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A classic BBC Radio full-cast production of Dylan Thomas' poetic play for voices starring Richard Burton as the narrator. To begin at the beginning: it is spring, moonless night in the small town, starless and bible-black.... When Richard Burton breathed the opening words of 'Under Milk Wood' into a microphone, broadcasting history was made.

For over 500 years, The Prince by Niccolò Machiavelli has been one of the most influential—and controversial—works ever written on leadership, politics, and human nature. This Complete Edition brings Machiavelli’s insights to today’s listener with a faithful line-by-line modernization that keeps the original tone, structure, and message fully intact. Designed to be both accessible and authentic, this edition allows modern listeners to engage directly with Machiavelli’s ideas—without the barriers of outdated language or dense phrasing.

Secret agent Richard Hannay travels across war-torn Europe in search of a German plot and an Islamic messiah. He is joined by three others: John S. Blenkiron, an American who is determined to battle the Kaiser; Peter Pienaar, an old Boer Scout; and the colorful Sandy Arbuthnot, who is modeled on Lawrence of Arabia. Their success or failure could change the outcome of the First World War.

In words remarkable for their richness of rhythm and imagery, Milton tells the story of man's creation, fall, and redemption, "to justify the ways of God to men". Here, unabridged, and told with exceptional sensitivity and power by Anton Lesser, is the plight of Adam and Eve, the ambition and vengefulness of Satan and his cohorts.

Le comte de Monte-Cristo s'est installé à Paris. Par sa magnificence, sa spiritualité et ses étranges manières, il devient la personnalité la plus recherchée de la haute société. C'est justement ce qu'il voulait afin de pouvoir mettre en place son implacable vengeance. Ainsi, tous les protagonistes de cette affaire, tous ceux qui participèrent à l'horrible machination dont le jeune Edmond Dantès fut autrefois la victime, s'avancent en toute innocence dans les rets tendus par le comte. Et pour chacun un piège longuement, patiemment, diaboliquement construit se prépare. Le comte, tel un chat, va jouer avec ses victimes, savourant le moment où il les fera basculer dans la déchéance.

When Cara stumbles across a stash of old postcards in the attic, their contents make her question everything she thought she knew. The story she pieces together is confusing and unsettling, and appears to have been patched over with lies. But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.

Ashley Dunne is a bad boy, a notorious member of Dublin’s most ruthless gang. But when privileged daddy’s girl Ryan Mahony finds herself living on an urban estate they control, she can’t help feeling he’s not that bad at all. Ryan and Ash were never meant to cross paths: she’s always been sheltered by her successful barrister father. But when he’s unexpectedly sent to prison, she’s forced to move in with estranged relatives in the city, where a chance encounter with Ash sends sparks flying.

When her father remarries, the honest, innocent Molly Gibson suddenly finds herself with a new stepsister, Cynthia, who is beautiful, worldly and impetuous. This would be more than enough to deal with, but the new wife is the deeply snobbish (and darkly secretive) Hyacinth. Thwarted love, scheming ambition and small-town gossip underlie the warmth, irony and brilliant social observation which link the relationships and the inevitable conflicts as profound change comes to rural England.

The Salpêtrière asylum, 1885. All of Paris is in thrall to Doctor Charcot and his displays of hypnotism on women who have been deemed mad or hysterical, outcasts from society. But the truth is much more complicated - for these women are often simply inconvenient, unwanted wives or strong-willed daughters. Once a year, a grand ball is held at the hospital. For the Parisian elite, the Mad Women's Ball is the highlight of the social season; for the women themselves, it is a rare moment of hope.

With a writer as prolific as Neil Gaiman, what do you check out next? Or, perhaps, where do you begin? Spanning Gaiman's career to date, this collection of groundbreaking, entrancing, endlessly imaginative fiction will answer those questions. Curated by Gaiman's devoted listeners around the world, The Neil Gaiman Reader: Selected Fiction includes excerpts from each of his five novels for adults - Neverwhere, Stardust, American Gods, Anansi Boys and The Ocean at the End of the Lane - and nearly 50 of his short stories.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

These are masterly readings, by renowned thespian Paul Schofield, of two substantial works of poetry by T.S. Eliot.

In the rigid theocracy of Salem, Massachusetts, rumors that women are practicing witchcraft galvanize the town. In a searing portrait of a community engulfed by panic—with ruthless prosecutors, and neighbors eager to testify against neighbor—The Crucible famously mirrors the anti-Communist hysteria that held the United States in its grip in the 1950’s.

Sir Ian McKellen, fresh from his performance as Gandalf in Lord of the Rings, is Prospero, and heads a strong cast in Shakespeare’s last great play. The wronged duke raises a tempest to shipwreck his old opponents on his island so that he can ensure justice is done. With Emilia Fox as Miranda, Scott Handy in the pivotal role of the sprite Ariel, and Ben Owukwe as Caliban.

In A Midsummer Night's Dream, Shakespeare stages the workings of love in unexpected ways. In the woods outside Athens, two young men and two young women sort themselves into couples - but not before they form first one love triangle, and then another. The king and queen of fairyland, Oberon and Titania, battle over custody of an orphan boy. Oberon uses magic to make Titania fall in love with a weaver named Bottom, in an effort to distract Titania from the custody battle.

Marseille, 1815. Edmond Dantès ramène à bon port, après la mort de son capitaine, le trois-mâts "Le pharaon". Bientôt capitaine de ce bateau et fiancé à la belle Mercédès, il voit ses espérances comblées. Jamais le bonheur n'a été aussi proche. Mais soudain, le soir du repas de fiançailles le rêve se brise. Une dénonciation anonyme, une machination diabolique le sépare de son amour, l'enterre vivant dans un cachot, séparé à jamais du monde des vivants. Edmond Dantès se retrouve prisonnier au château d'If. Qui veut lui nuire ? Pourquoi ?

Peter Coke and Marjorie Westbury star in another intriguing case for BBC radio's smoothest sleuth and his glamorous wife.

Jessica Raine stars in all four BBC Radio 4 full-cast dramatisations of John Galsworthy's Forsyte novels. An irresistible family saga of love, money and betrayal, The Forsytes: The Complete Series encompasses four acclaimed BBC Radio 4 productions of Galsworthy's perennially popular epic, spanning 50 years from 1886 to 1936.

Self Help was published in 1859 by Samuel Smiles. It has been called "the bible of mid-Victorian liberalism". Self Help sold 20,000 copies within one year of its publication. By the time of Smiles' death in 1904, it had sold over a quarter of a million. Self-Help elevated Smiles to celebrity status; almost overnight, he became a leading pundit and much-consulted guru.

When 81-year-old Jay Mendelsohn decides to enrol in the undergraduate seminar on The Odyssey that his son Daniel teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his 'one last chance' to learn about the great literature he'd neglected in his youth - and, even more, a final opportunity to understand his son.