Showing results by publisher "Penguin Audio" in World Literature

As a child Lucas thought that all children who'd lost their parents lived on water. Now a restless young man still living with his sister Denise on their West London narrowboat, he determines to find out more about the unexplained disappearance of his father, the charismatic Jamaican dancer, Antoney Matheus.

Oghi wakes in a hospital bed unable to speak or move. The car accident that killed his wife has left him trapped in his own body and under the control of his mother-in-law, as she grieves the loss of her only child. Isolated from his friends and neglected by his nurse, Oghi’s world shrinks to the room he lies in and his memories of his wife, a sensitive woman who found solace in cultivating her garden. But as Oghi remains alone and paralysed, his mother-in-law is hard at work in the garden, uprooting what her daughter had worked so hard to plant and obsessively digging larger and larger holes.

San Diego-based model and influencer Jaime Montez isn’t the heir—or even the spare—to his family’s Taco King fast-food empire. So after he’s asked to be the face of yet another non-Hispanic, celebrity-owned tequila company, Jaime decides to reinvent his role in the family dynasty: he’s going to start his own liquor brand. The problem? He’s an agave amateur. He needs help if he expects to ever master mezcal. And he has the perfect teacher in mind. . . .

Welcome to the Japan of tomorrow. Here, the practice of a radical sympathy toward criminals has become the norm and a grand skyscraper in the heart of Tokyo is planned to house wrongdoers in compassionate comfort – Sympathy Tower Tokyo. Acclaimed architect Sara Machina has been tasked with designing the city's new centrepiece, but is riven by doubt. Haunted by a terrible crime she experienced as a young girl, she wonders if she might inherently disagree with the values of the project, which should be the pinnacle of her career.

Lexa Thomas has never quite fit in. Having grown up in a family of blondes while more closely resembling Constance Wu, she's neither White enough nor Asian enough. Visiting her father in Taiwan as a child, Lexa thought she'd finally found a place where she belonged. But that was years ago, and even there, some never truly considered her to be a part of the family. When her estranged father dies unexpectedly, leaving the fate of his Taiwanese family in Lexa's hands, she is faced with the choice to return to Taiwan and claim her place in her heritage.

Paradise Once is a sweeping historical novel that brings to life the resiliency of the indigenous Taíno people of the Caribbean, whose culture was virtually destroyed within two generations of their “discovery” by Christopher Columbus in 1492. In 1513 in Cuba, an entire village is wiped out by Spanish forces for no discernible reason. Had the villagers offended their spiritual guides—the cemíes—as one faction claimed, by incorporating foreign practices?

Henry Hotard was on the verge of fame, gaining a following and traction with his eerie ghost-hunting videos. Then his dreams came to a screeching halt. Now, he's learning to navigate a new life in a wheelchair, back on the reservation where he grew up, relying on his grandparents’ care while he recovers. And he’s being haunted.

Enter the world of an elite Chinese family: a life of luxury, limitless power, and around-the-clock service, which includes their trusted nanny Yu Ling. Slipping in and out of the shadows, careful to speak deferentially, meticulous in her care of their only son Kuan Kuan, Yu has served the family for years and knows their secrets. But little do they suspect that Yu has secrets of her own. In the pressure-cooker political environment of China, the fates of even the most powerful families can reverse overnight.

Melding prose, poetry, imagined interviews and ephemeral photography, Ondaatje weaves together a lyrical reinterpretation of Billy’s short, infamous existence, forming a portrait of a young man, and a young country, borne out of violence, threaded through with disaster, yet rich in wonder.

In The New Carthaginians, time – and with it the world – is out of joint. A hijacked plane lands at Entebbe International Airport in 1976, triggering the crisis that will lead to Idi Amin’s Uganda becoming a pariah state and, within a few years, to the young Nick Makoha’s flight from the country. A mysterious writer daubs poetic slogans on the walls of late-’70s New York City, signing them SAMO©. Concerned throughout with flight and falling, the sample and the loop, The New Carthaginians is a poetry collection of staggering originality.

MINX reveals the vibrant but precarious world of a multi-racial Romani family: a world of grandfathers brewing moonshine in marrows, basement reggae parties, and a mother struggling to support her two daughters on the proceeds of her shadowy profession. Their powerful bond helps the sisters survive when they’re taken into care, in a children’s home that forcibly separates them.

Exes Ward Dunbar and Camille Buhay thought they would never see each other again. They had broken up to pursue their dream jobs on opposite sides of the country—her to New York City, and him to Los Angeles. But years later, they unexpectedly reconnect in London, where they are interviewing for similar jobs. The spark they feel when they meet again is palpable—the attraction comes back like muscle memory, reminding them of what they had lost. When Ward and Camille discover they both got the job working opposing shifts, they vow to give their relationship another try.

Vincent Toro’s third collection of poetry is a work of Latinxfuturism that confronts the enigmatic and paradoxical relationship human beings have with technology. The poems are a tapestry of meditations on social media and surveillance culture, satires on science fiction and the space race, interrogations of artificial intelligence, cyborg economics, and biohacking, and tributes to women and queer and BIPOC people who have contributed and are contributing to human survival and progress in a technology obsessed world.

In 1830 a young novice called Catherine Labouré was granted a vision of the Virgin Mary. Nearly 200 years later, Sister Anne is also waiting for a sign. Which is why she accepts a mission to go to a tiny community on an island just off the coast of Brittany. Her only companion there is a sceptical, chain-smoking older nun who just wants to be left in peace.

Kim Ronyoung (Gloria Hahn, 1926-1987) tells the story of Haesu and Chun, immigrants who fled Japanese-occupied Korea for Los Angeles in the decade prior to World War II, and their American-born children. First published in 1986, Clay Walls offers a portrait of what being Korean in California meant in the first half of the twentieth century and how these immigrants’ nationalist spirit helped them withstand racism and poverty.

Elaine Feeney brings her poetry to Harvill Secker and Vintage with this powerful, personal, fierce collection about women's lives, bodies, battles and triumphs. From a searing meditation on the experience and aftershocks of a sexual assault - written as a series of unflinching cantos - to poems of love, place and new beginnings, Feeney's voice is strong and clear, challenging and confessional, rooted in her west coast of Ireland heritage while speaking to and with women everywhere.

Leonora Brito was a writer of exceptional stories. In Dat's Love, she soaks up the sights, sounds and colours of Cardiff to boldly explore race and history. With each electric story, Brito introduces a unique cast of characters, vibrantly elevating their everyday lives. From 59-year-old Dorothy taking up nude modelling to black aristocrat Dido Elizabeth Belle, from the assassination of JFK to what's going down at the Blue Bayou, Brito blends the surreal and the mundane to redress history and immerse the reader in a vibrantly painted world.

A poet renowned for her “wit and complexity” (Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date.

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change.