Showing results by publisher "Tantor Media" in Artists, Architects & Photographers

Leonardo da Vinci (1452-1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers.

London has harbored many curious characters, but few more curious than the artist and visionary Austin Osman Spare (1886-1956). A controversial enfant terrible of the Edwardian art world, the young Spare was hailed as a genius and a new Aubrey Beardsley, while George Bernard Shaw reportedly said "Spare's medicine is too strong for the average man." But Spare was never made for worldly success and he went underground, falling out of the gallery system to live in poverty and obscurity south of the river.

Andy Warhol claimed that he loved being outside a party—so that he could get in. But more often than not, the party was at his own studio, The Factory, where celebrities—from Edie Sedgwick and Allen Ginsberg to the Rolling Stones and the Velvet Underground—gathered in an ongoing bash.

In Alice Baber, the artist's fascinating story is finally revealed, despite concerted efforts to consign her to oblivion. Levin's book is a vital corrective to the history of American art and a thrilling opportunity for the next generation experience Baber anew.

The celebrated painter Camille Pissarro (1830-1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cezanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify.

Forged in the stress of early motherhood, The Mother Artist explores the fraught yet generative ties between caregiving and creative practice. As a young mother working at a museum, essayist Catherine Ricketts began asking questions about the making of motherhood and the making of art. Now, with incantatory prose and an intuitive gaze, she twines intimate meditations on parenthood with studies of the work and lives of painters, writers, dancers, musicians, and other creatives.

Matisse in Morocco tells the story of the artist's groundbreaking time in Tangier—how it altered Matisse's development as a painter and indelibly marked his work for the next four decades. Through Koehler's research and travel, we experience Matisse's time in Tangier, the paintings and their subjects, his relationships with his wife Amélie and his collectors, and come to understand the impact Morocco had on his art.

In this unique oral biography, Bachardy recounts his astonishing story, providing illuminating recollections of celebrity portrait sittings and revelations about his thirty-year relationship with Christopher Isherwood. From their meeting in the 1950s until Isherwood's death in 1986, theirs was a legendary love story, courageous and uncompromising for its time, and remarkable in any era for the creative collaborations and art it continues to inspire.

In 1940, with the Nazis sweeping through France, Henri Matisse found himself at a personal and artistic crossroads. His marriage had ended, he was gravely ill, and after decades at the forefront of modern art, he was beset by doubt. As scores of famous figures escaped the country, Matisse took refuge in Nice, with his companion, Lydia. By defiantly remaining, Matisse was a source of inspiration for his nation.

FATHER AND SON ISSUES: The Secret History of Spider-Man is the true story of someone with a great power, and a great responsibility. That man, artist John Romita, was the best comics artist no one had ever heard of. After Spider-Man's creators had a falling out, Jazzy John (as Stan Lee called him) had to become the new tale-spinner for the web-spinner.

Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.

Summer in Paris, 1783. The Louvre steps, too hot and no breeze, the air electric with the heady anticipation of a coming storm: the year's Royal Salon. Men and women of every estate are united under art: to love it, to despise it, to gossip endlessly about it. Exhibiting at the Royal Salon was not for the faint of heart, and it was never intended for women. Enter Adélaïde Labille-Guiard . . . Born in Paris in 1749, Adélaïde Labille-Guiard rose from shopkeeper's daughter to an official portraitist of the royal court—only to have her achievements reduced to ash by the French Revolution

This is the story of a woman who wielded imagination and hope in the face of intolerance and who transformed everything she touched into art. In this compelling biography, author Marilyn Chase brings Ruth Asawa's story to vivid life. She draws on Asawa's extensive archives and weaves together many voices to offer a complex and fascinating portrait of the artist.

In this stunning volume, noted art historians Jean-Pierre Isbouts and Christopher Heath Brown discuss the historical, social, and political conditions that shaped Dali's work, identify the impact of Modern as well as Old Master art, and present an unflinching view of the master's personal relationships and motivations.

Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark.

Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice in the Dutch Golden Age. Steven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic.

One spring day in 1683, a notary's clerk in Delft entered the home of the late Magdalena Pieters van Ruijven and stumbled upon one of the wonders of the seventeenth-century world: twenty paintings by Johannes Vermeer. Rather than dispel the mysteries of Vermeer's life, this discovery merely gave rise to more questions: How had this one Dutchwoman come to possess the majority of the master's work? And why have these images defied explanation for so long?

Anya Liftig grew up with a foot in two very different worlds: While her mother's upbringing was so rural that the other kids called her "holler rat," her father came from a comfortable, upper-middle-class Jewish family. Anya spent school years in affluent Connecticut and summers in the holler. Shaped by the experience, she would go on to win a scholarship to Yale and become an acclaimed artist, using provocative performances to explore the contradictions and unanswered questions of her life.

Jane Edberg's creative muse vanished when a switch flipped from child alive to child dead. How was she supposed to process her loss? This lyrical, original, beautifully written story is about how, after the tragic death of her adored nineteen-year-old son, she rediscovers the power of art to create an unconventional pathway through grief.

Who built the Empire State Building? Astonishingly, no list of workmen on this historic landmark was ever compiled. While the names of the owners, architects, and contractors are well known, and Lewis Hine's legendary portraits left us indelible images of the workers, their identities—the last generation of workmen still practicing these time-honored trades, have not been identified until author Glenn Kurtz unearthed their individual stories for this book.