Showing results by author "G Chesterton" in All Categories

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

Among the oldest stories of human civilization, Aesop's fables are a collection of extended proverbs with moral messages attributed to the Greek slave Aesop, who lived in the fifth century BC. Children will delight in these basic human truths represented by talking animals and plants, and adults will marvel at the plainspoken language of these ancient tales.

Diminutive, bespectacled, and endearing, Father Brown only appears unworldly. But the cherubic parish priest is privy to the inner workings of the most surprising of sinners. And as an amateur sleuth, he intuits motives for Essex's unsolvable crimes. One of the most beloved characters in 20th-century detective fiction, the kindly cleric leverages his unrivaled insights into human nature to decipher 12 ingenious mysteries from the witty and clever mind of G. K. Chesterton.

London. A candidate for global capital. Centre of an empire. The swift-beating heart of culture. A sprawling metropolis of life’s rich tapestry. And a bewildering Escher cityscape of overlapping and colliding forces. People, streets, buildings interweaving and interchanging. And our eminent writers have the talent and focus to reveal the story that lies beneath the words.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

As a poetical movement, Georgian poetry is easy to classify. It began naturally enough in 1910, when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron, decided that the verse of that time needed to be seen in its own right and from 1912-1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits.

A dazzling and uplifting biography of the great Saint Francis of Assisi who gained the world by giving up worldly goods to be be independent of all. Less is more at the highest level. Told in a remarkably astute, nuanced, optimistic, uplifting biography by G. K. Chesterton, known as the Prince of Paradox.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary. Why, or more to the point, who killed Sir Aaron?

Ecco come Gilbert Keith Chesterton descrive il fortunato personaggio letterario uscito dalla sua penna: ''La prima caratteristica di Padre Brown è di non avere caratteristiche; la sua importanza, di non apparire importante; e che la sua qualità cospicua quella di non essere cospicuo, e il suo ordinarissimo esterno vuole essere in contrasto con la sua attenzione e la sua intelligenza insospettate. Non è trasandato, ma piuttosto accurato; non è impacciato, ma molto delicato ed accorto".

Eine spannende Reise in die Ursprünge des Kriminalromans: Diese Sammlung von zehn klassischen Geschichten vereint die größten Meister der klassischen Spannungsliteratur. Von Edgar Allan Poes düsteren Visionen über Sherlock Holmes' messerscharfe Logik bis zu Chestertons moralphilosophischen Detektivrätseln – hier begegnen sich Wahnsinn, Mord, Mysterien und meisterhafte Erzählkunst.

The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. It was first published on 23 July 1910, under the title "Valentin Follows a Curious Trail", in the Saturday Evening Post, Philadelphia. Re-titled as "The Blue Cross", publication in London followed, in The Story-Teller magazine of September 1910.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

The Sign of the Broken Sword is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. At the centre of the story is the mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals the mystery of General St. Clare.

The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

The story takes place at an English manor home on Boxing Day. A young lady and the young man who lives next door are present, as is the girl's father, Colonel Adams, a newly arrived uncle and a quite rich godfather. Also present, in addition to the servants, simply because the Colonel likes his company is the local priest, Father Brown. The godfather has brought a gift for the young lady, a set of three gorgeous, large diamonds, which he has tucked away in his coat pocket.