Showing results by narrator "David Shaw-Parker" in All Categories

Vernon Lee was born Violet Paget on 4th October 1856 in Boulogne, France, to intellectual expatriate British parents. In common with several other very talented literary women of the day she felt it necessary to publish under a masculine pseudonym in order for her writing to be taken seriously. Her literary talents were extensive and she wrote a number of novels and plays. Perhaps her best remembered works are her haunting and powerful short stories exploring the supernatural. Lee has often received accolades for these and glowingly compared to other authors such as M R James.

In The Last Chronicle of Barset, Trollope concludes his saga of ecclesiastical life. At the heart of the novel is the plight of Josiah Crawley, a proud, impoverished clergyman who faces difficult legal circumstances. Caught amid poverty, Josiah appears to have stolen a check and is forced to stand trial - despite the fact that he cannot remember its origins. To make matters worse, his daughter, Grace, desperately seeks the approval of Archdeacon Grantly, whose son she intends to marry.

The fifth novel in the Chronicles of Barsetshire, The Small House at Allington, concerns the lives of the two Dale girls, Lily and Bell, who live at the Small House. While Bell is in love with the local doctor James Crofts, Lily is pursued by two men: the worldly, rich and handsome Adolphus Crosbie and the poor but honest Johnny Eames. With each determined to gain her hand in marriage, who will she choose?

Amy Levy was born in London, England, in 1861, the second of seven in a fairly wealthy Anglo-Jewish family. The children read and participated in secular literary activities and became firmly integrated into Victorian life. Amy’s writing career began early; her poem ‘Ida Grey’ appeared when she was only fourteen. Her acclaimed short stories ‘Cohen of Trinity’ and ‘Wise in Their Generation,’ were published by Oscar Wilde in his magazine ‘Women's World’.

Visible Gods is an imaginary dialogue between Socrates and four fictitious modern-day characters. Socrates' worldview is of a living cosmos with man only half-way up the hierarchy of all beings; above him reign suprahuman beings of great majesty and power - the visible gods. The moderns with whom Socrates converses disdain his ancient Greek cosmos as primitive and false.

The great explorers were the celebrities of their day - the romance and danger of their daring expeditions captured the public imagination and the world's headlines to an extraordinary degree. Not all of them lived to tell the tale, of course, but those who emerged triumphant from jungle, desert, or polar wasteland were hailed as if returning from beyond the grave. Journalists vied for their stories and publishers rushed their firsthand accounts of exciting and dangerous journeys into print for a wide and voracious readership.

John Clare was the forgotten Romantic poet, until the late 20th century. Known by his contemporaries as the Peasant Poet, he recorded in his poems the natural landscape of rural England before the Industrial Revolution. His poems rival Wordsworth’s for their sensitivity to nature and pantheism: ‘I feel a beautiful providence ever about me,’ Clare wrote. But his life was a long struggle against poverty and mental collapse. Some of his finest poems were written in the local asylum

Along the centuries numerous interpretations and definitions of Sufism have waxed and waned but the undeniable beauty of their verse in its myriad of forms including the musical Ghazal (love song), Masnavi (narrative) and Rubai (quatrain) always remains. Our chronological volume of the classic Sufi poets helps us understand the spiritual direction of Sufism, starting with Rabia in the 8th century through to Khwaja Ghulam Farid over a thousand years later.

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.

Trains have always held a special place for most of us. We’re intrigued by the mere fact that we can sit down in one place and arrive in another and enjoy the adventure and time in between. In this volume we explore both the journeys and the workers who run and maintain the railway network.

In this volume whatever the odds stacked against our characters one thing is certain; they will prevail, and life will be good. But the journey is filled with complications and trials that only an author would dare put into words.

The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the masterful Swiss writer Adolphe Cherneviere.

The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the talented Danish writer Bernhard Ingermann.

The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the very talented Hungarian writer Ferencz Herczeg.

Some people have basic needs of foods and materials that only theft can provide an answer for, and some others just pursue the taking of what they want, whenever they want and from whoever they want. These are their stories.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866. His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies’ Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.