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Francesco Petrarca (1304-1374), known in the English-speaking world simply as Petrarch, was a 14th-century Italian scholar and poet who was one of the first to use Italian as a literary language. One of his close friends was Boccaccio, who was also a pioneer in literary composition in Italian. Although Petrarch was a notable Latin scholar, and most of his works were written in that language, today he is most famous for his many sonnets in Italian, which frequently feature the superior charms of his innamorata, Laura.

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

On 16 August 1819, a crowd of about 60,000 people gather at Manchester in a peaceful demonstration to demand reform of the parliamentary electoral system. The government of the day interpreted the gathering as an act of rebellion and ordered the militia to disperse the crowd. In the resulting fracas, fifteen demonstrators were killed and several hundred injured. Shelly was living at Leghorn at the time of the massacre, and the news of the massacre roused his fiery republican sentiments. The result was The Mask Of Anarchy, a rousing call to action on behalf of the oppressed.

Thomas Love Peacock is today remembered as the author of seven satirical novels which many regard merely as literary curiosities. However, he was also a man of considerable learning, a skilled poet, and an astute literary critic. This collection includes Recollections of Thomas Love Peacock, an affectionate reminiscence by Sir Edward Strachey; Some Recollections of Childhood, a window into Peacock's early youth; "Four Ages of Poetry", in which he pokes fun at his contemporaries; and "The Last Day of Windsor Forest", an old man's recollection of a memorable episode.

A beautiful selection of poems from a young man who would become a brilliant author and essayist, a thinker who was very much at the forefront of changes in the twentieth century. Here is a book that could be carried in your pocket and enjoyed quickly—a poem of innocent love or remembrance of events that make the boy become the man.

The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of an early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

James Elroy Flecker, linguist, scholar, critic, poet, and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young: Owen and Brooke in the line of battle, and Flecker, who never fought due to a long-standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving simplicity and directness.

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

Written when Vita became homesick for her beautiful home in Kent, it had six print runs within three years of its publication in 1926. Vita has always been popular for her gardening, her lifestyle, and bohemian companions like Virginia Woolf and the Bloomsbury group. Her nostalgia for farming and the beauty of the seasons is described with an artist’s eye for detail.

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

This collection contains 21 reviews of artistic events and artifacts which originally appeared between 1877 and 1889. Clearly on display is Wilde's comprehensive knowledge of contemporary painting, fashion, and literature, as well as his capacity to create paradoxical aphorisms, which is such a feature of more substantial works like The Picture of Dorian Gray and The Importance of Being Earnest.

The Green Cockatoo is a short play set in a busy tavern on the night of the storming of the Bastille. Rich Parisian nobles come to watch some actors play at being rogues, thieves, and other criminals, but they quickly find reality and fantasy blending together in the most alarming of ways.

"The Siege of Corinth" is a tragic narrative poem first published in 1816. It was inspired by the Ottoman siege of the Venetian-held Acrocorinth in 1715.

Although Rupert Brooke is known today as a "war poet", he was never actually engaged in combat: His death was the result of an infection from an insect bite that occurred while he was in transit to commence duty in Turkey. Unlike Wilfred Owen, who had a bitter experience of life in the trenches, Brooke's vision was of the glory rather than the horror of war. Only the first section focuses on issues stemming from the war. Poems in the other sections are generally wistful evocations of places that the poet had visited in his travels and reflections on youthful love.

This poem was composed in 1875 and 1876, but was not published until 1918. It is considered by many to be Hopkins' masterpiece. One hundred and sixty-eight passengers and crew died when the steamship Deutschland ran aground on the Kentish Knock. Hopkins weaves many Christian themes into his poetic retelling of the tragedy, including the inevitability of suffering, divine providence, salvation, and the hiddenness of God.

George Bernard Shaw embraced the concept of what he called creative evolution. In 1982, after having witnessed the horrors of the First World War, Shaw started work on Back to Methuselah, a large-scale presentation of the story of human development, starting from the Garden of Eden and extended far into the future. The first performance was held in New York in 1922. The five plays included are "In the Beginning", "The Gospel of the Brothers Barnabus", "The Thing Happens", "Tragedy of an Elderly Gentleman", and "As Far As Thought Can Reach".

This collection of 35 poems is a sequel to a volume of lyrical ballads first published in 1798. While the first volume was a collaboration between Wordsworth and Samuel Taylor Coleridge, this anthology contains verses by Wordsworth only. Generally, the poems are less well-known than those of the earlier volume but do include major narrative pieces, like "The Pastoral Epics", "The Brothers", and "Michael".

The Frozen Deep was originally written as a play by Wilkie Collins and Charles Dickens. With Dickens himself gracing the stage as Wardour, the play was met with success, drawing audiences to tears night after night, and even performing for Queen Victoria herself. Drawing on reports of the real-life Franklin expedition of 1845, in which a crew had set out from England to discover the North Passage and disappeared without a trace, Collins and Dickens recreated the events of the ill-fated journey.

This play is a fictionalized account of the life of William Shakespeare, beginning from his humble origins in Stratford-upon-Avon with his wife, Anne Hathaway, to his life as a successful playwright in London. This play uses several biographical speculations about Shakespeare's life to tell a fascinating tale, such as his relationship with his wife (to whom he famously left his "second-best bed" in his will), his friendship with fellow playwright and competitor Christopher Marlowe, his interactions with Queen Elizabeth I, and an extramarital dalliance with the queen's maid of honor.