Showing titles in Death, Grief & Loss

This content is written in a poem format and tells the story of Black Americans and their journey from Africa to America.

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

Sound interesting? The author thinks so too! Listen to This Uneven Universe and hear about timely and modern poetry today!

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

As snappy as a dinner jacket’s red silk lining, as appealing as a piano interlude in jazz, Brad Leithauser’s robust felicity is a balm in grim times. It’s also the perfect vehicle for nostalgia, regret, and surprise, forces that animate his first collection in more than a decade. By turns laugh-out-loud funny and deeply thoughtful, this collection balances wisdom and practicality, as with deft care Leithauser easily, often unexpectedly, juggles off-rhymes and old forms and new. The book unfolds like a five-act play, moving from chattier poems to dramatic denouements.

I wrote most of these poems when I was in a bad place, a dark state of mind that eased its hold when I wrote them down, and so these poems were created, they maybe disturbing for most and very intense, but if you have been in a dark place too, you may understand.

Attending to one's mother while she succumbs to cancer is no easy feat as this poetry chapbook will attest to.

These verses twist trauma and grief into self-loving peace, a therapy cushion of words and doodle artwork. Come feel the dark so we can see the light again.

The poems in this collection are a testament to Csaba's resilience, humor, and a deep sense of empathy. The author's reflections on life's joys and challenges are both personal and universal, touching on themes such as love, loss, hope, and the beauty of the natural world. The poems are written in a variety of styles, from free verse to haiku, and are infused with Csaba's unique perspective on the world.

Sound interesting? The author thinks so too! Listen to Hearing What I Hear, Seeing What I See and experience the compelling world of personal trauma and healing.

The Twilight Zone Haiku explores the essence of Rod Serling’s iconic, uncanny 1960s television show through haiku, giving us dazzling, spot-on snapshots of each episode. In seventeen syllables, Boykin captures the show's main objective: to deliver a keen jolt of existential awareness.

Book of poems about life as an adult in America during the 3rd Quarter of 2023. I cover addiction, football season, suicide, aliens, divorce, kids, reviews, dogs, politics, sports betting and con-artists. Meant for a quick laugh, brief reflection, some cheers, a little arguing and maybe a few tears, but hopefully enjoy!

Various poetry, ranging from silly to serious.

Shards are the chipped-off pieces and eroded grains of myself that I collected from my mid-20s, when I was almost homeless again (yes, again), through my 30s, when I fought through that poverty, depression, and grief to find myself as a survivor. A poet doesn't just love you for a moment. She lets you puncture her skin with the way you feel, lets it heal, and then rubs it now and then to feel you again. This debut collection of poetry by a Cleveland, Ohio artist tells stories of traumas, breaking cycles, sexy romances, and the bond between the poet and listener.

Dive into Ink of Tears, where every poem is a journey through the complexities of the human broken heart. How do we navigate the highs and lows of love and loss? What makes us resilient in the face of heartache? How does love elevate us, and how does heartbreak shape us? For all who have loved deeply and got hurt, share a timeless journey with collections of poems that will touch and break your heart at the same time.

Sound interesting? The author thinks so, too! Listen to Broken Light in a Burning Wood, and reflect on the state of the world through poetry.

Alter Schulstoff spannend interpretiert. Würden Sie von einer Klippe springen, um einen goldenen Becher aus den Tiefen des tobenden Meeres zu bergen? Schillers "Taucher" wagte es um der Gunst einer schönen Prinzessin Willen. Doch wird der Wagemut ihn strafen? Mathieu Carrière berichtet, was Schiller einst gedichtet.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.