Showing results by publisher "Blackstone Publishing" in Historical

Movie star Nicky Tallon selects architect Wren Fontaine to renovate Turnbull House, where he’ll be filming his next movie. Even to Wren, used to old homes, this one is special: a two-hundred-year-old federal-style home on a private island in New York harbor, designed by the most celebrated architect of the day. But Turnbull House hides many secrets, such as the disappearance of the sea captain who built it. That’s just a historical curiosity, until a studio executive no one likes is killed.

Mexico City in the autumn of 1835 is a lawless place, teeming with bandits and beggars. But an urgent letter from a desperate friend draws Benjamin January and his new bride, Rose, from New Orleans to this newly free province. Here they pray they’ll find Hannibal Sefton alive - and not hanging from the end of a rope.

Yakov Blumkin claimed to have had nine lives. Born to a poor Jewish family and orphaned as a child, he was a Socialist Revolutionary, a terrorist, the assassin of the German ambassador Wilhelm von Mirbach, a poet close to the avant-garde, a member of Cheka, a military strategist, a secret agent, and Leon Trotsky’s secretary. Executed in 1929 on Stalin’s orders at the age of only twenty-nine, he has continued to inspire a powerful curiosity, and wild rumors and falsehoods about his extraordinary life abound today.

When slave owner Simon Fourchet asks Benjamin January to investigate sabotage, arson, and murder on his plantation, January is reluctant to do any favors for the savage man who owned him until he was seven. But he knows too well that plantation justice means that if the true culprit is not found, every slave on Mon Triomphe will suffer. Abandoning his Parisian French for the African patois of a field hand, cutting cane until his bones ache and his musician’s hands bleed, Benjamin must use all his intelligence and cunning to find the killer - or find himself sold down the river.

Freya Miller, funny and tenacious with a taste for vodka, escapes a recent tragedy by answering an advertisement for a nursing job that promises “Light Duties. Large Pay. No Questions Asked or Answered.” Her new employer is the infamous, eccentric, and stupendously rich Vincetti family, heads of the Halcyon Corporation. Her task will be to care for their adored heir, Elijah, who is currently lying in a coma amidst an armada of premium machinery. The Vincettis claim this golden boy is everything from a saint to a genius, but they refuse to reveal how he entered a comatose state.

The year is 1910, and in the small and seemingly sleepy English municipality of Haxford, there’s a new chief police inspector. At first, the dapper and unflappable Pignon Scorbion strikes something of an odd figure among the locals, who don’t see a need for such an exacting investigator. But it isn’t long before Haxford finds itself very much in need of a detective. Luckily, Scorbion and the local barber are old acquaintances, and the barbershop employs a cast of memorable characters who are nothing less than enthralled by the enigmatic new chief police inspector.

RAN AWAY. So began a score of advertisements every week in the New Orleans newspapers, advertising for slaves who’d fled their masters. But the Turk, Hüseyin Pasha, posted no such advertisement when his two lovely concubines disappeared. And when a witness proclaimed he’d seen the “devilish infidel” hurl their dead bodies out of a window, everyone was willing to believe him the murderer. Only Benjamin January, who knows the Turk of old, is willing to seek for the true culprit, endangering his own life in the process.

Abishag Shaw is seeking vengeance for his brother’s murder - and Benjamin January is seeking money after his bank crashes. Far beyond the frontier, in the depths of the Rocky Mountains, both men are to be found at the great Rendezvous of the Mountain Men, a month-long orgy of cheap booze, shooting matches, tall tales, and cutthroat trading. But at the rendezvous, the discovery of a corpse opens the door to hints of a greater plot - of madness and wholesale murder.

When a young nurse dies on her watch, Florence Nightingale must uncover the deep-hidden secrets someone will kill to keep buried. It is 1853. Lady of the Lamp Florence Nightingale has just accepted the position of superintendent of the Establishment for Gentlewomen during Temporary Illness in London. She has hardly had time to learn the names of the nurses in her charge when she suddenly finds one of them hanging in the establishment's library. Her name was Nurse Bellamy.

October, 1900. University College, London. When the spread-eagled body of one of her students is discovered in her rented room shortly after attending one of her lectures, Dr. Margaret Murray is disinclined to accept the official verdict of suicide and is determined to find out how and why the girl really died.

