American Film

The locals in the southern Italian town where he lives call him Signor Farfalla - Mr. Butterfly - for he is a discreet gentleman who paints rare butterflies. His life is inconspicuous: mornings are spent brushing at a canvas, afternoons idling in the cafés, and evenings talking with his friend, the town priest, over a glass of brandy. Yet there are other sides to this gentleman’s life.... Part thriller, part character study, part drama of deceit and self-betrayal, The American shows Martin Booth at the very height of his powers.

A domineering force in Miami’s volatile criminal underworld, Brad Black is respected. Feared. His deadly accurate trigger finger and indestructible persona has earned him his intimidating reputation and, up until six months ago, hookers, drugs, and protecting the Black empire was the sum of his life’s purpose. Until he saved her. Wild, brave, and beautiful, Pearl Kennedy is Brad’s kryptonite.

A SHELF AWARENESS BEST BOOK OF 2025 A LOS ANGELES TIMES MOST ANTICIPATED BOOK OF 2025 AN ELLE BEST BOOK OF FALL 2025 “Convincing and illuminating.” —The Atlantic A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular...

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE A book that explores the great American novelist and playwright Edna Ferber, winner of the Pulitzer Prize for Ficton, whose work was made into many Academy Award-winning movies; the writing of her controversial, international best-selling novel...

One last mission. Too bad it went so horribly wrong. Following a distinguished career as an American spy, Nathan Grant is ready to part ways with the CIA. Unfortunately, his adversaries aren't as eager to let him go. When a final mission ends in the deaths of two Russian spies, Grant is a marked man. Russian assassins are gunning for him, but to stay one step ahead, Grant must uncover the identity of a mole buried deep within the CIA. After traversing the globe in search of clues, the truth will shock him to his core. Now it is Nathan Grant who will stop at nothing for revenge.

Jun Nakayama was a silent-film star in the early days of Hollywood. By 1964, he is living in complete obscurity, until a young writer, Nick Bellinger, tracks him down for an interview. When Bellinger reveals that he has written a screenplay with Nakayama in mind, Jun is intrigued by the possibility of returning to movies. But he begins to worry that someone might delve too deeply into the past and uncover the events that abruptly ended his career in 1922. Like the changing social and racial tides in California - and the unsolved murder of his favorite director.

Mel Brooks' own words telling all about the players, the filming, and studio antics during the production of this great comedy classic. The book is alive and teeming with hundreds of photos, original interviews, and hilarious commentary. Young Frankenstein was made with deep respect for the...

A fascinating look at Hollywood’s most turbulent decade and the demise of the studio system—set against the boom of the post–World War II years, the Cold War, and the atomic age—and the movies that reflected the seismic shifts “The definitive book on 1950s Hollywood.” —Booklist...

NEW YORK TIMES EDITORS’ CHOICE A revelatory biography of the world-famous playwright and actor Sam Shepard, whose work was matched by his equally dramatic life, including collaborations with the Rolling Stones and Bob Dylan as well as tumultuous relationships with Patti Smith, Joni...

Today, the name Clint Eastwood conjures up many different and unforgettable images. While many will always associate him as the quintessential Western hero in classics like The Good, the Bad, and the Ugly, new generations know him as a critically acclaimed director and even an outspoken conservative firebrand.

From the acclaimed author of American Comics and Jewish Comedy comes a highly entertaining book that examines the American obsession with horror—and what it tells us about ourselves. In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the...

John Ford and John Wayne, two titans of classic film, made some of the most enduring movies of all time. The genre they defined—the Western—and the heroic archetype they built still matter today. For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team...

#1 NEW YORK TIMES BESTSELLER The beloved memoir of self-discovery set against the spectacular Tuscan countryside that inspired the major motion picture starring Diane Lane—now in a twentieth-anniversary edition featuring a new afterword “This beautifully written memoir about taking...

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society.

Stanley Kubrick revolutionized Hollywood with movies like Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange, and electrified audiences with The Shining and Full Metal Jacket. David Mikics takes listeners on a deep dive into Kubrick's life and work, illustrating his intense commitment to each of his films.

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.