Showing results by narrator "Withington Maddy" in All Categories

It's not easy getting close to people. Amelia's meeting a lot of men but once she gets the sex she wants from them, that's it for her: she can't connect further. A terrible thing happened to Daniel last year and it's stuck inside Amelia ever since, making her stuck too. Maybe being a cosmetician at her family's mortuary business isn't the best job for a young woman. It's not helping her social life. She loves her job, but she's not great at much else. Especially emotion.

Amelia is no stranger to sex and death. Her job in her family’s funeral parlour, doing make-up on the dead, might be unusual, but she’s good at it. Life and warmth comes from the men she meets online - combining with someone else’s body at night in order to become something else, at least for a while. But when a sudden loss severs her ties with someone she loves, Amelia sets off on a 72-hour mission to outrun her grief - skipping out on the funeral, running away to stay with her father in Tasmania and experimenting on the local BDSM scene.

Bridget and Simone aren't friends. But their daughters are in the same dance troupe, so they're flying to Los Angeles for the girls to perform at Disneyland. Simone's daughter Zahra is indisputably a leader in the group, but Bridget's daughter Becky is a talent on the rise. Simone and her husband are accustomed to business class, but Bridget is less comfortable there. Both lonely women are surprised to find something in common, until Bridget discovers images of Zahra and other dancers that shock her. Are they exploitative or art?

In Darkwater, being female doesn't amount to much. But Chelsea's luckier than most. She's the young lover of the town's feared leader, which she keeps telling herself is a good thing, what with food getting scarce and the wells drying up. She's secure and safe and can almost believe she's happy. But when a stranger rides into town, gun on one hip, whip on the other, Chelsea can't look away. Especially when it turns out this stranger is a woman. Nobody can say what the stranger is there for. But she brings talk of an outside perhaps no longer so chaotic, no longer something to hide away from.

When violin virtuoso Laura Hartley's priceless instrument is stolen, more than just her celebrated European career disintegrates - her rare gift of seeing music in colour fades to grey, silencing the voice she's always expressed through her performances. Without music to define her, Laura finds herself adrift in a world suddenly stripped of meaning, no longer certain who she is or where she belongs.