The bloody barbarism of the Civil War scarred Morgan’s soul as well as his body. He sent so many soldiers to Hell and almost joined them when he was struck by a bullet from the sniper known as the Arkansas Traveler. The only man to ever survive the notorious Rebel’s sharpshooting skills, Morgan finds himself back in the assassin’s sights. But the ex-Confederate isn’t the only one gunning for Morgan.

Entrapped and snared by Union forces, General Lee has surrendered. Celebrations take hold of the North as the Confederacy crumbles without their hero. Yet Wolf's war isn't over. Diehard rebels still operate in the field, led by the secret organization the Knights of the Golden Circle, including Wolf's nemesis, Marshall Payne. Their plot? Kill the president and let the war rage on.

It’s V-E Day 1946 in London. World War II is long over, and former spy Livy Nash is celebrating with her third drink before noon. She went to war to kill Nazis. Dropped behind enemy lines as a courier, she quickly became one of the toughest agents in France. But her war ended with betrayal and the execution of the man she loved. Now, Livy spends her days proofreading a demeaning advice column for little ladies at home, and her nights alone with black market vodka.

1896. A new client at Baker Street claims he’s being threatened via the new art of the moving image. Eadweard Muybridge, pioneer of motion picture projection, believes his life is in danger. Twice he has been almost run down in the street by the same mysterious carriage, and moreover, disturbing alterations have been made to his lecture slides. These are closely guarded, yet just before each lecture an unknown hand has defaced images depicting Muybridge himself, which he has discovered, to his horror, only as he projects them to his audience.

As the early years of detective fiction gave way to two separate golden ages - of hard-boiled tales in America and intricately-plotted, so-called “cozy” murders in Britain - the legacy of Sherlock Holmes, with his fierce devotion to science and logic, gave way to street smarts on the one hand and social insight on the other, but even though these new sub-genres went their own ways, their detectives still required intelligence and clear-sightedness as characterized the earliest works of detective fiction: the trademarks of Sherlock Holmes, and of all the detectives featured here.

February, 1586. When the queen’s spymaster, Sir Francis Walsingham, learns that Ursula is to visit her relatives in Devon, he asks her to find out what has happened to two of his local agents, who have been strangely silent recently. On arrival in the small Devon village of Zeal Aquatio, Ursula discovers that both spies in question have met with mysterious - and fatal - accidents. Or is there more to it than that? What did the two spies find out that got them killed?

Rome, 58 AD. The dinner party didn’t turn out the way Aemilius Valerius expected. He didn’t expect a place at the main table. He didn’t expect to drink that much. He didn’t expect to hook up with one of the scarier dancers. And he most certainly didn’t expect to trip over the bloody corpse of his host on the floor of the informal dining room. One man’s grisly murder is another man’s opportunity. Valerius teams up with the investigator, a plebeian with a chip on his shoulder, to discover the killer.

Rome, 58 AD. Aemilius Valerius is on the up and up. His reputation has been rehabilitated, he has established a fledgling career, and he has new friends in very powerful places. When one of those new friends, the poet Lucan, is attacked, Valerius is given an offer he can’t refuse: find the culprits before they strike again. But when every man in Lucan’s circle of poets and playwrights and artists is potentially a suspect, each one of them competing for the emperor’s favor, how is Valerius supposed to tell the difference between petty jealousy and murderous rage?

Andrews is found dead in his own living room. His head blown to bloody smithereens. Who will finish what the dead man started? The publisher turns to Arnold Landon. And why wouldn’t he pick up the mantle? Everyone tells him it’s safe. The police have their man for Andrews’ killing. But the closer Landon gets to Andrews’ checkered past, the less certain he becomes. Could the true killer be out there still? Watching, waiting for his chance to strike again …

Already suffering the privations of the 1930s Dust Bowl, an Oklahoma town is further devastated when a passenger train derails—flooding its hospital with the dead and maimed. Among the seriously wounded is Etha, wife of Sheriff Temple Jennings. Overwhelmed by worry for her, the sheriff must regain his footing to investigate the derailment, which rapidly develops into a case of sabotage.