Showing results for "i" in Ancient, Classical & Medieval Literature

Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

To fully experience the ecstatic poetry of the Middle and Near East, you must hear it as originally intended: stirred ablaze by inspired music and rhythms before a live audience. In I Want Burning, Coleman Barks fuses his passionate scholarship with a deep feeling for the poetry of Rumi, Hafiz (a 14th-century Sufi mystic, called "one of the jewels in the necklace of Persian poetry"), and Lalla (an exquisite Kashmiri female poet of the 14th century).

A first person epic poem of Odysseus' life and journey. This poem has all the twists and turns that one might expect from the teller of the tale...which is in this case Odysseus himself. The poem starts with Odysseus chiding his unnamed summoner, thus narrating his life, starting with his childhood and ending with his ultimate triumph at the death of the suitors. However, Odysseus has an agenda of his own and attempts to turn the tables on his foe.

From acclaimed classicist Gregory Carlson, discover new insights into one of the greatest works of literature ever composed: Homer’s Odyssey. Why does this ancient epic poem continue to enthrall readers/listeners from all walks of life? You’re undoubtedly familiar with the Odyssey in some form. Now, this exciting audio course invites you to discover Homer’s text with new eyes.

Fra mille dubbi, Amleto prepara la vendetta. Mercuzio fantastica sulla fata dei sogni. Falstaff canta le lodi del buon vino. Jago ordisce il suo velenoso disegno. Prospero evoca gli spiriti dell’isola. 18 folgoranti monologhi, dalla tenebra di un efferato delitto alla levità di un universo fatato. 18 grandi prove di Sandro Lombardi, nella traduzione classica di Carlo Rusconi. Il recital shakespeariano alla massima potenza.

La nuit, les lames de son envie ne rasent plus que l'ennui... Les alcoolos sont gris. (Je ne crois pas faire ici quelconque prophétie.) J'avais, à cette occasion, dévié des nymphes de vent, contre marées et vendredi, dimanche, confins de cet océan. Maintenant que vous savez cela, tous les espoirs restent permis.

This collection contains five speeches from a millennium shaped by faith and empire.