Showing results by publisher "-emdashery books-" in History & Criticism

En estas páginas, la exploración de la música latinoamericana conduce hacia la historia más amplia de la conceptualización de la región. Tal como sostiene Palomino: "La música proporciona así un modelo para comprender ahora los mecanismos nacionales y transnacionales que siguen produciendo el lugar de América Latina en el marco de la cultura global conflictiva y fascinante que habitamos".

The Indiana Jones of rock history and founding curator of the Rock and Roll Hall of Fame Museum narrates the Hall's wild history and his quest to build its collection from scratch—from Ozzy Osbourne's country manor to Keith Moon’s childhood bedroom and Art Garfunkel’s personal archives—including stories about Debbie Harry, Mick Jagger, Chuck Berry, Bob Dylan, Bruce Springsteen, and more.

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study. In contrast, On Elton John approaches the artist seriously and analytically, while still couched in a highly accessible style.

Het "lied" is een zeer algemeen begrip dat vele soorten en vormen van liederen omvat. Wanneer we tegenwoordig het lied als kunstvorm beschouwen, bedoelen we in feite het lied met begeleiding van piano. Hoewel dat een ernstige beperking impliceert, behandelt Leo Samama in deze serie colleges toch overwegend dat klavierlied. Grofweg van Haydn en Mozart tot in onze tijd. Hij vertelt ook over de ontwikkeling van de spannende samenwerking tussen muziek en tekst. Begint de kracht van de muziek inderdaad waar die van de tekst ophoudt, of is de symbiose vele malen groter dan dat?

Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco, and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules.

Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph.

The Story of Rock and Roll an epic tale with a cast of thousands (if you count the crowd at Woodstock), spanning more than a century. It’s also an American story (at least until the Beatles arrived) about music created by individuals clinging to the lowest rung of the social ladder who, nevertheless, invented a musical idea that engulfed the entire world, influencing all aspects of culture, and drawing every other kind of music into its orbit. It’s a story that has everything: scandal, betrayal, big money, murder, tragedy and triumph, long successful careers, and lives unexpectedly cut short.

Imagine a world without the music of Stevie Wonder. A world without hits like “I Was Made to Love Her” and “Shoo-Be-Doo-Be-Doo-Da-Day.” That's the world we would live in had it not been for Sylvia Moy, a woman whose legacy has been carefully tucked away within the annals of music history—until now. It’s No Wonder examines the groundbreaking career of the pioneer who battled sexism and broke down barriers to become Motown’s first certified female in-house songwriter and producer.

In We Were Here: A History of Black People and Alternative Music, author, journalist, and musician Stephanie Phillips, the singer and guitarist of British post punk band Big Joanie, presents readers with a revised history of rock and roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who truly steered its course. From the genre's earliest moments, Black musicians have consistently pushed musical boundaries that forever impacted the music that followed.

In the late 1970s and early to mid 1980s, San Francisco was a creative incubator, bringing forth all manner of new music acts. Ground zero for the scene was the Mabuhay Gardens, home to huge barrels of popcorn, once a week spaghetti nights, colorful emcee Dirk Dirksen, and punk/new wave bands from all over the Bay Area. Concert booker and renegade radio deejay Howie Klein joined with Aquarius Records owner (and fellow deejay) Chris Knab to launch a record label in support of that scene.

Es sieht nicht alles schlimm aus in den achtziger Jahren. Aber vieles. Es ist das Jahrzehnt der explodierenden Dauerwellen und Pornoschnauzbärte, der aufgepumpten Schulterpolsterjacketts und schrillen Herumprotzerei; in den Achtzigern werden die Yuppies zu Vorreitern einer neuen Egoistenkultur. Doch gleichzeitig herrscht die Angst vor der Apokalypse, vor dem Atomtod und der Umweltzerstörung; die Menschen sehnen sich nach Utopien und Zukunft, nach neuer Gemeinschaft und Wärme.

American roots music, also known as Americana music, can be challenging to categorize, spanning the genres of jazz, bluegrass, country, blues, rock and roll, and an assortment of variations in between. In The Downhome Sound, Mandi Bates Bailey explores the messages, artists, community, and appeal of this seemingly disparate musical collective. To understand the art form's intended meanings and typical audiences, she analyzes lyrics and interviews Americana artists, journalists, and festival organizers to uncover a desire for inclusion and diversity.

This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music. First Things First, hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes listeners on a journey through some notable firsts by women in hip-hop history and their importance.

Moby, the biggest selling electronica artist in history, ponders the question: why did so many people hate my guts? His surreal new documentary Moby Doc documents his brutal childhood, his rise and fall from pop stardom, and the drugs and booze that nearly did him in. Andrew Goldman interviews “Master of Chaos” music manager Allen Kovac, who shares all the grisly details of managing Mötley Crüe, Meatloaf, Duran Duran … and Richard Marx.

The Journey of the Rolling Stones: Rock and Roll Legends is a comprehensive and in-depth look at one of the most iconic and influential bands in music history. Written by experts in the field, this book explores the roots and beginnings, rise to fame, and enduring legacy of the Stones, capturing the essence of what makes this band so special and enduring.

Ha habido muy pocos grupos de rock españoles tan personales y emocionantes como Extremoduro. Roberto Iniesta, su fundador y emblema, acuñó la expresión «rock transgresivo» para definir el tipo de música que hacían, caracterizada por la unión de una poesía de una fiera visceralidad, sin parangón en el ámbito de la canción popular, y unas estructuras musicales que se rebelaron contra las fórmulas al uso.

Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz’s post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz’s evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more.

For more than thirty years Francesco Lotoro, an Italian pianist and composer, has been on an odyssey to recover music written by the inmates of Adolf Hitler's concentration camps and the gulags of Stalin's Soviet Union. Between 1933, the year of the opening of the Dachau Lager in Germany, to Stalin's death in 1953 when thousands of Soviet prisoners were released, Lotoro pieces together the human stories of survivors whose only salvation was their love of music.

Jens Balzer, einer der profiliertesten deutschen Kulturjournalisten, zeichnet ein farbiges Panorama der Siebziger, von der Mondlandung und Woodstock über die Ölkrise und den Deutschen Herbst bis hin zum Nihilismus des Punk. Ein Jahrzehnt, in dem sich so ziemlich alles ändert: Die Hippies erproben unerhörte Lebensweisen, die antiautoritäre Erziehung und die Emanzipationsbewegung ordnen die Familien- und Geschlechterverhältnisse neu, weltumspannender Idealismus trifft auf apokalyptische Weltuntergangsängste, und spätestens als Hacker den ersten "Personal Computer" bauen, wird deutlich: Genau hier beginnt unsere Gegenwart.

This book provides a comprehensive overview of techno music from its inception in the 1980s to the present day. It discussed the various styles and genres that have emerged within techno, and the key artists and tracks that have helped shape the genre. The book also includes details about some of techno's most prominent producers and DJs, offering listeners insight into their creative process and the inspiration behind their music.