is living in complete obscurity, until a young writer, Nick Bellinger, tracks him down for an interview. When Bellinger reveals that he has written a screenplay with Nakayama in mind, Jun is intrigued by the possibility of returning to movies. But he begins to worry that someone might delve too deeply into the past and uncover the events that abruptly ended his career in 1922. Like the changing social and racial tides in California - and the unsolved murder of his favorite director.

Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

NATIONAL BESTSELLER “An indispensable work of feminist criticism.” —Elle “Convincing and illuminating.” —The Atlantic A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic...

A domineering force in Miami’s volatile criminal underworld, Brad Black is respected. Feared. His deadly accurate trigger finger and indestructible persona has earned him his intimidating reputation and, up until six months ago, hookers, drugs, and protecting the Black empire was the sum of his life’s purpose. Until he saved her. Wild, brave, and beautiful, Pearl Kennedy is Brad’s kryptonite.

One last mission. Too bad it went so horribly wrong. Following a distinguished career as an American spy, Nathan Grant is ready to part ways with the CIA. Unfortunately, his adversaries aren't as eager to let him go. When a final mission ends in the deaths of two Russian spies, Grant is a marked man. Russian assassins are gunning for him, but to stay one step ahead, Grant must uncover the identity of a mole buried deep within the CIA. After traversing the globe in search of clues, the truth will shock him to his core. Now it is Nathan Grant who will stop at nothing for revenge.

Now a Pedro Almodóvar film - THE ROOM NEXT DOOR 'I was totally overwhelmed by this extraordinary novel. A total joy - and laugh-out-loud funny' DEBORAH MOGGACH The New York Times-bestselling, National Book Award-winning author of THE FRIEND brings her singular voice to a story about the meaning...

A fascinating look at Hollywood’s most turbulent decade and the demise of the studio system—set against the boom of the post–World War II years, the Cold War, and the atomic age—and the movies that reflected the seismic shifts “The definitive book on 1950s Hollywood.” —Booklist...

“Sexy, funny and just PERFECT for the holidays!” Reader Review ⭐⭐⭐⭐⭐ “I have a new favorite book boyfriend…” Reader Review ⭐⭐⭐⭐⭐ “Studio shenanigans, sexy screenwriters: this one has ALL the feels.” Natalie Cox “Don't miss this love letter to movies and NYC...

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE A book that explores the great American novelist and playwright Edna Ferber, winner of the Pulitzer Prize for Ficton, whose work was made into many Academy Award-winning movies; the writing of her controversial, international best-selling novel...

Hidden beneath the floorboards in a house he's remodeling, Christopher Flynn discovers something very tempting-and troubling. Summoning every bit of maturity and every lesson he's learned the hard way, Chris leaves what he found where he found it and tells his job partner to forget it, too...

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Today, the name Clint Eastwood conjures up many different and unforgettable images. While many will always associate him as the quintessential Western hero in classics like The Good, the Bad, and the Ugly, new generations know him as a critically acclaimed director and even an outspoken conservative firebrand.

For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith's profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.

From the acclaimed author of American Comics and Jewish Comedy comes a highly entertaining book that examines the American obsession with horror—and what it tells us about ourselves. In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the...

Stanley Kubrick revolutionized Hollywood with movies like Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange, and electrified audiences with The Shining and Full Metal Jacket. David Mikics takes listeners on a deep dive into Kubrick's life and work, illustrating his intense commitment to each of his films.

No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society.