Showing titles in Screenwriting

Struggling to start your story or lost in the middle? You need a story pitch. Building on the lessons taught in The Five Day Novel, Scott King dives in on how to start the pre-writing process for your novel with a special tool called a story pitch! A standard pitch is meant for marketing and selling, but a story pitch is a powerful tool meant to be used when pre-writing and writing. It can help you jumpstart your novel, screenplay, comic, or whatever type of story you are trying to tell and it can be used as a corrective measure if you get off track during the writing process.

Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships.

Each eye-wateringly funny script in this book is based on real life events featuring Sting, Jim Berryman and related characters. It is set in 60s and 70s Newcastle before Sting rose to fame as the frontman of the band The Police.

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

Paul Frees is the voice of your Ghost Host at Disneyland and Disneyworld's Haunted Mansion, the dastardly Boris Badenov from The Rocky and Bullwinkle Show, Professor Ludwig von Drake via the Wonderful World of Disney, the Pillsbury Doughboy, voices in George of the Jungle, half of the Beatles in their cartoon series, narrator of such classic films as The Manchurian Candidate, The Shaggy Dog, The War of the Worlds, and others.

Write It to Win It!: 39 Secrets from a Screenwriting Contest Judge is the first book ever written for screenwriting contest success. The author is a highly successful script consultant and judge for Hollywood screenwriting contests who reveals the insider secrets that give screenwriters the winning advantage while avoiding costly pitfalls.

This is an excerpt from the Military Veterans in Creative Careers book. It includes only the sections on writing books and screenwriting.

These are easily understood guidelines to make film writing accessible to novices and to help experienced writers improve their scripts. This audiobook pinpoints the structural and stylistic elements essential to a very well written screenplay. It entails step-by-step, comprehensive techniques for writing the script that will succeed.

Automatic Pilot is the definitive guide on how to create and write an original pilot. It takes you through the step-by-step process of writing your own pilot script. It is adapted from Bill Taub's very successful UCLA Extension Writers' Program online workshop, Writing a Spec Pilot, which he has been teaching to students all over the world since 2006.

There are over 1,094 books on Amazon that show you "how to write a screenplay," but next-to-nothing on how to break into Hollywood, sell your script, and build a successful writing career. Until now.

Most of us have no concept of what goes into creating a show, getting it on the air, and keeping it on. Perhaps we assume that the people in charge simply decide what amuses them at the moment, make those shows, stick them on, and wait to see if the public responds. Or maybe they just throw darts at a board? The truth, as with most things, is more complicated. In "Hello," Lied the Agent, Ian Gurvitz has produced a corrosively funny insider's look at what being a television writer is really all about.

Have you ever dreamed of writing the screenplay for a Disaster movie? If so, then here is how some of the world's top Disaster genre screenwriters do it…and how you can succeed in this genre too. The ideas in this book have been used by real screenwriters of major blockbusters - whether they realize it or not. Disaster Genre Secrets for Screenwriters distills their mastery for you and is here to serve as your screenwriting guide. Don't worry! None of the ideas and techniques in this book are rocket science. Frankly, if you can watch a Disaster movie, you can write one.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

When did documentaries get glamorous? Documentary Superstars looks at the history of documentaries and traces their transition from hands-off to in your face. Exclusive interviews with Michael Moore, Morgan Spurlock, Errol Morris, George Clooney, Sacha Baron Cohen, Morgan Freeman, Al Gore, and more of the biggest names in the field show the impact of the documentary style on mainstream movies and on our society.

Writing successful screenplays that capture the public imagination requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method.

He was, according to Pauline Kael, "the greatest American screenwriter." Jean-Luc Godard called him "a genius" who "invented eighty percent of what is used in Hollywood movies today." Besides tossing off dozens of now-classic scripts - including Scarface, Twentieth Century, and Notorious - Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe.

Blake Snyder, uno de los guionistas de más éxito de Hollywood, ofrece una pintura ágil, divertida y franca de la trastienda de la industria cinematográfica. ¡Salva al gato! hace referencia a una de sus infalibles teorías para lograr que las ideas resulten más atractivas y cualquier guión más satisfactorio y, sobre todo, susceptible de venderse. Se trata de un término acuñado por el propio Snyder en alusión a una escena, absolutamente ineludible, en que el público va a conocer al protagonista de la película por primera vez y éste hace algo

If you're serious about your screenwriting, then you're serious about seeing your scripts produced. This book cuts to the chase with the point-by-point essentials behind every successful screenplay and shows you how to demonstrate the professional expertise that will get your scripts noticed. It's a quick, concise listen that gets to the bottom line with a no-nonsense approach to put your writing on a level with Hollywood's working professional screenwriters. Making movies is a complex matter so difficult that very few atempt it.

Gone are the days of Hollywood agents going home each night with a stack of unsolicited screenplays by unknown script writers in the hope of finding their next star screenwriting client. Unsolicited material (your script) just doesn’t get read. Script writing competitions are now the system that provides the reading and analysis formerly conducted by Hollywood agents, producers, and studio development executives. This audiobook won't teach you the finer points of writing or how to write a screenplay. It's only about one thing: How to win a screenplay competition.

Writers will understand why they're stuck and how to get unstuck through proven methods of breaking the logjam of self-judging and second-guessing that keeps good screenplays from being finished. Attain confidence by knowing your story is clear and solid. Seal out negative influences such as industry experts and fleeting trends. This is a way to write a script with integrity that makes a screenplay story-worthy. This is how to write a screenplay that works.