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open water by caleb azumah nelson

open water by caleb azumah nelson

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 we’re closing out our second-person module with one of our strongest books yet: open water by caleb azumah nelson. after talking about the pitt (and the mount rushmore of tv), we talk about the lack of irony in open water and the way its naturalistic style makes you forget it’s written in second-person. we talk about the way nelson writes about media (and how it feels like a barry jenkins movie), how good he is at describing music, and the good lineage of books with “water” in the title. we ask: what would this be like if it was set in the u.s.? we admire the amazing circumstance of the main characters’ meeting, how glad we are at what this book did NOT become, and the shortcut nelson uses to existing art (and the intertextuality it has with other modern media). would this make a good movie? we reflect back on the mixed bag of a module. reading list for season thirteen interior chinatown by charles yu if on a winter’s night a traveler by italo calvino bright lights, big city by jay mcinerney suicide by édouard levé the malady of death by marguerite duras how like a god by rex stout the diver’s clothes lie empty by vendela vida the night circus by erin morgenstern a man asleep by georges perec open water by caleb azumah nelson

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