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Kailyn Flowers was always calm, rational, and controlled—until she ended up sprawled all over Daxton Hughes, the former actor she totally crushed on as a teenager. Then she did the unthinkable: She became a mortifying fangirl in five seconds flat, which may or may not have included professing her undying love. And oddly, he didn't run away. In fact, their meet cute led to a friendship she never saw coming. Of course, she never saw his betrayal coming, either....

After the defeat of the rival Gordon and Thompson families, the Blood Brothers' reputations as feared lieutenants of the McVay clan are firmly established. The Gallowburn has become an untouchable stronghold in their capable hands. However, danger rears its head in another form—Jamie’s deadliest foe, Cameron Abernethy. Still fighting to be released from prison, Cameron decides to use the Lawson family, the Blood Brothers’ biggest rivals, to discover his daughter's whereabouts.

My name is Eddie Rosas, but everyone calls me Trouble. Since I got out of prison six months ago, I've had one goal: find my father, whatever the cost. My older brother says I need to move on. He also wants me to leave our gang, East Side Hollenbeck, and go straight, but I can't - not until I uncover the truth about our family and its missing piece.

Grace has what one might call a 'full and interesting life', which is code for not married and has no kids. Her life is the envy of her straight friends, but all this time she has been waiting in secret for love to hit her so hard that she would run out of breath, like the way a wave in a rough sea bowls you over, slams you into the sand and nearly drowns you.

That was the last time any of them saw Minnie Bright: It was 48 hours before her crack-addicted mother reported her missing, and a few hours more before the police entered the house and found her small, twisted body hidden under the bed. Fifteen years ago, a little girl was murdered. Now journalist Jess Vaughan and detective Harry Lind are asking questions about what really happened that day. Questions that someone will kill to keep hidden. No one knows crime like Roberta Kray.

It's 1919, and Britain is realising that it is no longer at war. Now, Nadine and Riley, Rose, and Peter and Julia, must try to regain a sense of normality. But long shadows cast by the war dim the potential joys of peacetime, and matters of the heart prove arduous and bewildering. Normality doesn't seem to exist the way it did, and there is no ‘going back' to anything. What must give, for happiness to stand a chance? For those who fought, those who healed, and those left behind, 1919 is a year freighted with perilous beginnings, unavoidable realities, and gleams of indestructible hope.

Once upon a time...I dreamed of growing up and being just like her. I dreamed of having an adoring husband, two kids, and a beautiful home where my family would come together and enjoy all of our happy ever afters. But fate had other plans. My road wasn't easy, it was heartbreaking, and she was there, in the distance, silently supporting me. When all the angst, all the pain, worked its way out, she was there too, but not how she'd always promised, she was there from an unbridgeable distance.

Annie Bailey had done it all: madam, mistress and gangster's moll. Now she's Annie Carter, and she's taking over the East End. Annie knew that it wouldn't last. Everything was going so well; she was living in Majorca, had Max Carter - the head of the Carter firm - by her side and had given him a beautiful daughter, Layla. But if there was one thing life had taught her, it was that everything could change in the blink of an eye. One minute she's lying by the pool, the next she's out cold. When she comes round, Max and Layla are gone.

Sophia is determined to grow old disgracefully and refuses to be invisible. She craves fiery passion and steamy romance, not targeted ads for funeral plans. After a heart-shattering breakup, she ditches love to date a new man each week for a year. As she flirts, fumbles and sips fizz through an array of encounters, from an opera buff in a cape to an orgasm whisperer, she discovers it's never too late to rewrite your own love story, even if it's not the one you expected…

Love Over Scotland is the third in this series and revolves around the many colourful characters that come and go at No. 44 Scotland Street. McCall Smith handles the characters with his customary charm and deftness: the stalwart Tory chartered surveyor, the pushy mother and, most importantly in this novel, the Italian-speaking prodigy, Bertie.

