Showing results by publisher "----RM Alexander" in Satire

Imagine a world where your position in society depended on what bit of the colour spectrum you could see. This is the world inhabited by Eddie Russett (red, middle-level) and Jane Grey (monochromatic, lowest in society). Eddie and Jane must negotiate the delicate Chromatic politics of society to find out what the 'Something that Happened' actually was, how society got to be this way, and crucially, is there Somewhere Else beyond their borders?

Aisling is 28 and she’s a complete...Aisling. She lives at home in Ballygobbard (or Ballygobackwards, as some gas tickets call it) with her parents and commutes to her good job at PensionsPlus in Dublin. Aisling goes out every Saturday night with her best friend, Majella, who is a bit of a hames (she’s lost two phones already this year - Aisling has never lost a phone). They love hoofing into the Coors Light if they’re 'Out' or the vodka and Diet Cokes if they’re 'Out Out'.

Sherman McCoy is a WASP, bond trader and self-appointed 'Master of the Universe'. He has a fashionable wife, a Park Avenue apartment and a Southern mistress. His spectacular fall begins the moment he is involved in a hit-and-run accident in the Bronx. Prosecutors, newspaper hacks, politicians and clergy close in on him, determined to bring him down. Exuberant, scandalous and exceptionally discerning, The Bonfire of the Vanities was Tom Wolfe's first venture into fiction and cemented his reputation as the foremost chronicler of his age.

For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of the same lavish culty spa her mother to which her mother was devoted.

It’s been an enjoyable and murder-free time for Judith, Suzie and Becks – AKA the Marlow Murder Club – since the events of last year. The most exciting thing on the horizon is the upcoming wedding of Marlow grandee, Sir Peter Bailey, to his nurse, Jenny Page. Sir Peter is having a party at his grand mansion on the river Thames the day before the wedding, and Judith and Co. are looking forward to a bit of free champagne.

Nine months ago, Zeus' murder catapulted the Greek gods back into public life. Now, the whole pantheon revels in new temples, casinos, and media empires - except Apollo. An overachiever with a bursting portfolio of godly duties, the amount of email alone he receives from rapacious mortals turns each day into a living hell. Yet there may be hope, if only he can return Zeus to life! With the aid of Thalia, the muse of comedy and science fiction, Apollo will risk his very godhood to help TV producer Tracy Wallace and a gamer geek named Leif, who hold the key to Zeus' resurrection.

Every weekend, in basements and car parks across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight Club is the invention of Tyler Durden, projectionist, waiter and dark, anarchic genius. And it's only the beginning of his plans for revenge on the world.

Lauren, who changes the man in her bed even more often than she changes course, is dating Victor but sleeping with Sean. Sean - cool, ambivalent and deeply cynical - might be in love with Lauren, but he’s not going to let that stop him from bedding Paul. Paul, as shrewd as he is passionate, is Lauren’s ex-lover and the final point in this curious triangle. From the author of American Psycho, Bret Easton Ellis' The Rules of Attraction is a breathtaking tale of sex, expectation, desire and frustration.

Oli Darling is a queer artist from the country - it says so right at the top of every press release. His art has brought him fame, money, fashionable substance abuse issues and only a little imposter syndrome. But then he goes on live TV and says the one thing that can get a rich white guy cancelled. With his reputation in tatters, nobody is buying Oli's schtick or his art. That's a problem for all the people who've invested millions in him. Powerful, dangerous people. To save his own skin, Oli will need to restore his public image.

Despite the title, Dickens's portrayal of early industrial society is less relentlessly grim than that in novels by contemporaries such as Elizabeth Gaskell or Charles Kingsley. Hard Times weaves the tale of Thomas Gradgrind, a hard-headed politician who raises his children Louisa and Tom without love and to have no empathy, their lives completely devoid of beauty, culture, or imagination. Only after a series of crises does their father realise that the manner in which he raised his children has ruined their lives.

Athena Liu is a literary darling and June Hayward is literally nobody. When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. But as evidence threatens June’s stolen success, she will discover exactly how far she will go to keep what she thinks she deserves. What happens next is entirely everyone else’s fault.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Chichikov, a mysterious stranger, arrives in the provincial town of 'N', visiting a succession of landowners and making each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these 'dead souls' as collateral to re-invent himself as a aristocrat. In this ebullient picaresque masterpiece, Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov and, above all, the devilish con man Chichikov.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

When academic Nadia is disowned by her puritanical mother and dumped by her lover, she decides to make a getaway - accepting a UN job in Iraq. Tasked with rehabilitating ISIS women, Nadia becomes mired in the opaque world of international aid, surrounded by bumbling colleagues. But then Nadia meets Sara, a precocious and sweary East Londoner who joined ISIS at just fifteen, and she is struck by how similar their stories are. Both from a Muslim background, both feisty and opinionated, with a shared love of Dairy Milk and rude pick-up lines, Sara and Nadia immediately connect.

The brilliant new novel from the Orange Prize-winning author of We Need to Talk About Kevin centres on three generations of the Mandible family as a fiscal crisis hits a near-future America. It is 2029. The Mandibles have been counting on a sizable fortune filtering down when their 97-year-old patriarch dies. Yet America's soaring national debt has grown so enormous that it can never be repaid. Under siege from an upstart international currency, the dollar is in meltdown.

Two husbands secretly agree to a night of passion - with each other's wives; a slighted old man takes an elaborate and chilling revenge on his tormentor; a sculpture comes between a scheming wife and her put-upon husband.... Lust highlights a domestic familiarity always on the edge of something much, much darker.

Something bad happened last night. My best friend Posey is dead. The police think it was a tragic accident. I know she was murdered. But I can’t remember a thing. I’ve woken up with the hangover from hell, a stranger in my bed, and I’ve gone viral for the worst reasons. There’s only thing stopping me from dying of shame. I need to find a killer.

Would you want to know what your colleagues say behind your back? Jolene certainly doesn’t. She’s riddled with anxiety, depressed, and hates her coworkers. The less she knows about them, the better. So when a catastrophic IT f--k up grants her access to all of their emails and private messages, she’s initially horrified. The last thing she wants is to be privy to their sad discussions about dying desk plants and marital troubles. That’s until with job cuts looming, she realises the power this new-found knowledge gives her.

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.