Showing results by publisher "Highbridge Audio" in Historical

Basil St. Florian is an accomplished agent in the British Army, tasked with dozens of dangerous missions for crown and country across the globe. But his current mission, going undercover in Nazi-occupied France during World War II, might be his toughest assignment yet. He will be searching for an ecclesiastic manuscript that doesn't officially exist, one that genius professor Alan Turing believes may hold the key to a code that could prevent the death of millions and possibly even end the war.

Hollywood, 1940: It's been four years since security guard Toby Peters got fired from the Warner Brothers lot for breaking a screen cowboy's arm. Since then he's scratched out a living as a private detective - but now his old friends, the Warners, have a job for him. Someone has mailed the studio a picture of Errol Flynn caught in a compromising position with an underage woman. Although Flynn insists it's a fake, the studio is taking no chances. Peters is to deliver the blackmailer 5,000 dollars and return with the photo negative.

You can't trust a man who's dressed as Mae West, especially not in Mae West's house. One of Hollywood's earliest sex symbols, the whip-smart blonde's star has fallen since the Hays Code cracked down on the racy repartee that made her famous. Her latest project is a thinly veiled autobiographical novel, whose only copy is stolen just after she finishes her first draft. Tonight she's having a Mae West party, with every guest a man dressed as her. The thief is among those in drag, and P.I. Toby Peters has come to tear off his wig. He's there as a favor to his brother, a brutal cop who had a fling with West when she first moved to Hollywood.

Coffins fill the basement of a crumbling Los Angeles movie theater. Five vampires crowd around fading horror idol Bela Lugosi, peppering him with questions. A malfunctioning plastic fang causes one of the undead-wannabes to lisp. The effect is less than fearsome, but Lugosi is terrified, for one of these oddballs has been making threats on his life. He hires Toby Peters to provide security against his unbalanced fans. The detective is not concerned, but he should be.

An ax-wielding monk hacks at the door. Toby Peters is on the other side, running as fast as his recently broken leg will allow. Alongside him is Salvador Dalí, dressed in a rabbit suit, insistently muttering "grasshoppers" as they try to make their escape. Dalí insists on being carried across the lawn, so Peters hobbles along with the surrealist in his arms. They get in the car just as the monk chops down the front door. The car doesn't start, and the monk charges silently, the ax in the air.

Since the start of World War II, Cary Grant has been working undercover in Hollywood as a spy for the British crown. When a ring of Nazi sympathizers gets wise, they start blackmailing the debonair leading man. Now Grant has hired Toby Peters to handle the payoff. But when the blackmailer is killed, the rumpled detective and the suave movie star are thrust into a complex plot of murder, money, and Nazi spies, leading to a literal cliff-hanger....

The young Victoria remembers nothing but Kensington Palace. Arriving as a baby, she has been brought up inside its musty, mold-ridden walls. Others may see the value of Kensington's priceless artifacts and objets d'art, but the palace is a jail cell for young Victoria.

World War II is raging overseas, but life remains painfully quiet on the rugged New England fishing island of Fourth Cliff. With most of its able-bodied male inhabitants away in the service, the island is now home only to aged fishermen, concerned women and children, and second-rate soldiers guarding a low-priority military emplacement and camp for Italian POWs.

In 1974, Roy Frady was a perfect cop. Now he's perfect fodder for one of Maggie MacGowen's documentaries. Frady worked narcotics in the 77th Street Precinct as part of a unit nicknamed the Four Whoresmen, a bunch of hard-drinking, womanizing cops that included Maggie's current lover, homicide Detective Mike Flint. They were successful at shutting down the drug trade in their district until a series of brutality charges brought about their downfall.

It’s 1956, and working-mother Ava Lark and her son, Lewis, have rented a house in a less-than-welcoming Boston suburb. There, Lewis finds he is only able to befriend the other fatherless kids on the block, Jimmy and Rose. But when Jimmy goes missing, neighborhood paranoia ramps to new heights, further ostracizing Ava and Lewis.

