Showing titles in Film & TV

From Crimea with Love documents the mishaps, blunders, incompetence and downright corruption that made Sharpe’s Rifles go down in British television folklore for its unique tales of hardship. Follow the cast through intense depravation and constant catastrophe until they become every bit the jaded, battle-hardened soldiers we saw on screen. Jason brings you an eye-opening, jaw-dropping insider’s account of one of the best-loved shows ever made.

You don't have to miss out just because you don't like to be frightened! Stop trying to read nonsensical Wikipedia plot summaries (we know you're doing it), and let an expert tell you everything you need to know about the most influential horror films of the past sixty years—without a single jump scare or a drop of gore.

A remarkably candid biography of the remarkably candid - and brilliant - Carrie Fisher. Sourced by friends, colleagues, and witnesses to all stages of Fisher’s life, Carrie Fisher: A Life on the Edge is an empathic and even-handed portrayal of a woman who - as Princess Leia, but mostly as herself - was a feminist heroine, one who died at a time when we need her blazing, healing honesty more than ever.

Official Audiobook version of the Fully Authorised Biography of Stephen Fry and Hugh Laurie written by acclaimed comedy biographer Jem Roberts (Clue, Blackadder, Douglas Adams) and narrated by the author... with a bit of help from his award-winning colleague Kris Dyer.

Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnes Varda (1928-2019) wrote and directed some of the most acclaimed films of her era. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, Carrie Rickey explores the "complicated passions" that informed Varda's charmed life and indelible work.

A great script is only as good as the effort you put into your career, but there is little information for the aspiring screenwriter about how to break in. Even those who study TV or film in college are taught to simply “get a production assistant job.” But then what? Anton Schettini provides a rare insider’s glimpse of the modern-day network and streaming TV writers’ room. Here, you will find practical advice, career path strategies, and first-hand accounts for how to establish your network, grow within it, and acquire the necessary tools to become a TV writer.

In a new edition of this popular guidebook, filmmakers Alan Rosenthal and Ned Eckhardt show listeners how to utilize the latest innovations in equipment, technologies, and production techniques for success in the digital, web-based world of documentary film.

A 25th anniversary history and celebration of The Shawshank Redemption, one of the most cherished American films of the late 20th century and one of the finest movies made from a Stephen King story. It has become nothing less than this generation’s The Grapes of Wrath, an inspiring story about keeping hope alive in bleak times and under the most horrendous conditions.

Before he became the nation's favourite Mammy, Brendan O'Carroll was known, simply as Brendan. He's the youngest of eleven children from a poor family in Dublin, he's a boy whose father died when he was just nine years old; he's someone whose hope and determination meant he never gave up. Throughout the tough moments, Brendan always had humour and a good story to tell alongside the ever-guiding inspiration of his own Mammy, a formidable figure who became Ireland's first female Labour MP, all whilst raising eleven children by herself.

This is a short book, with just one goal - to teach you the simple principles you can use right now to design a powerful scene before you write it. If you've already written your novel, you can use these same principles to make each scene better.

This is the full story of the unstoppable rise of Clarkson, Hammond, May and The Stig – and how they have transformed an ordinary programme about cars into one of the most famous and best-loved TV programmes of the 21st century. Reaching a peak in the 1990s thanks to presenter Jeremy Clarkson, the original series then faced the axe in 2001 – but Clarkson and producer Andy Wilman successfully pitched a new format to BBC bosses and Top Gear returned to become the irreverent, funny and often controversial show we now know and love.

When did you last hang out with Jim, Pam, Dwight, Michael, and the rest of Dunder Mifflin? It might have been back in 2013, when the series finale aired...or it might have been last night, when you watched three episodes in a row. But either way, long after the show first aired, it’s more popular than ever, and fans have only one problem - what to watch, or listen to, next. Fortunately, writer Andy Greene has that answer. In his brand-new oral history, The Office: The Untold Story of the Greatest Sitcom of the 2000s, Greene takes listeners behind the scenes.

Released in 2004, iconic teen comedy Mean Girls remains as relevant now as ever. But what made an adaptation of a parenting guide by SNL writer Tina Fey so successful? And why, two decades later, can we all just not stop quoting it? Drawing on revealing interviews with the director, cast and crew, Jennifer Keishin Armstrong takes us behind the scenes of the film’s genesis, production and release.

A radical look at Jane Austen as you've never seen her - as a lover of farce, comic theatre and juvenilia. The Genius of Jane Austen celebrates Britain's favourite novelist 200 years after her death and explores why her books make such awesome movies time after time.

For more than three decades, director Ken Kwapis has charted a career full of exceptional movies and television, from seminal shows like The Office to beloved films like He’s Just Not That into You. He is among the most respected directors in show business, but getting there wasn’t easy. He struggled just like everyone else. With each triumph came the occasional faceplant. Using his background and inside knowledge, But What I Really Want to Do Is Direct tackles Hollywood myths through Ken’s highly entertaining experiences.

Whether a novice curious about the cartoon production process, a visual arts student who has not yet experienced that big break, or a seasoned professional looking for valuable insight, Animation Development is the go-to guide for creating the perfect pitch.

Why have viewers always had a love affair with romance movies? From tragic love stories, like Romeo + Juliet, to feel-good rom-coms, like Sleepless in Seattle, people simply cannot get enough of these movies. Join Professor Eric R. Williams to analyze dozens of titles that fall under the scope of "romance films"—inviting students to see old favorites in a new light and introduce them to elements of romance in movies one might not consider to be part of the genre.

Discover the secrets of building a strong foundation for your channel as you dive into the fundamentals of content creation. From defining your niche to understanding your target audience, you'll learn how to stand out from the crowd and develop a unique brand that resonates with viewers. Unleash your creativity as you explore different video formats, storytelling techniques, and the art of engaging your audience.

In September 1993, a TV show like no other appeared on our screens, asking us to consider the essence of truth and belief, to think about the nature and roles of science and humanity, and to question what we were told by those in power. Combining horror, science fiction, drama, crime, and comedy with cinematic filmmaking, The X-Files transported the paranoia of the sixties and seventies to the technologically savvy nineties as it followed two iconic characters, FBI Agents Fox Mulder and Dana Scully, in their labyrinthine pursuit of truth.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.