So, you've decided it's time to turn up the heat on your worldbuilding. Maybe you're writing a full-on romantasy, or maybe it's a smaller component of your overall plot, but if your characters are getting down and dirty, how do you make sure they're getting their freak on in a way that reflects the culture they exist in? Guest Nia Davenport joins us to explore all the angles -- and positions.

When we're thinking about the culture of sex (and sexy cultures), there's a lot to unpack, particularly because of our own society's various hang-ups, preconceptions, and puritanical history. So how have social forces exerted pressure on ideas about the expression (and perhaps exhibition) of desire within your invented world? How can you use your characters to challenge or subvert conceptions of promiscuity, chastity, gender roles, and power dynamics?

[Transcript for Episode 167]

Our Guest: Nia "N.E." Davenport is an award-winning Science Fiction/Fantasy author who writes stories that blend magic, mayhem, and deadly heroines. She attended the University of Southern California and studied Biological Sciences and Theatre Arts. She also has an M.A. in Secondary Education. She teaches English and Biology to amazing students. When she isn’t writing, she enjoys vacationing with her family, skiing, and being a huge foodie. She’s an advocate for diverse perspectives and protagonists in literature. You can find her on Twitter @nia_davenport, or on Instagram @nia.davenport, where she talks about binge-worthy TV, killer movies, and great books. She lives in Texas with her husband and kids.

We use history a lot in our worldbuilding, whether as a direct re-interpretation or as inspiration for a secondary world that we’re creating. So… why do we do that? And what choices do we need to examine as we do so? Guest Alix E. Harrow joins us to discuss weaving historical realities into our fiction.

The construction of history is, itself, always the process of creating a narrative through authorial and editorial choices, and so not as wildly different from writing fiction as it may seem. That interrelation means there is an ethical component to worldbuilding, particularly when dealing with issues of imperialism, colonialism, and historically marginalized populations. How do we interrogate the stories we've received, the information our research turns up, and the assumptions both we and our readers might make based on what we think we know about history?

[Transcript for Episode 166]

Our Guest:

Alix E. Harrow is the NYT-bestselling author of The Ten Thousand Doors of January, The Once and Future Witches, Starling House, and various short fiction, including a duology of retold fairy tales (A Spindle Splintered and A Mirror Mended). Her work has won a Hugo and a British Fantasy Award, and been shortlisted for the Nebula, World Fantasy, Locus, Southern Book Prize, and Goodreads Choice awards.

She's from Kentucky, but now lives in Charlottesville, Virginia with her husband and their two semi-feral kids.

From beer to gin, from caffeine to tobacco, from mushrooms to hallucinogenic snails, a culture's options for achieving altered states of consciousness through consumables are vast! So when the people in your culture want to get blitzed -- How do they achieve that? The choices can communicate a lot to your readers about your world's technology, climate, and topography, as well as their ideas about health. Alcohol and other intoxicants also tend to accumulate lots of social apparatus around them. Unspoken rules might dictate when it's okay to get intentionally impaired and when it's unacceptable, or what forms of booze are considered high-class or low-class; actual laws might regulate both creation and consumption.

You can also explore why your people partake of such things: Just for fun? Are there religious associations, like offering libations to a god or putting a prophet into a trance state? Do they think that inhaling ash is good for them?

As always, we advocate both doing the research and looking for creative choices! Can you give your culture a unique intoxicant of some kind? In this episode, we also take a moment to practice what we preach and discuss the inebriating habits of the cultures in our co-built world!

[Transcript for Episode 165 TK]