Showing titles in Drama

“Todo o mundo é um teatro”, escreveu William Shakespeare, “e homens e mulheres não passam de meros atores”. No novo audiolivro de Leandro Karnal, atores-ouvintes são convidados a dar um passeio pela própria consciência: a jornada de aprender com quem mais tem a ensinar no teatro do mundo - o criador de Hamlet. O que aprendi com Hamlet, dessa forma, revela os ensinamentos deixados pela principal peça de William Shakespeare numa combinação entre a experiência de um homem do século XVI e outro do século XXI.

One fateful winter evening, Cyprus Reyner - a young Whisper - befriends Victoria d'Audrieu through a shared desire to learn more of the Kingdom of Rhoryn. After years of friendship and perseverance, they develop a bond that withstands the test of time. But when Jeremi Terryn comes to their home city of Lorelyn, their relationship will be tested in ways they never thought possible. Cyprus must make the most important decision of his life; let the woman he loves live her dreams, or beg her to stay by his side.

Cyrano De Bergerac by Edmond Rostand. Adapted in English and for the stage by David Serero. This adaptation is the most faithful to the original French text and reduced to an hour and 30 minutes and for 10 actors. This is the full script from David Serero's off-Broadway production and adaptation of 2018, in which he starred as Cyrano with critical acclaim.

Cathos y Madelon, hija y sobrina del burgués Gorgibus, intentan constantemente imitar un lenguaje que consideran elegante y refinado, y lo que hacen realmente es caer en la más absoluta ridiculez. Gorgibus quiere casarlas a toda costa con dos jóvenes de buena familia parisina: La Grange y Du Croisy, pero ellas les rechazan, porque dicen "no son finos ni tienen sentmientos elegantes" Los jóvenes despechados, deciden vengarse de las "preciosas ridículas".

Las circunstancias pero especialmente la ambición, la envidia y el asesinato van hacer que Hamlet y Ofelia, la pareja de enamorados que con sus respectivas familias tenían derecho a ser felices, no lo puedan ser, gestándose el desenlace más dramático imaginable. Hamlet simplemente no puede creerse que su madre, tan sólo dos meses después de la muerte de su padre, se case con su tío Claudio.

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

The Lower Depths, also titled At the Bottom, is a 1902 play by the Russian author and playwright Maxim Gorky (1868-1936). This work portrays a group of wretched, impoverished outcasts living in a shelter near the Volga River. They play cards and tell stories, and are briefly uplifted by a new resident called Luca who gives them hope. When he goes off, the illusion of hope collapses, and the result is murder and suicide.

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

Susan Keating Glaspell (1876 - 1948) was a novelist, playwright, journalist and actress. The Verge reflects Glaspell's observation of the way in which Victorian society left some women feeling trapped in roles for which they were unsuited. The story is about Claire, a woman who lives her life on the verge of a nervous breakdown. Trying to create a new type of plant, Claire spends most of her time in the greenhouse.

The Oresteia is a tragedy in three parts written by Aeschylus in the fifth century BCE. After a decade of warfare, Troy had fallen and Agamemnon, King of Mycenae, returned home. His wife, Queen Clytemnestra, had him killed to avenge the sacrifice of her daughter Iphigenia, to obtain the crown and to marry her lover Aegisthus. This murder leads to further bloodshed when their son Orestes in turn kills Clytemnestra and Aegisthus. The trilogy consists of Agamemnon, The Libation Bearers, and The Eumenides.

Christopher Marlowe wrote this spectacularly subversive play in 1589/1590. The setting is the island of Malta as a bone of contention between Spain and the Ottoman Empire in their struggle for supremacy in the Mediterranean. The ghost of Machiavelli appropriately introduces this tale of murder and mayhem which unfolds in flamboyant episodes of blackmail, betrayal, revenge, scheming, theft, and poisoning on a breathtaking scale.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

Alexander Kuprin prefaced his novel The Pit about the lives of early 20th century Russian prostitutes as follows, "I know many people will find this novel amoral and inappropriate, but nevertheless I dedicated it from the bottom of my heart to mothers and young people" Indeed, the novel's publication was followed by an explosion of outrage. The "good" society accused Kuprin of slander and forever exiled him from its sitting rooms, charity auctions, and holiday balls. Progressive intellecutals winced and shuddered, but could not help admitting Kuprin had a point.

First published in 1711, An Essay on Criticism was one of Pope's earliest major poems. As the title suggests, it is an exploration of what Pope considered to be the essential aspects of good critical writing.

Hi ha una manera de definir El misantrop: el món contra mi, i, si convé, jo contra el món. Si algú em porta un sonet que és més dolent que el pebre, en nom de què podria afalagar-lo? Si em jutgen perquè he dit allò que havia de dir, per què hauria de buscar algú que recomanés la meva innocència al tribunal? Que tinc raó és clar: que em jutgin, doncs, i demostrin si són al costat de la veritat o amb l'interès que sembla moure-ho tot en el món dels homes. O amb mi o contra mi, amb la raó o contra la raó.

Molts crítics consideren Èdip rei l'obra mestra de Sòfocles. Èdip és l'heroi tràgic per antonomàsia: l'home just, intel·ligent, pietós envers els déus, que vol conèixer la veritat pel bé del seu poble, costi el que costi; i que no defalleix en l'intent de descobrir-la,malgrat que, a mesura que s'hi apropa, ja intueix que serà la causa de la seva ruïna. La solució diversa amb què Iocasta i Èdip afrontaran el coneixement de la veritat és també el reflex de dues maneres d'encarar les dificultats vitals.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

The Importance of Being Earnest: A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on February 14, 1895, at the St James' Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious persona to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage and the resulting satire of Victorian ways.

Gil Bailie examines William Shakespeare's Julius Caesar through the lens of René Girard's mimetic theory to reveal the dynamics of the volatile transition from Republican Rome to Imperial Rome.

The Jew of Malta, by Christopher Marlowe, starring David Serero as Barrabas. Cast album recording of 2017 off-Broadway production. Directed and adapted by David Serero.