Showing results by author "G K Chesterton" in All Categories

This entertaining collection of 4 short stories by G.K. Chesterton will delight fans of the lovable Norfolk priest as he uses his, at times, eccentric insights to solve the seemingly unsolveable.

In "The Invisible Man", a murderer manages to get in and out of a house, even though it is under constant observation. In some ways, the story parallels Poe's "The Purloined Letter" but adds its own unique touches, particularly in the character and methods of priest-sleuth Father Brown.

A glittering collection of humorous stories by classic authors, including 'The Tremendous Adventures of Major Brown' by G.K. Chesterton, 'The Talking Horse' by Thomas Anstey Guthrie, 'The Seventh Pullet' by Saki, 'Biffin on the Bassoon' by Harry Graham, 'The Scharz-Metterklume Method' by Saki, 'The Chaplet' by Saki, 'The Facts' by Ring Lardner, 'A Dissertation Upon Roasted Pig' by Charles Lamb, 'Fur' by Saki, and 'The Lumber Room' by Saki'.

“My last crime was a Christmas crime, a cheery, cozy, English middle-class crime; a crime of Charles Dickens. I did it in a good old middle-class house, a house with a crescent of carriage drive, a house with a stable by the side of it, a house with the name on the two outer gates, a house with a monkey tree. Enough, you know the species.” How does Father Brown solve the theft of three gorgeous, large diamonds by a boastful thief?

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

This audiobook contains four classic detective short stories, including "The Blue Cross" by G.K. Chesterton, "The Five Orange Pips" by Arthur Conan Doyle, "The Treasure Hunt" by Edgar Wallace, and "The Flying Stars" by G.K. Chesteron.

An eclectic selection of short story classics by great writers of latter day such as Jack London, O' Henry, M.R. James, G.K. Chesterton, James Joyce and Anton Chekhov.

A collection of five short stories by G. K. Chesterton including “The Blue Cross,” “The Invisible Man,” “The Three Tools of Death,” “The Flying Stars and The Wrong Shape.”

Christmas, they say, comes but once a year. In these days it seems to also last for much of that year - but this volume is not just for Christmas! For the religious amongst us, this annual celebration of the Birth of Christ must seem bitter sweet: it's acknowledgment by billions of people countered by the pervasive spread of material possessions translating the event to little more than a sales pitch for material wares.

Ecco come Gilbert Keith Chesterton descrive il fortunato personaggio letterario uscito dalla sua penna: ''La prima caratteristica di Padre Brown è di non avere caratteristiche; la sua importanza, di non apparire importante; e che la sua qualità cospicua quella di non essere cospicuo, e il suo ordinarissimo esterno vuole essere in contrasto con la sua attenzione e la sua intelligenza insospettate. Non è trasandato, ma piuttosto accurato; non è impacciato, ma molto delicato ed accorto".

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

Father Brown, an unassuming and shabbily dressed priest, possesses an incredible ability to solve crimes and murders. Here he reveals the secret of his success. He discovers the culprit by imagining himself to be inside the mind of the criminal. This fourth collection of Father Brown stories contains the magnificent "The Chief Mourner of Marne"- a fascinating story with unexpected twists - about a duel and a case of mistaken identity.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

Among the oldest stories of human civilization, Aesop's fables are a collection of extended proverbs with moral messages attributed to the Greek slave Aesop, who lived in the fifth century BC. Children will delight in these basic human truths represented by talking animals and plants, and adults will marvel at the plainspoken language of these ancient tales.

In this 1905 collection of essays, G. K. Chesterton contests the growing intolerance for religious thinking and theological debate. He calls out friends and contemporaries - George Bernard Shaw, Rudyard Kipling, and H. G. Wells, among others - who hold divided views on art, literature, and politics but universally dismiss orthodox opinions on God and the cosmos.

London. A candidate for global capital. Centre of an empire. The swift-beating heart of culture. A sprawling metropolis of life’s rich tapestry. And a bewildering Escher cityscape of overlapping and colliding forces. People, streets, buildings interweaving and interchanging. And our eminent writers have the talent and focus to reveal the story that lies beneath the words.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

As a poetical movement, Georgian poetry is easy to classify. It began naturally enough in 1910, when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron, decided that the verse of that time needed to be seen in its own right and from 1912-1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits.