Showing titles in Satire

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider - a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur 90 years to complete, B. knows that it is his mission to show it to the rest of humanity.

The year is 2108, and the North American Commonwealth is bursting at the seams. For welfare rats like Andrew Grayson, there are only two ways out of the crime-ridden and filthy welfare tenements: You can hope to win the lottery and draw a ticket on a colony ship settling off-world...or you can join the service. With the colony lottery a pipe dream, Andrew chooses to enlist in the armed forces for a shot at real food, a retirement bonus, and maybe a ticket off Earth.

As well as writing about his first love, cars, James has a go at political correctness, the endless rules and regulations of daily life, the internal combustion engine and traffic wardens. He discusses gastropubs, Jeremy Clarkson, and other trials of modern life. His highly entertaining observations from behind the wheel will have you laughing out loud, whether you share his opinions or not.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

This parody takes the dragon-riding, enemies-to-lovers tension and high-stakes brutality of the original and transforms it into a hilariously absurd adventure starring Vile Soreinbut and Xadence Marriott—two characters who seem designed specifically to challenge every trope they encounter.

When academic Nadia is disowned by her puritanical mother and dumped by her lover, she decides to make a getaway - accepting a UN job in Iraq. Tasked with rehabilitating ISIS women, Nadia becomes mired in the opaque world of international aid, surrounded by bumbling colleagues. But then Nadia meets Sara, a precocious and sweary East Londoner who joined ISIS at just fifteen, and she is struck by how similar their stories are. Both from a Muslim background, both feisty and opinionated, with a shared love of Dairy Milk and rude pick-up lines, Sara and Nadia immediately connect.

Introducing Sissy Hankshaw—an almost flawlessly beautiful small-town girl with big-time dreams—who hitchhikes her way into your heart, your hopes, and your sleeping bag. Along her travels, meet such unforgettable characters as Bonanza Jellybean and the smooth-riding cowgirls of Rubber Rose Ranch; the unfortunately named Chink, a lascivious guru of yams and yang; Julian, an asthmatic esthete and husband by disposition; and Dr. Robbins, a preventive psychiatrist and reality instructor.

Zurück in die Zukunft! Die große dystopische Erzählung geht weiter ... Schwer was los in QualityLand, dem besten aller möglichen Länder. Peter Arbeitsloser darf endlich als Maschinentherapeut arbeiten und schlägt sich jetzt mit den Beziehungsproblemen von Haushaltsgeräten herum. Kiki Unbekannt schnüffelt in ihrer eigenen Vergangenheit und gerät dabei ins Fadenkreuz eines seltsamen Killers. Martyn Vorstand versucht verzweifelt ein Level aufzusteigen, um das Recht auf Vergessen werden nutzen zu dürfen.

Then We Came to the End is about how we spend our days and too many of our nights. It is about being away from friends and family, about sharing a stretch of stained carpet with a group of strangers we call colleagues.

Amber is a young videographer who has landed her dream job. She is to produce a web series based on a late-night talk radio show dealing with the unexplained. She is a huge fan of the show, and its host, Jack Owens, who she hopes to help reveal the world’s most cryptic secrets. The first secret she reveals is Jack’s. He doesn’t believe any of this crap. To him, the show is just a cushy job that allows him to support himself and his wife without having to try very hard.

The brilliant new novel from the Orange Prize-winning author of We Need to Talk About Kevin centres on three generations of the Mandible family as a fiscal crisis hits a near-future America. It is 2029. The Mandibles have been counting on a sizable fortune filtering down when their 97-year-old patriarch dies. Yet America's soaring national debt has grown so enormous that it can never be repaid. Under siege from an upstart international currency, the dollar is in meltdown.

John Self is addicted to life. Porn freak and jetsetter, a aficionado of wealth and women, Self is the shameless heir to a fast-food culture where money beats out an insistent invitation to futile self-gratification. Out in New York, mingling with the mighty, making a fortune but spending more, Self is embroiled in the corruption, the brutality and the obscenity of the money conspiracy.

The year is 1969. In a housing project in south Brooklyn, a shambling old church deacon called Sportscoat shoots - for no apparent reason - the local drug-dealer who used to be part of the church's baseball team. The repercussions of that moment draw in the whole community, from Sportscoat's best friend - Hot Sausage - to the local Italian mobsters, the police (corrupt and otherwise), and the stalwart ladies of the Five Ends Baptist Church.

Erasure is Percival Everett's hilarious satire about race and publishing, now an Oscar-nominated film, American Fiction, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross. 'Hilarious . . . Everett is a first-rate word-wrangler.' – Nicholas Lezard, The Guardian...

Filled with relentless drinking in seamy bars and glamorous nightclubs, wild, drug-fuelled parties, and dispassionate sexual encounters, Less than Zero - narrated by Clay, an 18-year-old student returning home to Los Angeles for Christmas - is a fierce coming-of-age story, justifiably celebrated for its unflinching depiction of hedonistic youth, its brutal portrayal of the inexorable consequences of such moral depravity and its author’s refusal to condone or chastise such behaviour.

Born in Dickens, Los Angeles, the narrator of The Sellout spent his childhood as the subject in his father's racially charged psychological studies. He is told that his father's memoir will solve their financial woes. But when his father is killed, he discovers there never was a memoir. Fuelled by despair, he sets out to right this wrong with the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

It's not every afternoon that an enigmatic, comely blonde named Stilton (like the cheese) walks into the scruffy gin joint where Sammy "Two Toes" Tiffin tends bar. It's love at first sight, but before Sammy can make his move, an air force general named Remy arrives with some urgent business. 'Cause when you need something done, Sammy is the guy to go to; he's got the connections on the street.

From the number one New York Times best-selling author of the Man Booker Prize-winning novel Lincoln in the Bardo and the story collection Tenth of December, a 2013 National Book Award Finalist for Fiction. Talking candy bars, baby geniuses, disappointed mothers, castrated dogs, interned teenagers, and moral fables - all in this hilarious and heartbreaking collection from an author hailed as the heir to Kurt Vonnegut and Thomas Pynchon.

Tom is a bit of a waster...Turning the wrong side of t30 hit him pretty hard, and what with having no money, no love life, no decent job prospects to speak of, and with debt coming out of his ears, well, the future wasn’t exactly looking too rosy. Tom knew he wanted more out of life and now was the right time to make a fresh start, but, in typical fashion, he didn't have a plan or even the faintest idea of where to begin. So, logically, he'd start by quitting his current job and see what turned up in the process!