Showing results for "william" in African American

William Wells Brown's Clotel (1853), the first novel written by an African American, was published in London while Brown was still legally regarded as property within the borders of the United States. The novel was inspired by the story of Thomas Jefferson's purported sexual relationship with his slave Sally Hemings. Brown fictionalizes the stories of Jefferson's mistress, daughters, and granddaughters, all of whom are slaves in order to demythologize the dominant U.S. cultural narrative celebrating Jefferson's America as a nation of freedom and equality for all.

Edwards, a freelance writer and Black Studies professor at a small college in New York City, is assigned a story for New Black Woman magazine: a profile of Mona Pariss, an aging former singer whose popularity in Europe once rivaled Josephine Baker's. With his creditors at the door, Professor Edwards beats a path to the crumbling Harlem apartment house where Mona Pariss, once the toast of Europe for her singing, now lives in squalid obscurity. As his interviews progress, Edwards is gradually drawn into Mona's strange, mystical world.

From The Unexpected Diva author Tiffany Warren—a dishy and dramatic novel of the Harlem Renaissance and its most famous Black debutante, Yolande Du Bois, daughter of W.E.B. Du Bois, whose spectacular wedding to poet Countee Cullen was the society event of the year...even though the bride and groom were not-so-secretly in love with other people.

In the dying days of the American Civil War, newly freed brothers Landry and Prentiss find themselves cast into the world without a penny to their names. Forced to hide out in the woods near their former Georgia plantation, they're soon discovered by the land's owner, George Walker, a man still reeling from the loss of his son in the war. When the brothers begin to live and work on George's farm, the tentative bonds of trust and union begin to blossom between the strangers.

June, 1957. One afternoon, in the backwater town of Sutton, a young black farmer by the name of Tucker Caliban matter-of-factly throws salt on his field, shoots his horse and livestock, sets fire to his house and departs the southern state. And thereafter, the entire African-American population leave with him. The reaction that follows is told across a dozen chapters, each from the perspective of a different white townsperson. These are boys, girls, men and women, either liberal or conservative, bigoted or sympathetic - yet all of whom are grappling with this spontaneous, collective rejection of subordination.

When Cam and Desiree Woodson find the luxurious rental home in a quiet, suburban Atlanta neighborhood, they believe they've discovered the perfect place for their growing young family—and for their tight budget, the price is too good to be true. But what starts as a bargain soon turns into a nightmare when the landlord's unusual lease terms become more suffocating than they ever imagined...

William Wells Brown (1814-1884) was a prominent abolitionist, historian, novelist, and playwright. Brown was an African-American pioneer in various literary genres. His novel Clotel; or, The President's Daughter (1853), was published in London, England in 1853. It is the story of Clotel and her sister Althesa who are fictional slave daughters of Thomas Jefferson, and explores the destructive effects of slavery on African-American families, the difficult lives of people of mixed-race, and the degraded and immoral relationship between master and slave.

The battle for liberation continues.... A de facto state of war persists between the United States of America and man’s only space-based civilization: a community of African Americans inhabiting their own space station. Christopher Wright leads the separatists of the Black Space Colony in its endeavor to perfect sub-light travel through the mastery of technology while navigating the sociological challenges of becoming completely independent from Earth. With the arrival of new recruits from Earth comes the challenge of integration while charting their path.

Erandus and his wife are on their last dragon run. One final dragon trade will set them on the path to their long-awaited dream of leaving the dragon islands for good. No trades. No more running for their lives. No more killing. However, when the two of them spot enemy ships docking off their coast, their hopes of a better life are soon put on hold. An unfortunate turn of events throws the two of them into the adventure of their lives. Now, with the dragon islands under siege, Erandus and his wife must decide if they will leave.

Nate Noble has it all--a thriving business, a loving fiancée, and a bright future. But his world takes an unexpected turn when he crosses paths with Marvin Waters, the childhood best friend he hasn't seen in thirty years. Marvin is a man beaten down by life, haunted by a troubled past and barely scraping by. Driven by guilt and a desire to do the right thing, Nate extends a helping hand, offering Marvin a job and a fresh start.

Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States is an 1853 novel by the author and playwright William Wells Brown. Set in the early 19th century, it is the story of Clotel and her sister Althesa, who are fictional slave daughters of Thomas Jefferson. It is considered the first novel published by an African American and explores the destructive effects of slavery on African American families, the difficult lives of mixed-race people, and the degraded and immoral condition of the relationship between master and slave.

Clotel; or, The President’s Daughter is rooted not only in the horrific reality of institutional slavery but also in the historical fact of Thomas Jefferson’s relationship with the enslaved Sally Hemings (here represented by the character Currer). In William Wells Brown’s telling, Currer has two daughters by Jefferson, Clotel and Althesa. Both become Jefferson’s legal property when they are born, and both wind up at auction - along with their mother - when Jefferson dies.

Marcus is one of the few black male counselors at the Thresholds Recovery clinic, and he knew his job would be challenging, but he never thought working with heroin addicts would involve murder, monsters, and geriatric MMA fighters. When the day his phone rings and he hears the frantic cries of one his clients being murdered, he is plunged into a deadly world he never knew existed, making him question his own sanity and sobriety.

When their mentor and founder of The Castle ends up on the business end of an assassination attempt, Grant, Alejandro, Shaz, Mariano, Vikkas, Jai, Daron, Kaleb, and Dwayne are snatched from their daily lives and successful businesses in order to right old wrongs and track down the men responsible for the attempt on his life. However, The Castle, which was built on humanitarian purposes and has amassed a substantial amount of wealth, is now overrun with dirty politicians, the Russian mafia, American crime lords, and businessmen with their own sordid agendas.

From the pages of The New Yorker comes a bold and telling portrait of Black life in America, with astonishing early work from Rebecca West’s account of a lynching trial and James Baldwin’s ‘Letter from a Region in My Mind’ (which later formed the basis of The Fire Next Time) to more recent writing by Toni Morrison, Ta-Nehisi Coates, Zadie Smith, Hilton Als, Jamaica Kincaid, Malcolm Gladwell, Elizabeth Alexander, Chimamanda Ngozi Adichie, Doreen St. Félix, Henry Louis Gates Jr., Kelefa Sanneh and more.

American Book Award-winning author Tananarive Due's second collection of stories ranges from horror to science fiction to suspense. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due's stories all share a sense of dread and fear balanced with heart and hope. In some of these stories, the monster is racism itself; others address the monster within, or other universal struggles set against the supernatural or surreal. All of them are written with Due's trademark attention to detail and deep characterization.

After fifteen years of marriage, Adrian and Steph Wall’s relationship is in crisis. But their troubles multiply when their teenage daughter falls under the spell of Scarlett, a charismatic teen with a knack for shoplifting, joyriding—and secretly triggering tragic “accidents.” Steph worries from the start about Scarlett’s negative influence on their daughter. But when Adrian discovers the girl’s connection to a powerful figure who could make or break his career, he’s torn between ambition and protecting his family from Scarlett’s growing menace.

Robert “Scatterboy” Williams is a small-time hustler selling bogus Cartier watches in Pacific Shores, a port city south of Los Angeles. One day, he’s gunned down in the street, seemingly at random. The police categorize Scatterboy’s murder as business as usual. But his girlfriend convinces private eye Ivan Monk to find the killer. What looks like three unrelated shootings of Black men in Southern California will put Monk on a tortuous trail unraveling a larger nefarious plan: the rise of an extremist demagogue.

Heat is building in the Rancho Tajuata Housing Projects, and not just because it’s summer in L.A. An immigrant family is firebombed and killed in their apartment. Rage threatens to explode. The pressure is on to solve the murders quickly, lest more death and destruction follow. At the request of the controversial onsite security force, P.I. Ivan Monk is called in to investigate.

Long ago, Marshall Spears was a hero of the ballpark. In a time when baseball—and the nation—was segregated, he played in the vaunted Negro Leagues. Decades later, Old Man Spears is living out his days as a fixture in a barbershop in South Central.