Showing results by author "Simon Brett" in All Categories

When Charles Paris’ agent rings with the news that he has a part for him in a new musical, Charles is delighted - and somewhat amazed, as he can neither sing nor dance. But Maurice has an ulterior motive: as one of the show’s backers, he wants Charles to play detective and investigate a series of accidents that have dogged the production. The pianist has been shot in the hand, and another cast member fell downstairs - or was he pushed? Anxious about their investment and their star, Chris Watt, the ‘angels’ are keen to ensure that nothing else goes wrong.

What makes Charles different from other seedy, middle-aged, down at heel actors is that he can't avoid finding himself near trouble, that trouble being murder. He may be an amateur sleuth but he's patently no Poirot. Most of his brainwork is done over a large Bell's in the pub. In the still, quiet, deadly hours of the early morning, lying alone, Charles can't help wondering where he'd be if he put half as much energy into his career as he does into solving crime.

The affluent seaside resort of Smalting is unaccustomed to crime. So when human remains are found beneath the floorboards of a beach hut, the community is awash with suspicion. Amateur sleuths Carole Seddon and best friend Jude are drawn into the mystery, and their suspicion quickly falls on attractive Philly Rose, a young Londoner newly arrived in the area, whose boyfriend has recently vanished. 

A three-month run of a new farce is not to be sniffed at by a jobbing actor. Especially when there's the distinct possibility of a West End run. Which is why Charles Paris is standing on stage. However, by the time the troupe reaches Bath a darker mood has set in and Charles' old friend Mark has a drink problem that amounts to a death wish. But it's not the drink that kills Mark - it's somebody in the cast who has a secret that Mark must not be allowed to reveal....

Jude has never been averse to a bit of a flutter; her friend Carole, on the other hand, thinks that the local betting shop is a den of iniquity. But when Jude stumbles upon the body of a Polish immigrant, Tadeusz Jankowski, the race is on to find his killer. The odds aren’t looking good. No one seems to know anything about the mysterious Tadeusz - even his sister can’t shed any light on what he was doing in Fethering.

As ever, Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation, especially in the form of women and alcohol. His intentions may be good, but somehow the results always go wrong. What makes Charles different from other seedy, middle-aged, down-at-heel actors is that he can't avoid finding himself near trouble, that trouble being murder. He may be an amateur sleuth, but he's patently no Poirot.

The complete series 1-5 of the thrilling mystery series. On sabbatical from the Franciscan order, Father Paolo Baldi is working as a philosophy lecturer in Dublin when his life takes an unexpected turn and he finds himself helping the police to solve crimes. Along with Tina, Paolo uncovers the truth behind the killings of several rockabilly band members and a high-profile case of a police officer’s murder as well as delving into the highly competitive world of celebrity chefs. 

When Carole goes for a trim at Connie’s Clip Joint, she doesn’t expect to find herself at the scene of a murder. But in the back room, strangled by the lead of a hairdryer, sits Connie’s young assistant Kyra. Carole and her sleuthing friend Jude are soon enjoying some tactical snooping, and it seems that Fethering’s fingers are pointing at Kyra’s boyfriend Nathan, who has disappeared. As our discreet lady detectives decide there are only so many haircuts they can have for the sake of neighbourhood crime-solving, they also realise that this is no cut-and-dried case....

Having been booked to give a talk at Fethering Library, successful author Burton St Clair invites his old friend Jude to come along. Although they haven't met for 20 years, Jude is not surprised to find that St Clair hasn't changed, with his towering ego and somewhat shaky relationship with the truth. What Jude hadn't been suspecting, however, was that the evening would end in sudden, violent death. More worrying, from Jude's point of view, is the fact that the investigating police officers seem to be convinced that she herself was responsible for the crime. With the evidence stacking up against her, Jude enlists the help of her neighbour Carole.