Becca and Charlie have known each other since university. Becca and Charlies have also hated each other since university. Until now. Until Ally’s bucket list. The death of their loved one should mean they can go their separate ways and not look back. But completing the list is something neither of them can walk away from. And sometimes, those who bring out the worst in you, also bring out the very best. Over the course of ten years, Becca and Charlie’s paths collide as they deal with grief, love and life after Ally.

Despite living in an actual castle, happily ever after is evading Margaret ‘Maggie’ Moore. From her bedroom in the Tower of London, twenty-six-year-old Maggie has always dreamed of her own fairy-tale ending. Yet this is twenty-first century London, so instead of knights on white horses, she has catfish on Tinder. And with her last relationship ending in spectacular fashion, she swears off men for good. And then a chance encounter with Royal Guard Freddie forces Maggie to admit that she isn’t ready to give up on love just yet.

In 1971, London gang boss Annie Carter Barolli is living the New York high life with the feared Mafia godfather Constantine Barolli. Then family tragedy strikes, leaving only Annie, Constantine's sister, Gina, and his three children alive, and now they're in terrible danger. And what's worse - it signals a major shift in mafia power. Annie returns to London with her daughter, Layla, pursued by a hit man.

Bob Skinner may be Chief Constable no more but he's indispensable to Scotland's police force when it comes to cracking the toughest cases. It's not just the brilliant detective work - it's the absolute determination to unearth the truth and see justice done. And Bob Skinner doesn't care whose toes he treads on as he pursues the guilty.

Fresh out of prison, Jess Strickland has just six months’ probation to serve until she's free to get on with the life she left behind four years ago. With few options available, Jess takes a job at Bright’s, an industrial laundry company, alongside other ex-cons, all eager to keep their noses clean. Here she finds an ally in Karla, but soon learns her new boss, Terry, is not all he seems. Realising she’s no safer on the outside, Jess refuses to be a victim any longer. How far will she go to avoid going back to prison?

Bailey Flanigan is finally leaving her small-town home of Bloomington, Indiana, for the adventure of a lifetime: she has gotten a part in a Broadway musical in New York City. She's determined to take advantage of this unbelievable opportunity, but is she really ready to leave family and friends for the loneliness of the big city? And what about Cody, her former boyfriend? His disappearance has her worried about their future and praying that their love can survive.

Detective Lola is heading back over the river from a rare night out when she spots a crowd of people looking over the parapet. Someone’s gone in. A young man called Cammy witnessed everything. He swears it’s the work of the Clyde Pusher, but is terrified of the police. The Clyde Pusher is the stuff of urban legend. A hooded figure who throws men into the river to drown. Eight victims in five years. But according to the police, the Pusher doesn’t exist. There are no reliable witnesses, nothing to link the victims.

I’m Johanna Morrigan, and I live in London in 1995, at the epicentre of Britpop. I might only be 19, but I’m wise enough to know that everyone around me is handling fame very, very badly. My unrequited love, John Kite, has scored an unexpected Number One album, then exploded into a Booze And Drugs HellTM - as rockstars do. And my new best friend - the maverick feminist Suzanne Banks, of The Branks - has amazing hair, but writer’s block and a rampant pill problem. So I’ve decided I should become a 'Fame Doctor'.

In Volume II of the Flashman Papers, Flashman tangles with femme fatale Lola Montez and the dastardly Otto Von Bismarck in a battle of wits which will decide the destiny of a continent. In this volume of The Flashman Papers, Flashman, the arch-cad and toady, matches his wits, his talents for deceit and malice, and above all his speed in evasion against the most brilliant European statesman and against the most beauiful and unscrupulous adventuress of the era.

Lila Mae Watson - the first black female inspector in the world's tallest city - has the highest performance rating of anyone in the Department of Elevator Inspectors. This upsets her superiors, because Lila is an Intuitionist: she inspects elevators simply by the feelings she gets riding in them. When a brand new elevator crashes, Lila becomes caught in the conflict between her Intuitionist methods and the beliefs of the power-holding Empiricists.