Showing titles in Women

Extraordinary women have held positions of power throughout history. But, aside from the select few, why do we not hear about them? The middle ages are seen as a bloodthirsty time of Vikings, Saints and Kings: a patriarchal society that oppressed and excluded women. But by digging a little deeper into the truth, drawing on evidence from all disciplines, we can see that the 'dark' ages were anything but. BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word femina annotated beside them.

From the moment John Brown arrived as a servant to Queen Victoria's household, he became known across the land as her loyal companion, her fierce protector, and her right-hand man, their friendship immortalised in print and later on-screen. But what if there was more to their relationship than we know? And what has history been hiding from us? In this provocative exploration of Victoria's emotional world, and her passionate midlife, the acclaimed historian Fern Riddell re-examines everything we thought we knew about one of Britain's most iconic women.

In The Once and Future Sex, Janega unravels the restricting expectations on medieval women and the ones on women today. She boldly questions why, if our ideas of women have changed drastically over time, we cannot reimagine them now to create a more equitable future.

Elizabeth Packard was an ordinary Victorian housewife. That was, until the first Woman’s Rights Convention was held in 1848, inspiring Elizabeth and many other women to dream of greater freedoms. She began voicing her opinions on politics and religion – opinions that her husband did not share. Incensed and deeply threatened by her growing independence, he had her declared ‘slightly insane’ and committed to an asylum.

The Tin Ticket takes us to the dawn of the nineteenth century and into the lives of Agnes McMillan, whose defiance and resilience carried her to a far more dramatic rebellion; Agnes's best friend Janet Houston, who rescued her from the Glasgow wynds and was also transported to Van Diemen's Land; Ludlow Tedder, forced to choose just one of her four children to accompany her to the other side of the world; Bridget Mulligan, who gave birth to a line of powerful women stretching to the present day. It also tells the tale of Elizabeth Gurney Fry, a Quaker reformer who touched all their lives.

This is the incredible story of Elzbieta Zawacka, the WW2 female resistance fighter known as Agent Zo, told here for the very first time. Agent Zo was the only woman to reach London from Warsaw during the Second World War as an emissary of the Polish Home Army command, and then in Britain she became the only woman to join the Polish elite Special Forces, known as the 'Silent Unseen'. She was secretly trained in the British countryside, and then the only female member of these SOE affiliated forces to be parachuted back behind enemy lines to Nazi-occupied Poland.

We now live in a new age of beauty. With advancements in cosmetic surgery, accessible tweakments, augmented reality face filters, photo editing apps, and exposure to more images than we were ever meant to see, we have the ability to craft ourselves in whichever way we please. We pinch, pull, squeeze, tweeze, smooth and slice ourselves beyond recognition. But is modern beauty culture truly empowering? Are we really in control?

It is 1940, and the Final Solution is about to begin. The Nazis have occupied The Netherlands, but resistance is growing and two Jewish sisters - Janny and Lien Brilleslijper - are risking their lives to save those being hunted, through their clandestine safehouse 'The High Nest'. It becomes one of the most important safehouses in the country, but when the house and its occupants are betrayed, the most terrifying time of the sisters' lives begins. This is the beginning of the end.

What was life really like for women in the medieval period? How did they think about sex, death and God? Could they live independent lives? And how can we hear the stories of women from this period?

Weaving in and out of these myriad lives, sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalised group of artists, The Other Side is an intoxicating blend of memoir, biography and art history.

Every queen had ladies-in-waiting. Her confidantes and chaperones, they are the forgotten agents of the Tudor court. Ever present and yet hidden behind the scenes, these women held the secrets and the hearts of some of the Tudor period's most powerful men and women. Experts at survival, negotiating the competing demands of their families and their queen, the ladies-in-waiting of Henry VIII's wives were far more than decorative 'extras': they were serious political players who changed the course of history, and four of them became queen themselves.

All too often the focus of mainstream feminism is not on basic survival for the many, but on increasing privilege for the few. Meeting basic needs is a feminist issue. Food insecurity, the living wage and access to education are feminist issues. The fight against racism, ableism and transmisogyny are all feminist issues. White feminists often fail to see how race, class, sexual orientation and disability intersect with gender. How can feminists stand in solidarity as a movement when there is a distinct likelihood that some women are oppressing others?

Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffeehouses and lived on country estates; they breathed ink dust from printing presses and escaped people traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.

Since the inception of the Secret Service Bureau back in 1909, women have worked at the very heart of British secret intelligence - yet their contributions have been all but written out of history. Now, drawing on private and previously-classified documents, leading historian Claire Hubbard-Hall brings their gripping true stories to life.

Queen Bees looks at the lives of six remarkable women who made careers out of being society hostesses, including Lady Astor, who went on to become the first female MP, and Mrs Greville, who cultivated relationships with Edward VII, as well as Lady Londonderry, Lady Cunard, Laura Corrigan and Lady Colefax. Told with wit, verve and heart, Queen Bees is the story of a form of societal revolution and the extraordinary women who helped it happen.

For the 10 years after 1902, when Australia’s suffrage campaigners won the vote for white women, the world looked to this trailblazing young democracy for inspiration. Clare Wright’s epic new history tells the story of that victory - and of Australia’s role at the forefront of the subsequent international struggle - through the eyes of five remarkable players: the redoubtable Vida Goldstein, flamboyant Nellie Martel, indomitable Dora Montefiore, daring Muriel Matters and self-effacing artist Dora Meeson Coates....

As we grow and move through the world, it shrinks us and puts us in boxes - tells us who we should be, what we're capable of, and who to love. As a queer child of immigrants, Maria Thattil knows what it is like to struggle with belonging. To have confusing, disparate identities, none of them fitting traditional ideas of worth, power or success. In Unbounded, she shares galvanising stories of what she has lived and learned through experiencing racism, sexism, financial hardship, intergenerational trauma, homophobia and mental health challenges.

For centuries, the most beautiful, able and aristocratic women in England competed for positions at court. Some who came to serve were remarkable for their learning and exemplary virtue, but others were notable for promiscuity and lack of scruple, drawn to court by a lust for money and power. Several ladies-in-waiting became royal mistresses, showing few qualms about betraying the queen consorts they ostensibly served.

Anne Boleyn has mesmerised the English public for centuries. Her tragic execution, orchestrated by her own husband, never ceases to intrigue. How did this courtier's daughter become the queen of England, and what was it that really tore apart this illustrious marriage, making her the whore of England, an abandoned woman executed on the scaffold? While many stories of Anne Boleyn's downfall have been told, few have truly traced the origins of her tragic fate.

Until the 20th century, art history was, in the main, written by white, western men who tended to write about other white, western men. The idea that women in the West have always made art was rarely cited as a possibility. Yet, they have - and, of course, continue to do so - often against tremendous odds, from laws to religion and the pressures of family and public disapproval. Feminism has shaken up the story of art and, for the first time, cast light on the often-brilliant work by women artists who were often ignored, patronised or marginalised.