Carole Seddon's son is soon to be married to Gaby. But Marie and Harold Martin seem desperate to keep plans for their daughter's big day as low-key as possible. After a quiet engagement party, Harold disappears...only to be found dead the next day in a burnt out car in Epping Forest. Carole discovers that the Martins are hiding secrets that can be traced back 30 years, to the murder of Marie's best friend. Now the girl's killer has been released from prison and is back in his old stomping ground. 

Very little disturbs the ordered calm of Fethering, a pleasingly self-contained retirement town on England's southern coast. Which is precisely why Carole Seddon, who has outlived both her husband and her career at the Home Office, has chosen to reside there. So the last thing Carole expects to encounter in Fethering is a new neighbour with but one name and an obviously colourful past.  

The Elizabethan house of Bracketts is about to be turned into a museum. It had once been the home of the celebrated poet Esmund Chadleigh and is to become a shrine to his life and poetry - but the transition is far from smooth. Carole Seddon had been reluctant to join the Bracketts Board, and now she realises that she should have listened to her instinct. The simmering tension between the board members is about to boil over. A human skeleton is discovered in the kitchen garden, and before too long there is a second body, not yet cold.

When Jude pays a visit to Long Bamber Stables - to meet an unusual new client and his owner, Sonia Dalrymple - she does not expect to stumble across a man laying in the darkness. Co-owner of the stables Walter Fleet has been viciously stabbed to death, and Jude suspects she may have arrived only seconds after his murder. Unable to resist a mystery, friends Jude and Carole begin to make discreet enquiries. 

Although she hadn't known Leonard Mallett well, Carole Seddon feels duty bound to attend her fellow committee member's funeral. As she suspected, the sermon is very predictable - not unlike Leonard himself. What she couldn't have predicted was that the deceased's daughter would use the occasion to publicly accuse her stepmother of murder. Did Heather Mallett really kill her husband? Deciding to get to the heart of the matter, Carole's neighbour Jude joins the new community choir - and discovers that amidst the clashing egos and petty resentments lurk some decidedly false notes.

The Hopwicke Country House Hotel, owned by Jude's glamorous friend Suzy Longthorne, is to host an event for the all-male society the Pillars of Sussex. On the night, Jude helps Suzy serve dinner, and in the early hours of the morning they watch with relief as the guests drag themselves to their beds. The next morning, one young solicitor does not come down for breakfast. Jude heads for Nigel Ackford's room, presuming he is feeling the effects of the night before. It soon becomes apparent, however, that Nigel has been spared his hangover....

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small role in a play, she nearly pushes him out of the door. But it seems that ‘The Message is Murder’ is such a terrible production that someone wants to kill off the cast.

Events manager Rosie Burns is used to coping with the unexpected, at work and at home. When her daughter, Kate, accidentally became a teenage mum, Rosie stepped in, raising her granddaughter, Jo, so that Kate could pursue her career in international banking. Now Jo works in the family firm alongside accountant Bob (who's nursing an unrequited love for Rosie) and Tess (whose love life never ceases to amaze). Things are ticking along nicely, until Rosie gets a phone call out of the blue - after 15 years working abroad, Kate's lost her job and is coming home....

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears. 

Bill Nighy stars as Charles Paris in this BBC Radio 4 full-cast adaptation of Simon Brett's comic crime novel An Amateur Corpse. Charles is out of work again, and to make matters worse his mother has come to stay and he's no way of escaping her. So when he's offered some voiceover work by old friend, Hugo, he's delighted to get out of the house. But Hugo's marriage is in trouble: his much younger wife, Ellie, spends all her time at her Amateur Dramatic Group, and Hugo is drinking too much.

Bill Nighy stars as Charles Paris in a BBC Radio 4 full-cast dramatisation of Simon Brett's novel. Charles Paris is understudying in a West End production whose star, Michael Banks, seems unable to master the script. Has Charles time to solve a murder, win Frances' heart and make it onstage by the time the curtain goes up?