Showing titles in Literature & Fiction

The centre of the world: 1990s Manhattan. Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn’t been and with people he doesn’t know. On the eve of opening the trendiest nightclub in New York history, he’s living with one beautiful model and having an affair with another. Now it’s time to move to the next stage. But the future he gets is not the one he had in mind.

Maggie’s marriage has ended just 608 days after it started, but she’s fine—she’s doing really good, actually. Sure, she’s alone for the first time in her life, can’t afford her rent and her obscure PhD is going nowhere...but at the age of twenty-nine, Maggie is determined to embrace her new status as a Surprisingly Young Divorcée™. Soon she’s taking up ‘sadness hobbies’ and getting back out there, sex-wise, oversharing in the group chat and drinking with her high-intensity new divorced friend Amy.

Les is quite happy resting up after the flu when Warren has to tip him into an earn. Norton's mate from the Albanian Mafia, Bodene Menjou, is planning to make the most politically correct movie ever made in Australia, Gone With the Willy Willy, and has a script stolen. If Les can find it, a lazy $50,000 could fall in. How can Norton say no?

What’s a white knight to do when his princess is causing utter havoc, leading in mass murder? Go to the famous Black Sorcerer of Grimslock for help, apparently. What’s a black sorcerer to do when the white knight comes to him for help? Keep him, naturally.

From the master of tragicomedy and award-winning author of Skippy Dies: a tour de force new novel about family, fortune, and the struggle to be a good person when the world is (maybe) ending. Irresistibly funny, wise and thought-provoking, a state-of-the-nation novel about one unhappy family in the midst of meltdown.

He doesn't believe in happy endings. She's lost her faith that they exist. But could they find one together? January is a hopeless romantic who likes narrating her life as if she's the heroine in a blockbuster movie. Augustus is a serious literary type who thinks true love is a fairy-tale. January and Augustus are not going to get on.

Alexis Spencer will use any inspirational quote to rationalize her failures and shortcomings. Her closest friends are a distant memory, and her college debt is still as high as the day she left. But that’s all fine and dandy, because “whatever will be, will be.” However, when Alexis loses her job and her relationship on the same day, there’s no quote strong enough to get her through that. In typical fashion, she blames the world for her problems, including her younger self, who should have tried harder.

Rachel Walsh is twenty-seven and the miserable owner of size 8 feet. She has regular congress with Luke Costello, a man who wears his leather trousers tight. And she's fond - some might say too fond - of recreational drugs.

Helen Zhang is the bestselling author who can't write her own happy-ever-after. Grant Shepard is the screenwriter with the movie-star looks who can't afford his therapist. When the two of them are put together to adapt Helen's books for television, it should be a dream come true. Helen can start a new life in Hollywood. Grant can pay his mortgage. Only, Grant Shepard is the last person that Helen wanted to see again. She's never forgiven him for what happened thirteen years ago. So no one is more surprised than her when sparks begin to fly between them in the writers' room.

It's an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. The Earth follows shortly afterwards to make way for a new hyperspace bypass and his best friend has just announced that he's an alien. At this moment, they're hurtling through space with nothing but their towels and an innocuous-looking book inscribed with the big, friendly words: DON'T PANIC.

Armageddon Day. That is how history will remember the date when two Overlords clashed amidst the war-torn streets of New Whitehall. The disastrous duel its explosive conclusion wreaked heavy casualties on the two armies present, rendering both the Ishigar Republic and the Lodrak Empire unable to continue to fight. And yet, it was no stalemate. With one Hero defeated and another revealed, the balance of power is sure to shift in the elvish nation’s favor.

You probably already know my name. Lucy Chase, the woman who doesn’t remember murdering her best friend. Even though they couldn’t find enough evidence to charge me, I know you all think I did it. That’s OK. I realise being found wandering the streets the next day covered in her blood wasn't a great look. Believe me, I’m as frustrated as you are. I’d love to know if I’m a murderer – it’s the sort of thing you really should know about yourself, isn’t it? And now, thanks to true-crime podcast Listen for the Lie, I finally have the chance to find out.

It's 1939, in New York City. Joe Kavalier, a young artist who has also been trained in the art of Houdiniesque escape, has just pulled off his greatest feat: smuggling himself out of Hitler's Prague. He's looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a partner in creating the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book. Inspired by their own fantasies, fears, and dreams, they create the Escapist.

Are You Being Served? was a comedy juggernaut, running for 10 series between 1973 and 1985 and often attracting audiences of over 20 million. A family favourite, it was a fun-packed mix of double entendres, slapstick and larger-than-life characters – including cat-loving Mrs Slocombe and camp menswear assistant Mr Humphries, with his famous catchphrase, ‘I’m free’!

The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster. George, the patriarch, is a stalwart of television interviewing, a 'national treasure' (his words); his wife, Beverley, a celebrated novelist; and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen. Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant.

Meet three Mummy Bloggers - followed, idolised, imitated, taunted and trolled online. Elle Campbell is a glossy, lycra-clad mum with a 10-year plan. Abi Black has quit sugar, moved to the country and is home-schooling her kids. Leisel Adams slogs away at the office every day before rushing home to see her kids. When each of them are nominated for a top blogging award with a hefty cash prize, it sets the scene for a brutal and often hilarious battle to win those all-important clicks....

A dark comedy wrapped in a techno thriller's skin, Mal Goes to War provides a satirical take on war, artificial intelligence, and what it really means to be human.

H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

You’d never guess Lottie Jones had skeletons in her closet. She’s lived in town for decades now. She’s getting older. She lives for the simple pleasures of weekly bingo games at church, and gossiping with her friends about their children’s love lives. But when investigative journalist Plum Dixon shows up on her doorstep asking questions about Lottie’s past, and specifically about her connection to numerous unsolved murders, well, Lottie just can’t have that.

When someone hacks into the systems of eight self-driving cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife - and parents of two - who are travelling in separate vehicles and a suicidal man. Now the public have to judge who should survive but are the passengers all that they first seem?