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This set of six talks reveals a lesser-known side of Thomas Merton: an eminent critic and teacher of literature. His dual identity as a monk and literati make him the premier guide to poetic expression. As you listen along, you will enjoy moments of penetrating insight and reflection as often as moments of levity and laughter.   

The late 16th-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.

"The Love Song of J. Alfred Prufrock" is an analysis of a beleaguered, multilayered, and conflicted suitor, trying to reconcile his dichotomy of having a foray of overwhelming ideas juxtaposed with underwhelming execution, in the arena of life and love. It was the poetic debut of the American-born British poet T.S Eliot. The poem was originally published in 1915. 

Kim Wall was a thirty-year-old Swedish freelance journalist with a rising career. Then, in the summer of 2017, she followed a story that led to an eccentric inventor in Copenhagen. Instead of writing the next days headline, she'd become one. As the bizarre events of Kim's murder unfolded, the world watched in shocked disbelief. For Kim's distraught parents, Ingrid and Joachim, it was a devastating personal struggle. In the ensuing months, day by grueling day, they had to come to terms with their loss, process the global media attention, and endure the investigation and trial.

For students of Middle English, Andrew and Waldron's The Poems of the Pearl Manuscript has been the key edition of the four Pearl poems for over 30 years. With the changing needs of today's students in mind, the editors produced a complete prose translation of the four poems - the best known of which is "Sir Gawain and the Green Knight". The near-literal translations are intended to facilitate understanding of the four poems - to lead readers to, rather than away from, the original texts.

" Excepté mes démangeaisons inexpliquées et ma passion dévorante pour mon mari, ma vie est parfaitement normale. " Elle a la vie dont elle rêvait : une belle maison, deux enfants, l'homme idéal. Après quinze ans de vie commune, elle ne se lasse pas de dire : " Mon mari ! " Pourtant elle veut plus encore : il faut qu'ils s'aiment comme au premier jour. Alors elle s'impose une discipline de fer pour entretenir la flamme. Elle l'observe, note ses fautes, tend des pièges, le punit en conséquence. Elle est follement amoureuse de lui. Jusqu'au jour où, évidemment, elle va trop loin.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

The Marriage of Heaven and Hell by the English poet William Blake consists of a series of texts written in the style of biblical prophecy but expressing Blake's own beliefs. Composed between 1790 and 1793, the book makes reference to Milton and Swedenborg, and adopts a device from Dante's Divine Comedy and Milton's Paradise Lost: a visit to hell. Blake expresses a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are both part of the divine order. 

In this book, divided into nine sections, the author takes you on a journey across the globe from Africa to Greece, London to Mumbai, and back home to Edinburgh. In a Time of Distance is a captivating celebration of place and people, but also of animals and books. Looking at the world through the lens of this writer it is a better, more humane place. Throughout these poems there are moments of swoop and soar, descriptions that will make you laugh and realign your view.

Brief Lives are some of the wittiest and most moving miniature portraits ever written. Aubrey's little biographies are amusing, ribald, moving; a testament to the brevity of human existence and one of the most precious relics of a distant age.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic. 

Thanks to the mindless actions of Teddy Deakin, a group of mismatched rail passengers find themselves stranded in a dark and isolated station, having missed the last connection of the night. Tales of superstition prevail as the local station master - unable to persuade them to leave - reveals that very night, 20 years ago, a train crashed leaving a number of passengers dead. Legend has it, that the station is still haunted as the train relives its final moments as it roars through the station to its demise.

The 1660s were a time of turmoil in England: Cromwell had been defeated and Charles II, who was sympathetic to the Catholics, was restored to the throne; the Dutch declared war on England; the Plague raged; and the Great Fire of London destroyed half the city! Our hero, Cyril, at the death of his father Sir Aubrey Shenstone, inherits nothing except his father's title, and works as a bookkeeper for various London tradesmen.

The Prince is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. Machiavelli wrote The Prince in 1513, after he was forced to leave Florence as a political exile. Dedicated to Lorenzo de’ Medici, the work is Machiavelli’s advice to the ruler of Florence on how to stay in power.

An intimate, evocative, often funny, and always vital portrait of India at the peak of the British Raj. Written at the age of 22, they immediately show Kipling's natural and prodigious talent. Timeless, they can be listened to forever.

The "Way of Peace" is a New Thought book written by James Allen. Although Allen is more widely known for his "As a Man Thinketh", it is the lesser known "The Way of Peace" (1907) which reflects more accurately his New Thought Movement affiliations, referencing as it does Christianity, Buddhism and Hinduism. The book is essentially a treatise on the importance of meditation as a "pathway to divinity". Whatever we meditate upon, Allen explains, we become.

How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least 30 years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture. 

Qu'il suive le fil d'Ariane sur les traces du Minotaure pour évoquer Oran et ses alentours, qu'il revisite le mythe de Prométhée à la lumière de la violence du monde moderne, ou qu'il rêve à la beauté d'Hélène et de la Grèce, Albert Camus nous entraîne tout autour de la Méditerranée et de ses légendes. Un court recueil de textes lyriques et passionnés pour voyager de l'Algérie à la Grèce en passant par la Provence.

In this comprehensive anthology, former Poet Laureate Andrew Motion has gathered together exceptional poems from the 14th century through to the present day, creating an extraordinary poetic journey for the listener. From the love poems of Shelley and Keats to the grim war elegies of Owen and Sassoon, there is a poem here for every sentiment, each with something different to offer.

Countless would-be readers and listeners of Finnegans Wake - James Joyce's 1939 masterwork, on which he labored for a third of his life - have given up after a few pages and "dismissed the book as a perverse triumph of the unintelligible." In 1944, a young professor of mythology and literature named Joseph Campbell, working with novelist and poet Henry Morton Robinson, wrote the first guide to understanding the fascinating world of Finnegans Wake.