The Vignes twin sisters will always be identical. But after growing up together in a small, Southern black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same Southern town she once tried to escape. The other secretly passes for white and her white husband knows nothing of her past.

One summer morning, a flight takes off from New York to Los Angeles. There are 216 passengers aboard: among them a young woman taking a pregnancy test in the airplane toilet; a Wall Street millionaire flirting with the air hostess; an injured soldier returning from Afghanistan; and two beleaguered parents moving across the country with their adolescent sons, bickering over who gets the window seat. When the plane suddenly crashes in a field in Colorado, the younger of these boys, 12-year-old Edward Adler, is the sole survivor.

As a child Gifty would ask her parents to tell the story of their journey from Ghana to Alabama, seeking escape in myths of heroism and romance. When her father and brother succumb to the hard reality of immigrant life in the American South, their family of four becomes two - and the life Gifty dreamed of slips away. Years later, desperate to understand the opioid addiction that destroyed her brother's life, she turns to science for answers. But when her mother comes to stay, Gifty soon learns that the roots of their tangled traumas reach farther than she ever thought. 

Late in the night, 14-year-old Sam Watson steps onto a quiet overpass, climbs over the rail and looks down at the road far below. At the other end of the same bridge, an old man, Vic, smokes his last cigarette. The two see each other across the void. A fateful connection is made, and an unlikely friendship blooms. Slowly, we learn what led Sam and Vic to the bridge that night. Bonded by their suffering, each privately commits to the impossible task of saving the other.

This novel is about a woman called Martha. She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going. Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was 14 and making her happy is all that matters, although he does not seem able to do it.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair.

In her youth, Tara was wild. She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents) and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her. 

In a small town in Sweden it appears to be an ordinary day. But look more closely, and you'll see a mysterious masked figure approaching a bank. Two hours later, chaos has descended. A bungled attempted robbery has developed into a hostage situation - and the offender is refusing to communicate their demands to the police. Inside the building, fear quickly turns to irritation for the seven strangers trapped inside. But as the minutes tick by, they begin to suspect that the criminal mastermind holding them hostage might be more in need of rescuing than they are.

Casey has ended up back in Massachusetts after a devastating love affair. Her one constant is the novel she has been writing for six years, but at 31 she is in debt and directionless, and feels too old to be that way - it’s strange, not be the youngest kind of adult anymore. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures.

A producer. A novelist. An actress. It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. While the world is reeling, our trio is involved in making a rackety Swingin' '60s British movie in sunny Brighton. All are leading secret lives. As the film is shot, with its usual drastic ups and downs, so does our trio's private, secret world begin to take over their public one. Pressures build inexorably - someone's going to crack. Or maybe they all will.

Hannah, Cate and Lissa are young, vibrant and inseparable. Living on the edge of a common in East London, their shared world is ablaze with art and activism, romance and revelry - and the promise of everything to come. They are electric. They are the best of friends. Ten years on, they are not where they hoped to be. Amidst flailing careers and faltering marriages, each hungers for what the others have. And each wrestles with the same question: what does it take to lead a meaningful life? 

14-year-old Adunni has a dream: to be educated. But her father needs her bride-price, so sells his daughter to an older man, who demands she give him the fine boy-children his first two wives have failed to produce. When things go tragically wrong, Adunni flees to Lagos. It's what she has always wanted, to leave Ikati and see the world, and though her heart is full of sorrow for her lost family and the shame she has left behind, still Adunni will not be quiet and do as she's told.

Rachel and Eliza are hoping to have a baby. The couple spend many happy evenings together planning for the future. One night Rachel wakes up screaming and tells Eliza that an ant has crawled into her eye and is stuck there. She knows it sounds mad - but she also knows it's true. As a scientist, Eliza won't take Rachel's fear seriously, and they have a bitter fight. Suddenly their entire relationship is called into question.   

Thirty-four-year-old Nora's life could be better. She's lonely, single and has just lost her job. Her cat dying feels like the last straw. What else is there to live for? Then she finds a library between life and death where she gets to try all the other lives she could have lived. The Midnight Library is a gloriously relatable novel about life, death and the in-between. It is about finding hope, playing chess, dumping regrets and picking the right people around you.

Brought to you by Penguin. Every slave plantation is a house of spies and intrigue. No slave walks a straight line or has a single story - deep within their hearts is betrayal and insurrection. But against whom? Hiram Walker is a man with a gift and a curse. He was born between worlds: his father a white plantation master, his mother a black slave. And, unbeknown even to himself, he was born with a special power. When he is sold to a new mistress as punishment for attempting escape, Hiram discovers her home is a secret hub of the underground railroad: a training ground for its agents.