Showing results for "william" in Renaissance

In the six lectures of The Power and Persona of Catherine de’ Medici, you will join Professor William Landon of Northern Kentucky University to explore the impact of an unlikely ruler who established an astonishing political and cultural legacy. As you trace the arc of Catherine’s personal and political life, you’ll learn how, after the death of her husband, King Henry II, she managed to maintain his dynasty through three of her sons.

From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth, the Renaissance.

The Teutonic Knights were powerful and ferocious advocates of holy war. Their history is suffused with crusading, campaigning, and struggle. Feared by their enemies but respected by medieval Christendom, the knights and their Order maintained a firm hold over the Baltic and Northern Germany and established a formidable regime that flourished across Central Europe for 300 years. William Urban's narrative charts the rise and fall of the Order and, in an accessible and engaging style, throws light on a band of knights whose deeds and motives have long been misunderstood.

The Grammar of Angels tells the story of Renaissance prodigy and polymath Giovanni Pico della Mirandola, the uncontested marvel of an age of true wonders. Pico dedicated his life to a quest to find the sublime; to reconcile all existing thought into a philosophy that would settle the most important questions about human existence. This philosophy would also provide tools by which man could transcend his mortal limitations and join the ranks of the angels.

this exciting story illuminates the captivating world of the late Renaissance - in this case its plagues, remedies, and alchemy - through the life of Leonardo Fioravanti, a brilliant, remarkably forward-thinking, and utterly unconventional doctor. Fioravanti's marvelous cures and talent for self-aggrandizement earned him the adoration of the people, the scorn of the medical establishment, and a reputation as one of the age's most colorful, combative figures.

Voyages of discovery, inventions, the revival of classical learning, and the advent of science contributed to the intellectual upheavals of this creative period, and are reflected in its literature and art. Hudson focuses on the one thread of continuity that he sees as both the seed and the fruit of this exciting era: the awakening of secular humanism and the emergence of the individual. This history gives the listener a lucid, perceptive analysis of the splendid Renaissance.

The Renaissance, or rebirth, was a period of time when Europeans began to question what they had been told was sacrosanct. Through art, inventions, science, literature, and theology, the separate nations of the European continent sought answers that the Roman Catholic Church was unwilling, or perhaps unable, to offer. It was a triumph of the human spirit and a confirmation of human ability, even as it affirmed the willingness of men and women to die for the right to think freely.

Does a mental disorder reveal the “real” William Shakespeare? Back in the 16th and 17th centuries, bipolar disorder was a mystery, and even as late as the early 2000s, most doctors had difficulties diagnosing it. Unlike COVID-19, there is no swab test for antibodies. No blood test. It is a mood disorder, so doctors rely on their patients to “self-report” their symptoms and ask them questions like, “Were you in a good mood yesterday?”

This is a performance of the very first English translation of Niccolo Machiavelli's The Prince. This translation, published by Edward Dacres, first appeared in 1640. Machiavelli's original Italian edition was printed in 1532, five years after his death. Due to the evil associated with Machiavelli's book, it took 108 years for The Prince to be published in the English language.