Showing results by narrator "Jon Brattin" in All Categories

I died a woman and woke up a monster. Now the only vampire who cares for me is exactly who I should run from. I’ve been turned against my will and can’t stand the idea of drinking blood. When Novak finds me, I’m half dead and starving. He’s the reclusive, sole vampire of Rathka’s Order, a cursed clan that’s nearly extinct. But he takes me in. Gives me shelter… and looks at me like I’m someone worth keeping. When the vampires who turned me find out, they’re pissed. Because of a centuries-old feud, I have to sneak away to see Novak.

I’m in trouble. Deep, deep trouble. I never meant for it to happen, but my ex is dead—and I’m the one who pulled the trigger. Whether he deserved it or not, whether anyone will even miss that jerk, it doesn’t matter. Joey is dead, and I have to figure out what to do before I get caught with a corpse on my hand.

Blake never expected to meet beautiful women while studying archaeology — let alone a stunning Valkyrie. Dying was a bit of a bummer, but the chance to see Asgard with his own eyes was well worth it. Blake found himself one of the few, modern mortals found worthy of Valhalla, earning him the interest of the gorgeous battle maidens.

Blake never expected to meet beautiful women while studying archaeology — let alone a stunning Valkyrie. Dying was a bit of a bummer, but the chance to see Asgard with his own eyes was well worth it. Blake found himself one of the few, modern mortals found worthy of Valhalla, earning him the interest of the gorgeous battle maidens.

When I smelled the enemy in our territory, my wolf nearly tore her apart. But instead of a vampire, I found a human female. Shaken, starving, and afraid. In need of protection. My protection. Once the vampire stink is washed off her, she smells divine. Her scent calls to me like nothing else ever has, driving my instincts to keep her safe.

Cyan of Blood ‘til Dawn never wanted a blood pet, a human to protect and care for in exchange for blood. But thanks to a centuries-old agreement between humans and vampires, he’s stuck with me. As long as my best friend is safe, I’ll accept the hand I’m dealt.

I’m the wolf she hit with her car and nursed back to health. I’m also the gruff biker who saved her from her creepy boss. She has no idea man and beast are one and the same. We’re from different worlds, but fate’s thread ties us together. She thinks we’re just dating, but she’s meant for me. And as I get to know her, I can’t get enough. The more time we spend together, the more my wolf howls to claim her. Soon, I won’t be able to hold back the animal within me.

I’m a witch with a business to run. The last thing I need is Orson, head of security for the Howling Death pack, arrogantly striding into my bar like he owns the place. This werewolf gets me hot and bothered, but not like that. It doesn’t matter how low his growl is, or how arresting his eyes are. He’s a prick and I just deal with him because his pack is in charge. But when a dragon shifter corners me into making a dangerous potion, the prickly wolf might be the only one who can help me save our small community.

This is a plain English production of the Shakespeare's classic play Much Ado About Nothing. Set in Italy, it tells the story of a romance between Claudio and Hero that is interrupted by a devious plot. This is a full-cast production of the work adapted by Charlie Creed to plain English and condensed to a 25 minute theatrical production with music and sound effects. This makes it suitable for a younger audience, though the themes of love, trickery and heartbreak, though softened and made age-appropriate are more suitable for older children aged eight years and over.

When Elspeth loses everything in one night for the crime of being born an elf, she wants vengeance. Forced to resort to banditry in order to survive, her forest becomes a safe haven for others dismissed by the Empire. But becoming the Bandit Queen isn't enough to compensate for the castle she lost—only the royal palace will do. To become the Empress, though, she first needs to save the Sacred Prince.

Sora Moore, a high school student from Miami Beach, Florida, is about to undergo a transformation that defies her wildest imagination. A fox girl with desire magic, granting her the power to manifest her heart's desires...as long as she has the energy to fuel it! As myths and legends unravel around her, Sora's world is turned upside down.

Arion is gone, and Theresa has finally come out of hiding after sixteen years. Cyllorian doesn't know what to think any more, but there's one thing he knows for sure...Arion's not dead. Cy is determined to do whatever it takes to bring Arion back. Even if the means relying on the elusive Theresa, and she seems to have her own agenda.

When wedding photographer Madi is challenged to find herself 10 dates in three months, she turns to her older brother’s three best friends to be her stand-ins. It helps her win the challenge without having to deal with the stress of dating.

This collection of audio plays is targeted at young listeners with stories adapted from the Bible by Benjamin Owino. Stories are performed by a full cast with music and sound effects to bring Bible stories to life for a younger audience. Stories include Daniel in the Lion's Den, the Story of Joseph and the Childhood of Moses. This is part of the Christian Bedtime Audio Plays series from Historical Audiobooks.

Originally published in 1634 and believed to be Shakespeare's final play, Two Noble Kinsmen is a tragedy with romantic themes. The play is based on a story from Chaucer (The Knight's Tale). Themes include war, love, banishment, obsession and madness. This adaptation by playwright Hazel Jeffs converts Shakespeare's work into more accessible plain English.

These adaptations of Shakespeare's classics Macbeth and Romeo & Juliet are told in plain English as full-cast audio productions. Additional materials and context are included. The set also includes a detailed introduction, adaptation notes, analysis of original Shakespearean speeches and study questions. This offers a fine introduction of perhaps the two most famous Shakespeare works and detailed study materials for those seeking to understand the plays in greater depth.

William Shakespeare, the "Bard of Avon", is the most famous of all English writers. Though he lived and died over 400 years ago, his works remain loved and treasured to this day. Even after all this time, they have lost none of their power nor their beauty: His stories still excite, his words still move, and his characters still seem real and deep and true.

This is a plain English and abridged adaptation of Shakespeare's Troilus and Cressida. The play is set towards the end of the Trojan War, and loosely follows sections of the Iliad. The play combines two key plotlines: the romance between Troilus and Cressida, and the ongoing Trojan war. This adaptation simplifies Shakespeare's language, but retains the key elements of his play. This is theatrical production by a full cast.

This is an adapted version of William Shakespeare's Cymbeline. It is abridged and in plain English rather than full Shakespearean language. Most position Cymbeline as a tragedy, though others consider it a romance or possibly a comedy. It is believed to have been written in the early 1600s. The romance features the king's daughter, while the Queen plots, and the king's sons were believed lost decades ago as infants. This version is adapted by Hazel Jeffs, offering an engaging retelling of this classic tale.

Edward III, sometimes called The Raigne of King Edward the Third, was published anonymously (as were several other Shakespeare plays) and is believed to have been written, at least in part, by William Shakespeare. The play focuses on a dispute between England and France that escalates to war. This edition is abridged and adapted into plain English and includes opening and closing commentary on the play itself.