The sleek high-rises of Park Avenue make Frank Clemons uneasy. The former Atlanta homicide detective came to New York after a sickening murder case soured him on the South, but despite the glitz and excitement of his new surroundings and the beauty of the woman he shares them with, the city makes his skin crawl. Now a private eye, he is only at ease in the city's darker corners, among the whores, gamblers, and pimps who call Eighth Avenue home. That affinity for the socially isolated is what draws him to the case of Hannah Karlsberg, an elderly seamstress who deserved a better death than she got.

The grave on the football field is shallow, and easy to spot from a distance. It would have been found sooner, had most of the residents in the black half of Birmingham not been downtown, marching, singing, and being arrested alongside Martin Luther King, Jr. Police detective Ben Wellman is among them when he gets the call about the fresh grave. Under the loosely packed dirt, he finds a young black girl, her innocence taken and her life along with it. His sergeant orders Wellman to investigate, but instructs him not to try too hard.

When an anonymous rival demands that master illusionist Harry Blackstone reveal his secrets on stage or die, the magician hires Toby Peters and his brother, ex-cop Phil Pevsner, to run security for his show at the famous Pantages Theater in Hollywood. Of course, Peters doesn't expect the job to include replacing a showgirl for Blackstone's show-stopping sawing-a-woman-in-half trick after the saboteur has stolen the blade.

Mildred Minck is an unremarkable woman - until one tragic night in June 1944 when she becomes the first citizen of Los Angeles to be murdered by crossbow. The prime suspect is her husband, dentist Sheldon Minck, who's found standing over her body with the weapon in hand, raving that only Joan Crawford can identify the killer. It seems like a natural insanity defense, but Sheldon wants his neighbor, Private Investigator Toby Peters, to prove his innocence. The dentist is telling the truth about one thing: Joan Crawford was there.

In 1943, Charlie Chaplin is far from the most popular man in America. His communist sympathies and romantic indiscretions with young women have enraged everyone from right-wing radicals and the Ku Klux Klan to furious fathers. But when a knife-wielding intruder breaks into his house one night, the maniac isn't talking politics. He demands Chaplin stop making his latest black comedy about a man who murders wealthy women for their money - and specifically tells him to stay away from one Fiona Sullivan.

Under names like Otis J. Raisincluster, Quigley E. Sneersight, and Cormorant Beecham III, W. C. Fields squirreled away nearly a million dollars in banks across the country during his vaudeville days - before he became one of the silver screen's most recognizable funnymen. But it's no laughing matter when a burglar has the audacity to rob him blind, stealing his bankbooks and cleaning out his accounts. Steaming, the comedian hires Hollywood private investigator Toby Peters to track down the missing dough and protect what remains of his nest egg.

Luna Martin, the moll of a well-known Los Angeles gangster nicknamed "Fingers" (because he likes to cut them off), has demanded dance lessons from Hollywood's finest hoofer - and whatever Luna wants, Luna gets. To sidestep the flirtations of the lead-footed lady, Astaire hires private investigator Toby Peters to pose as a dance instructor and take over the lessons. But when someone cuts in and cuts Luna's throat, the grieving gangster makes Peters an offer he can't refuse: Find the killer - or go from having two left feet to one foot in the grave.

On December 10, 1938, Atlanta burned again. In the back lot at David O. Selznick's studio, sets from a dozen old pictures were pushed together and set ablaze to provide a backdrop for the climax of what Selznick promised to be the movie of the century: Gone with the Wind. Toby Peters, then just a studio security guard, was on hand to help keep the Confederate extras in line. When the fire was over, he found one of them dead, impaled on his own sword.

Working in Hollywood, Private Eye Toby Peters has met a lot of phonies. But his newest case concerns a four-legged faker who threatens the fate of the free world. A few classy dames have crossed the detective's doorstep, but none can touch the hem of the dress of the first lady herself, Eleanor Roosevelt, who's come to him on a matter of top-secret national security.

In February 1942, Californians may be living in fear of a Japanese attack, but the show must go on. The circus is in town - unfortunately so is a killer saboteur who's targeting the star attractions. Private detective Toby Peters is no stranger to going undercover, but this is the first time his disguise will include a red nose.