Showing titles in Essays

When Brian Doyle passed away at the age of 60 after a bout with brain cancer, he left behind a cult-like following of devoted listeners who regard his writing as one of the best-kept secrets of the 21st century. Doyle writes with a delightful sense of wonder about the sanctity of everyday things, and about love and connection in all their forms: spiritual love, brotherly love, romantic love, and even the love of a nine-foot sturgeon.

When Paul Auster was asked to join NPR's Weekend All Things Considered program to tell stories, he turned the proposition on its head: he would let the stories come to him. He invited listeners to submit brief, true-life anecdotes about events that touched their lives.

In this new anecdotal book, the unstoppable Dickie Bird takes one County Cricket Club at a time and revisits each with the aid of memorabilia, statistics, books and videos. A mass of new hilarious stories flow from Dickie as he flexes his memory: he describes the cricketers, the matches and the character of these clubs. Dickie also relives his journeys as a umpire to clubs and Test match arenas overseas and recalls the humorous times that have filled his unique career.

George Orwell's moving reflections on the English character and his passionate belief in the need for political change. 'The Lion and the Unicorn' was written in London during the worst period of the Blitz. It is vintage Orwell, a dynamic outline of his belief in socialism, patriotism and an English revolution. His fullest political statement, it has been described as 'one of the most moving and incisive portraits of the English character' and is as relevant now as it ever has been.

In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors”. Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers.

Everybody Loves a Good Drought is the established classic on rural poverty in India. Twenty years after publication, it remains unsurpassed in the scope and depth of reportage, providing an intimate view of the daily struggles of the poor and the efforts, often ludicrous, made to uplift them. An illuminating introduction accompanying this 20-anniversary edition reveals, alarmingly, how a large section of India continues to suffer in the name of development so that a small percentage may prosper.

Mit den Erinnerungen eines Europäers hat Stefan Zweig seine persönliche, zugleich eine der besten Analysen der Jahrzehnte zwischen dem ausgehenden 19. Jahrhundert und dem 2. Weltkrieg verfasst.

When Colleen Kinder put out a call for authors to write a letter to a stranger about an unforgettable encounter, she opened the floodgates. The responses—intimate and addictive, all written in the second person—began pouring in. These short, insightful essays by a remarkable cast of writers guide us both across the globe and through the mysteries of human connection. Moving and unforgettable, Letter to a Stranger is an irresistible listen for the literary traveler and the perfect gift for anyone who is haunted by a person they met once and will remember forever.

Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.

Jeanna Kadlec knew what it meant to be faithful--in her marriage to a pastor’s son, in the comfortable life ahead of her, in her God--but there was no denying the truth that lived under that conviction: she was queer and, if she wanted to survive, she would need to leave behind the church and every foundational building block she knew. Heretic is a memoir of rebirth. Within, Kadlec reckons with religious trauma and Midwestern values, as a means of unveiling how evangelicalism directly impacts every American--religious or not--and has been a major force in driving our democracy towards fascism.

From her mooring in Macclesfield in the north-west of England to the storied Bristol Channel, Jo invites listeners to join her on a 30-day odyssey, beginning with the end of a tempestuous relationship and echoing a journey previously taken by LTC Rolt, a legendary engineer and advocate of the waterways.

In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea.

Through personal essays and interviews, punk musician and cultural icon Lydia Lunch claws and rakes at the listener's conscience in this powerful, uninhibited feminist collection.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.

Die 50 besten Kolumnen aus 17 Jahren BRIGITTE. "Wo, bitte, geht's zum Paradies?" Den genauen Weg kennt die Bestseller-Autorin Elke Heidenreich nicht. Aber: 17 Jahre lang hat sie sich in der Zeitschrift Brigitte über all das Gedanken gemacht, was am Wegesrand liegt - Gedanken, die auch heute, 17 Jahre nach Erscheinen der letzten Kolumne, noch Gültigkeit haben: über Literatur und Fensterputzen, über Zeitverschwendung und Grünkohl, aber auch über den Tod und das Glück.

Jenny Diski was a fearless writer, for whom no subject was too difficult, even her own cancer diagnosis. Her columns in the London Review of Books - selected here by her editor and friend Mary-Kay Wilmers, on subjects as various as death, motherhood, sexual politics and the joys of solitude - have been described as ‘virtuoso performances’ and ‘small masterpieces'. Why Didn’t You Just Do What You Were Told? is a collective interrogation of the universal experience from a very particular psyche.

"O cotidiano nem sempre é tomado apenas por questões profundas. E nem só delas vive o homem, mas também de banalidades. Muitas vezes, ele é tomado por questões ‘menores’, e é a elas que nos dedicaremos aqui. O cotidiano tenderá a ser mais pobre no futuro. Mais entediante e previsível. Refletiremos sobre pequenas questões neste livro.”

In this spirited volume, Oliver Sacks examines the many passions of his own life – both as a doctor engaged with the central questions of human existence, and as a polymath conversant in all the sciences. Why do humans need gardens? How, and when, does a physician tell his patient she has Alzheimer's? What is social media doing to our brains?

Self Help was published in 1859 by Samuel Smiles. It has been called "the bible of mid-Victorian liberalism". Self Help sold 20,000 copies within one year of its publication. By the time of Smiles' death in 1904, it had sold over a quarter of a million. Self-Help elevated Smiles to celebrity status; almost overnight, he became a leading pundit and much-consulted guru.

From Pulitzer Prize - winning book critic Michael Dirda comes a collection of his most personal and engaging essays on the literary life - the perfect companion for any lover of books. Dirda's latest volume collects fifty of his witty and wide-ranging reflections on literary journalism, book collecting, and the writers he loves. Reaching from the classics to the postmoderns, his allusions dance from Samuel Johnson, Ralph Waldo Emerson, and M. F. K. Fisher to Marilynne Robinson, Hunter S. Thompson, and David Foster Wallace.