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Aristotle's assertion that in Greek tragedy there is no loftier work than Oedipus the King cannot be lightly contradicted. This drama is endued fearfully with nature, as she works against the conscientiousness of measure found in man. Heretofore no translation of this play has been a poem of Sophoclean worthiness and work. The rhythmic stature of this translation runs with the Greek in heat and light.

Perhaps the greatest poem of the Western world, The Iliad tells the story of 50 critical days towards the end of the Trojan war. Achilles has quarrelled with Agamemnon and sulks in his tent, while Hector brings his Trojans to the brink of victory; but fate will have the last word.

Homer's masterpiece tells the story of Odysseus, the ideal Greek hero, as he travels home to Ithaca after the Trojan War, a journey of 10 years and countless thrilling adventures. Rich in Greek folklore and myth, featuring gods and goddesses, monsters and sorceresses, The Odyssey has enchanted listeners around the world for thousands of years.

As one of the supremely gifted poets of all time, one might expect great things from this collection of poetry by Horace. And these works do not disappoint. The 17 poems of the Epodes cover a variety of topics, including politics, magic, eroticism and food. A product of the turbulent final years of the Roman Republic, the collection is known for its striking depiction of Rome's sociopolitical ills in a time of great upheaval. In the Epistles, Horace reveals himself as a genuine moralist, a subtle observer of life, and a very good writer.

The Hellenica is Xenophon’s continuation of Thucydides’ history of the Peloponnesian War, literally resuming from where the previous author’s history was abruptly left unfinished and narrating the events of the final seven years of the conflict and the war’s aftermath. Some historians consider the Hellenica to be a personal work, written by Xenophon in retirement on his Spartan estate, and intended primarily for circulation among his friends, who would have known the main protagonists and events, having most likely participated in them.

In this acclaimed Plato masterpiece, you travel back in time to attend an elaborate high society dinner. At this party, you meet Plato's mentor, Socrates, and the comic poet Aristophanes. During the banquet, each of these men is invited to praise Eros, the god of love and desire. You witness them deliver speeches that embody their wisdom and philosophies on love. You hear Socrates' celebrated account of Diotima, the prophetess who taught him that love is the manifestation of human goodness. Finally, you even hear from the famous Alcibiades.

Captured centaurs and satyrs, incompetent seers, people who suddenly change sex, a woman who remembers too much, a man who cannot laugh—these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology—from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled.

Plato's Allegory of the Cave is what many believe to be the foundation of Western Philosophy. It addresses what is visible and invisible, seen and observed versus intuited and imagined, and what is public versus private and just versus unjust. It also concerns the meaning and importance of education, the state of the soul, the conflict between truth and beauty, animal urges versus higher aspirations, knowledge versus ignorance, and on and on.

Though best known now for his collection of lively and vivid Parallel Lives from ancient Greece and Rome, Plutarch (c46 CD-120 CE) was, for centuries, more respected for his Moralia, a remarkable and wide-ranging collection of essays and speeches. No fewer than 78 in total, they range over a broad list of topics in which Plutarch observes, dispenses wisdom, admonishes, entertains and informs: covering social issues and politics, manners and religion - in short, life in general.

Piers Plowman, William Langland's visionary medieval work about one man's quest for the true Christian life, is an allegorical journey through dream visions and visions within dreams. During the course of his journey, the narrator (William Langland) meets Piers Plowman, who gradually reveals himself to be the son of God. Through Piers, William learns of the virtues in poverty, the temptations of wealth, and of the perfect society that is to come under the rule of Piers Plowman.

Antigone is a famous Greek tragedy attributed to the ancient playwright Sophocles at around 440 BCE. The play expands on the Theban legend of Oedipus that predates it, dealing with Antigone’s burial of her brother Polyneices in defiance of the law and the tragic results of her act. On another level, the play exposes the dangers of the absolute ruler or tyrant in the character of Creon. No one speaks freely to him, so he makes a series of mistakes, illustrating the folly of tyranny.

Among the finest poets of ancient Greece was Hesiod, a contemporary of Homer, who lived in the eighth century B.C. It is still a matter of dispute whether Homer or Hesiod was the earlier poet, and sometimes whether they were one and the same person! At any rate, Hesiod's incredible poetry serves as a major source for our understanding of Greek mythology, farming practices, time keeping and astronomy. In and of itself, the "Works and Days" is unparalleled in its richness and beauty, easily rivaling Homer.

The Epic of Gilgamesh is the oldest surviving literary work in the world. The epic poetry describes the ancient King Gilgamesh and his journey to discover the secret to eternal life.

Rome grew from a tiny community of small hill villages near the River Tiber in central Italy to one of the most powerful empires the world has seen. The Romans themselves believed that their great city was founded in the middle of the eighth century BCE. By the middle of the second century CE, Rome had a population of 1.5 million; Alexandria, in Egypt, 500,000; and Londinium, in Briton, 30,000.

The Odyssey tells of the heroic journey of Odysseus after the Trojan war. In his attempt to return home to Ithaca, this ancient hero is faced with obstacle after obstacle, mythic creature after mythic creature. This is an epic poem encompassing an epic journey as famous as it is classic. Translated by Stanley Lombardo.

The Trial and the Death of Socrates gives a powerful first-hand account of the end of one of the greatest figures in history. In Apology, Socrates defends himself before the Athenian court against charges of corrupting youth. Phaedo is the account of the actual last words and moments of Socrates. Tom Griffith presents these with scene-setting introductions to the historical situation in this new translation.

How to Win an Election is an ancient Roman guide for campaigning that is as up-to-date as tomorrow's headlines. In 64 BC when idealist Marcus Cicero, Rome's greatest orator, ran for consul (the highest office in the Republic), his practical brother Quintus decided he needed some no-nonsense advice on running a successful campaign.

This highly regarded volume features a modern translation of all ten books of The Republic. Translated by Raymond Larson. The Republic is an explosion of thought; a ten-book brainstorm of one of the greatest minds of all-time.

In all of Roman history there was never a more turbulent year than A.D. 69, the ill-omened "Year of the Three Emperors". By some miracle, the greatest historian of the age, Tacitus, was able to chronicle those momentous events in a work he called The History. In its pages are some of the most memorable events of Roman history described in some of the most intensely passionate prose ever devised.

"It takes an entire lifetime to learn how to die", wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always", and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.