Showing results by author "G.K Chesterton" in All Categories

This audiobook contains four classic detective short stories, including "The Blue Cross" by G.K. Chesterton, "The Five Orange Pips" by Arthur Conan Doyle, "The Treasure Hunt" by Edgar Wallace, and "The Flying Stars" by G.K. Chesteron.

An eclectic selection of short story classics by great writers of latter day such as Jack London, O' Henry, M.R. James, G.K. Chesterton, James Joyce and Anton Chekhov.

A collection of five short stories by G. K. Chesterton including “The Blue Cross,” “The Invisible Man,” “The Three Tools of Death,” “The Flying Stars and The Wrong Shape.”

Christmas, they say, comes but once a year. In these days it seems to also last for much of that year - but this volume is not just for Christmas! For the religious amongst us, this annual celebration of the Birth of Christ must seem bitter sweet: it's acknowledgment by billions of people countered by the pervasive spread of material possessions translating the event to little more than a sales pitch for material wares.

Ecco come Gilbert Keith Chesterton descrive il fortunato personaggio letterario uscito dalla sua penna: ''La prima caratteristica di Padre Brown è di non avere caratteristiche; la sua importanza, di non apparire importante; e che la sua qualità cospicua quella di non essere cospicuo, e il suo ordinarissimo esterno vuole essere in contrasto con la sua attenzione e la sua intelligenza insospettate. Non è trasandato, ma piuttosto accurato; non è impacciato, ma molto delicato ed accorto".

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

Father Brown, an unassuming and shabbily dressed priest, possesses an incredible ability to solve crimes and murders. Here he reveals the secret of his success. He discovers the culprit by imagining himself to be inside the mind of the criminal. This fourth collection of Father Brown stories contains the magnificent "The Chief Mourner of Marne"- a fascinating story with unexpected twists - about a duel and a case of mistaken identity.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

Among the oldest stories of human civilization, Aesop's fables are a collection of extended proverbs with moral messages attributed to the Greek slave Aesop, who lived in the fifth century BC. Children will delight in these basic human truths represented by talking animals and plants, and adults will marvel at the plainspoken language of these ancient tales.

London. A candidate for global capital. Centre of an empire. The swift-beating heart of culture. A sprawling metropolis of life’s rich tapestry. And a bewildering Escher cityscape of overlapping and colliding forces. People, streets, buildings interweaving and interchanging. And our eminent writers have the talent and focus to reveal the story that lies beneath the words.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

As a poetical movement, Georgian poetry is easy to classify. It began naturally enough in 1910, when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron, decided that the verse of that time needed to be seen in its own right and from 1912-1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits.

The indomiitable cleric's gentle expertise in ferreting out the guilty is presented in selected stories, including: "The Absence of Mr. Glass", "The Paradise of Thieves", "The Duel of Dr. Hirsch", "The Man in the Passage", "The Mistake in the Machine", "The Head of Caesar", "The Purple Wig", "The Perishing of the Pendragons", "The Salad of Colonel Cray", "The Strange Crime of John Bounoir" and "The Fairy Tale of Father Brown".

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary. Why, or more to the point, who killed Sir Aaron?

Chesterton introduces his shambling, moonfaced little priest-detective, with 12 tales of theft, murder, suicide, obsession, vendetta - and, sometimes, repentance and redemption. This volume includes classic stores such as "The Blue Cross", "The Queer Feet", "The Invisible Man", "The Honour of Israel Gow", "The Hammer of God", and "The Eye of Apollo".

http://www.adfreebooks.com - 1000+ audiobooks, all ad free!From the author’s introduction: "Blake’s life of Blake … would have been full of symbolic wild beasts and naked women, of monstrous clouds and colossal temples; and it would all have been highly incomprehensible, but none of it would have been irrelevant. All the biggest events of Blake’s life would have happened before he was born. But, on consideration, I think it will be better to tell the tale of Blake’s life first and go back to his century afterwards. It is not, indeed, easy to resist temptation, for there was much to ...

Evan Maclan, a devout Catholic, and James Turnball, a fiery atheist, agree to duel after a heated argument over religion. But every time the two men attempt to put an end to things, the authorities interfere – duelling, after all, is forbidden. In order to evade the law, the two men travel across England only to be confronted with a series of absurd events that challenge each of their beliefs and values.

A compelling series of twenty essays sees Chesterton take aim at fashionable contemporary thinkers – writers and philosophers such as H. G. Wells, Rudyard Kipling and Bernard Shaw – who are proponents of rebellion and relativism. With his razor-sharp wit and charm, Chesterton cleverly unpicks these concepts, arguing that there is a better way forward.

In Short History of England, Gilbert Keith Chesterton offers a captivating exploration of history through the lens of human interaction, framing it as an enduring struggle between civilization and barbarism. His insightful critique reveals the stark contrast between the narratives of recent centuries and the rich tapestry of the medieval era, which is often overlooked in popular histories. Chesterton‚As sharp intellect and mastery of paradox illuminate the absurdities in conventional arguments, making his reflections both thought-provoking and entertaining. This is not just a study of dates ...